Asian literature.
Overview
| Works: | 681 works in 0 publications in 0 languages | |
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Titles
A content analysis of gender stereotypes and romantic ideals in Chinese Boy's Love stories.
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Psychoanalyzed Vacillation between and Entanglement of the Old and the New in 1930s Shanghai: the Sinicization of Freudian Psychoanalysis in Two Short Stories by Shi Zhecun.
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The Social Life of Texts: Reading Zhuang Chuo's [special characters omitted] (fl. 1126) Jilei bian [special characters omitted] (Chicken Rib Chronicles).
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Building blocks of Chinese historiography: A narratological analysis of "Shi ji".
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Reading Bodies: Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel "Guwangyan" ("Preposterous Words").
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Song of Youth: Youth Narratives and Representations of Young People in Contemporary Chinese Literature, Film, and Popular Culture.
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Representing talented women in eighteenth-century Chinese painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion.
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Gender and Genre in the High Qing: Depictions of Feminine Sociability and Household Dynamics across Late Imperial Genres.
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Conceptualization and visualization of the invisible in Western and Chinese thought and literature.
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Dao and Wen: Study of Classical Prose in Late Ming and Early Qing Dynasties.
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The "sent-down" vision: Poetics and politics of zhiqing literature in post-Mao China.
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The social life of nations: A comparative study of American and Chinese utopian fiction, 1888-1906.
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"The Mirror of China": Language selection, images of China, and narrating Japan in the Kamakura period (1185-1333).
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Beyond the Iron House: Ecological Thinking in Modern Chinese Literature, 1917-1937.
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A Reappraisal of Shanshui shi from the Liu-Song (420-479 CE) and High Tang Eras (712-770).
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The Buddha's secret gardens: End times and hidden -lands in Tibetan imagination.
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The birth of new barbarians: The theater of encounter in four early twentieth -century French and Chinese writers.
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The politics and poetics of wo /man /ufacture: Male representations of woman in Chinese Han fu and Roman love elegy.
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Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.
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From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
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Seeking Redemption and Sanctity: Seventeenth-Century Chinese Christian Literati and their Self-Writing.
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Turning ghosts into people: "The White-Haired Girl", revolutionary folklorism and the politics of aesthetics in modern China.
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Shi and State: A Study of the Ming China Literary Restoration Movement from 1488 to 1521.
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Feng Menglong's "Romantic Dream": Strategies of containment in his revision of "The Peony Pavilion".
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Distinguishing characteristics of domestic novels in the Ming and Qing dynasties.
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A phonological study on the rhymes of Zhu Youdun's works: Comparing the rhymes of Old Mandarin in the Yuan and early Ming China.
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A reading of the divine speech in Job in light of the Zhuangzi: From an Asian feminist perspective.
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A Genealogy of an Erotic Figure: Rereading the "Chinese Influence" of Heian Literature.
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Autonomy and Dependency Relationships in Poetry and Fiction by Tomioka Taeko and Ito Hiromi.
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Yi Lin, pious rebel: A study of the Founding Minister of the Shang in early Chinese texts.
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The emotional weight of poetic sound: An exploration of phonemic iconicity in the haiku of Basho.
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Autobiography as Fiction, Fiction as Autobiography: A Study of Autobiographical Impulse in Pak Wansoˇ's The Naked Tree and Who Ate Up All the Shinga.
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Re-envisioning Literature and History: An Annotated Translation of Two Short Stories by Jin Renshun.
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Caught Between a Bi-cultural Heritage and Triangular Nostalgic Sentiments: An Oral History of Hong Kong before, during and after 1997.
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Urban Strangers: Representations of Migrant Workers in Contemporary Chinese Literature, Film, and Popular Culture.
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Toward an Extraordinary Everyday: Li Yu's (1611-1680) Vision, Writing, and Practice.
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Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770).
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Sites of struggle: Articulations and deformations of power in marginal literature.
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Debating modernity: Contemporary Chinese public intellectuals and novelists.
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History, mystery, myth: A comparative study of narrative strategies in the "Baija gongan" and "The Complete Sherlock Holmes".
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Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.
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Samurai, Jesuits, puppets, and bards: The end(s) of the kowaka ballad. Volume One: Sagamigawa, Transformations of a Post-Kowaka Ballad. Volume Two: Ballad Discourse in Jesuit Mission Literature in Japanese.
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Mercenary mamas and rising sons: The figure of the controlling mother in modern Japanese literature.
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Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.
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A classical Chinese perspective toward literature: Liu Xie's theory of "wenxin".
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Imperial literature: Languages, bodies, and others in the Japanese Empire.
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Re-reading the seventeenth century: Ding Yaokang (1599-1669) and his writings.
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A verbal paradise visualized: An ekphrasistic study of the "Daguanyuan" in Cao Xueqin's "Hongloumeng"
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Transnational Negotiations and the Interplay Between Chinese and Western Detective Fiction at the Turn of the Twentieth Century.
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From the center to the margins: The "Shuihu Zhuan" and the transformation of vernacular fiction in the sixteenth and seventeenth centuries.
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THE AUTHORSHIP OF "THE DREAM OF THE RED CHAMBER": A COMPUTERIZED STATISTICAL STUDY OF ITS VOCABULARY.
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Making a difference: Stories of the translator at the turn-of-the-century.
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The Caizi-Jiaren novel: A historical study of a genre of Chinese narrative from the seventeenth century to the nineteenth century.
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The meaning of the "Eight Views of Hsiao-Hsiang": Poetry and painting in Sung China.
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New perspectives on two late Ming novels: "Hsi-yu Pu" and "Jou P'u T'uan".
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Reading the "kowaka -mai" as medieval myth: Story -patterns, traditional reference and performance in late medieval Japan.
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Momotaro, or the peachboy: Japan's best-loved folktale as national allegory.
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Buddhists, Brahmans, and Buddhist Brahmans: Negotiating Identities in Indian Antiquity.
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The Indo-Tibetan Buddhist consecration ritual for 'stupas', images, books and temples.
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The range of the bodhisattva: A study of an early Mahayanasutra, "Aryasatyakaparivarta", Discourse of Truth Teller.
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Die ganze Welt in einem Zoll. Ein Beitrag zur chinesischen Siegelkunde. (Volumes I and II).
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Dharmaraksa and his work: The impact of Central Asian Buddhist thought in translating Buddhist texts in the third to fourth century China.
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China's routes to Tibet during the early Qing dynasty: A study of travel accounts.
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Bana: Buddhist preaching in Sri Lanka (special focus on the two-pulpit tradition).
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The lane-house and the role of domestic space in Shanghai's urban cinema 1932-1966.
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Chinese Bamboo and the Construction of Moral High Ground by Song Literati.
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Reading as ritual: Desire for textual community in works by Jeremias Gotthelf, Izumi Kyoka, Yanagita Kunio, and Annette von Droste-Hulshoff.
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Valences of Vengeance: The Moral Imagination of Early Modern Japanese Vendetta Fiction.
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Primers, Commentaries, and Kanbun Literacy in Japanese Literary Culture, 950-1250CE.
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A descriptive study of writing development in Chinese-speaking young children, ages 3-6.
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Fictions of enlightenment: An intertextual study of "Xiyou ji", "Xiyou bu", and "Honglou meng".
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Female role models: Fictional and actual heroines of the late Chinese Empire with reference to Meng Lijun and Qiu Jin.
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Dancing in chains: Chinese contemporary huaju (spoken drama) from 1976 to 1989.
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A DIACHRONIC STUDY OF GRAMMATICAL SUBJECT IN JAPANESE (DISCOURSE, TOPIC MARKER, "THE TALE OF GENJI", LANGUAGE CHANGE).
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The Lineage of Emotions in Medieval Japan: A Textual Analysis of Yoshitsune's Kibune Episode.
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"It feels too good to be real": Approaching commitment through queer space and time in Haruki Murakami's the "Wind-Up Bird Chronicle" and "1Q84".
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Coincidence or Contact: A Study of Sound Changes in Eastern Old Japanese Dialects and Ryukyuan Languages.
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Lost sound: Singing, theater, and aesthetics in late Ming China, 1547-1644.
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Metamorphoses identitaires dans la litterature fantastique contemporaine.
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Nihilist vision through literary subversion in mainland Chinese avant-garde fiction. Two cases: Nihilism of the indifferent as exemplified by Yu Hua and nihilism of the absurd as exemplified by Can Xue.
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Miura Ayako the Christian writer: A critical study of her major novels and their reception in Japan.
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"A significant season": Literature in a time of endings. Cai Yong and a few contemporaries.
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A study of "The Han Garden Collection": New approaches to modern Chinese poetry, 1930-1934.
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From Exclusion to Inclusion---A Shift in the Perception of Native and Asian Americans through Graphic Stories: A Comparison of Political Cartoons from the 1800s to Trickster, American Born Chinese, and Level Up.
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History and the true war story: Reading for moral injury in Vietnam veteran literatures.
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In search of the meaning of writing: A study of modern Chinese diary fiction.
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Ideality and reality: Feminist utopias and the patriarchal world in eighteenth-century Chinese and English fiction.
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Translated images of the foreign in the early works of Lin Shu (1852-1924) and Pearl S. Buck (1892-1973): Accommodation and appropriation.
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Exploring the intersection between gender and culture: Rereading Li Qingzhao and Emily Dickinson from a comparative perspective.
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Competing with creative transformation: The poetry of Ouyang Xiu (1007-1072).
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Two authorial rhetorics of Li Yu's (1611-1680) works: Inversion and auto-communication.
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The affective politics of home: Queer familial imaginations in 20th and 21st century Chinese theatre and film.
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Destination Hong Kong: Negotiating locality in Hong Kong novels 1945-1966.
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Co-constructing Empire in Early Choson Korea: Knowledge Production and the Culture of Diplomacy, 1392-1592.
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Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels.
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Towards an itinerant sinophone: Transnational literary collaboration in the writings of Xiao Hong, Zhang Ailing, and Lao She.
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The politics of "storytelling": Schemas of time and space in Japan's traveling imagination of semi-colonial China and beyond, 1920s-1980s.
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Chinese euphonics: Phonetic patterns, phonorhetoric and literary artistry in early Chinese narrative texts.
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Competition and collaboration in Edo print culture: Lineage, creative specialization and market eminence for artists of the Utagawa school, 1770 - 1900.
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Foundations of Chinese historiography: Literary representation in Zuo zhuan and Guoyu.
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Poetry in narrative: Meng Ch'i (fl. 841-886) and "True Stories of Poems (Pen-shih shih)".
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Narrating the nation: The aesthetics of historical experience in Chinese reportage literature, 1919-1966.
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An annotated translation of Yan Yu's "Canglang shihua": An early thirteenth-century Chinese poetry manual.
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Standards of excess: Literary histories, canons, and the reception of Late Tang poetry.
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Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
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Reading Comic Books Critically: How Japanese Comic Books Influence Taiwanese Students.
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Quasi-History and Public Knowledge: A Social History of Late Ming and Early Qing Unofficial Historical Narratives.
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Translating trickster, performing identity: Representations of the Monkey King (Sun Wukong) in Chinese and Asian American rewritings.
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"Gu Tang Shigui" and the making of commented poetry anthologies in the seventeenth century China.
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Aesop's Fables in China: The transmission and transformation of the genre.
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Quest for the urtext: The textual archaeology of "The Three Kingdoms". (Volumes I and II).
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"An amorous history of the silver screen": Film culture, urban modernity, and the vernacular experience in China, 1896-1937.
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The mediating eye: Mao Lun, Mao Zonggang and the reading of "Sanguo zhi yanyi".
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A STUDY OF THE THIRTEENTH CENTURY BUDDHIST TALE COLLECTION "SENJUSHO". (JAPAN).
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CHOU LIANG-KUNG AND HIS "TU-HUA-LU" (LIVES OF PAINTERS): PATRON-CRITIC AND PAINTERS IN SEVENTEENTH CENTURY CHINA. (VOLUMES I-III).
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Dazai Osamu and the problematics of context in Japanese artistic consciousness.
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The "Candragarbha-sutra" in central and east Asia: Studies in a Buddhist prophecy of decline.
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An analysis of Udayana's arguments against the Buddhist doctrine of 'ksanabhanga' as presented in the "Atmatattvaviveka". (Volumes I-III).
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A study of the Buddhist saint in relation to the biographical tradition of Milarepa.
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En no Gyoja: The legend of a holy man in twelve centuries of Japanese literature.
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The 'fuju fuse' controversy in Nichiren Buddhism: The debate between Busshoin Nichio and Jakushoin Nichiken.
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Ksemendra's "Bodhisattvavadanakalpalata": A text-critical edition and translation of chapters one to five.
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Byways in Chinese Buddhism: The "Book of Trapusa" and indigenous scriptures.
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A comparative study of Buddhist version of the "Epic of Gesar of Ling". (Volumes I and II).
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The landscapes of Wu Bin (c. 1543-c. 1626) and a seventeenth-century discourse of originality.
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Composing courtiers: Ki no Tsurayuki's poetic visions of gender, writing, and ritual at the Heian court.
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A study of clothing in the classic Chinese novel "Hong lou meng" ("A Dream of Red Mansions").
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Theory and Anecdote in Chinese Poetics: the Trajectory of Remarks on Poetry in Song Dynasty China.
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Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945.
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How a city speaks: Urban space in Chang'an and the construction of Tang Dynasty narratives.
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The Sound of Bombs---Translating Chinese Poetry from the Second World War.
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Vocabularies of Violence: The Chinese Coolie Trade and the Constitutive Power of its Conceptual Vocabularies, 1847-1907.
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Making China's greatest poet: The construction of Du Fu in the poetic culture of the Song Dynasty (960-1279).
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From Hangzhou to Lin'an: History, Space, and the Experience of Urban Living in Narratives from Song Dynasty China.
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The author's Doppelgaenger: Celebrity, canonicity, and the anxiety of the literary marketplace in the contemporary novel.
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Liang Yusheng's critical study of the Doubtful Passages in the Grand Scribe's Records and its impact on modern scholarship.
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Borderless Fandom and Contemporary Popular Cultural Scene in Chinese Cyberspace.
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The Shaman detective: A comparative reading of enchantment and animism in contemporary Japanese detective fiction.
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An English translation of General Qi Jiguang's "Quanjing Jieyao Pian" (Chapter on the Fist Canon and the Essentials of Nimbleness) from the "Jixiao Xinshu" (New Treatise on Disciplined Service).
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Beyond form and structure: A study of the paleographic and poetic reflections of the meaning and experience of Chinese architecture.
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An unlucky muse from northeast China: A study of Duanmu Hongliang during the War of Resistance.
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Emulating the Yellow Emperor: The theory and practice of HuangLao, 180-141 B.C.E.
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Family troubles: Contestations and non-western modernity in the cases of China, Taiwan, and Japan.
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Double temporality and its significance: A narrative analysis of Chinese fiction in the nineteen eighties.
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Performing 'Chinese-ness': Articulating identities-of-becoming in the works of four Sinophone theatre director-playwrights in the 1980s.
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The art of Chinese pentasyllabic poetry from the first to the third century.
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Pound, Williams, and Chinese poetry: The shaping of a Modernist tradition, 1913-1923.
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Gold mountain dreams: Chinese-American literature and its sociohistorical context, 1850-1963.
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Inner Asia in Chinese history: An analysis of the Hsiung-nu in the "Shih chi".
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Li Kung-lin and long handscroll illustrations of T'ao Ch'ien's "Returning Home". (Volumes I and II).
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The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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Twentieth century Chinese and American short fiction: A comparative analysis.
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Listening to the Ghostly Genius: The Auditory Depiction in Li He's Poetry.
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From Tradition to Brand: The Making of 'Global' Korean Culture in Millennial South Korea.
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Timeless in Asia: Wordless and Silent Experiences of Minimalism in Postcolonial American Art.
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Young Mongol intellectuals during the Manchukuo era: A case study on Erdenitogammataqu's early literature 1931-1945.
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Grafted identities: Shrews and the new woman narrative in China (1910s-1960s).
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The semantic variability of the emphatic construction koso -e in Old Japanese.
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The Dawn of Cinematic Modernism: Iwanami Productions and Postwar Japanese Cinema.
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Re-Envisioning the Workings of Text and Image: "Yoru no Nezame" and Late-Heian Literature and Art.
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Crossing boundaries: The transnational third space of contemporary Chinese-Francophone writers.
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The space of Japanese science fiction: Illustration, subculture, and the body in "SF Magazine".
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Mediating Trans/nationalism: Japanese 'Jun'ai' (Pure-Love) in Popular Media Representations.
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Binding a universe: The formation and transmutations of "The Best Japanese SF" ("Nenkan Nihon SF Kessakusen") anthology series.
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Compassion as catalyst: The literary manifestations of Murakami Haruki's transformation from "Underground" to "Kafka on the Shore".
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Ching and chuan: Towards defining the Confucian scriptures in Han China (206 BCE--220 CE).
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The lightness of Chinese beings: Adaptations and ideology in the PRC's film art.
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The genesis and development of Hangdang in traditional Chinese theatre before the emergence of Beijing Opera.
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The major developments and their ideological implications of Chinese film and film education since the Cultural Revolution.
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The Chinese outcry and the American dream: A comparative study of Lu Xun and F. Scott Fitzgerald.
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Chang Yin-huan: A neglected diplomat and reformer in late nineteenth-century China.
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Celebrating the emotional self: Feng Meng-lung and late Ming ethics and aesthetics.
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"Versatility within tradition": A study of the literary works of Bao Zhao (414?-466).
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Gentlemen's prescriptions for women's lives: Liu Hsiang's "The Biographies of Women" and its influence on the "Biographies of Women" chapters in early Chinese dynastic histories.
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Constant dancing in the palaces: Context and characteristics of movement in early Chinese performance.
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Buddhism, biography and power: A study of Daoxuan's "Continued Lives of Eminent Monks".
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The idea of the monk in medieval China: Asceticism, thaumaturgy, and scholarship in the "Biographies of Eminent Monks".
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Chung Hsing (1574-1625), a literary name in the Wan-li era (1573-1620) of Ming China.
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Rhetoric, romance, and intertextuality: The making and remaking of Guan Hanqing in Yuan and Ming China.
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Nostalgia and the reading of the late Ming essay: Zhang Dai's "Tao'an mengyi".
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Metaphors of love and desire in "The Portrait of a Lady", "The Dream of the Red Chamber" and "The Tale of Genji".
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Myth and reality in the rural and urban worlds: A survey of the literary landscape in American and Chinese regional literatures.
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Fugitive Subjects of the "Mi-Yi": Politics of Life and Labor in Taiwan's Medical Modernity.
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Re-claiming the ideals of the yoˇllyoˇ: Women in and with books in Early Chosoˇn Korea.
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A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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Blowing Away Convention: Enchi Fumiko, Tanabe Seiko and Aging Women in Modern Japanese Literature.
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The Wild Individual: Politics and Aesthetics of Realism in Post-Mao China (1977-1984).
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Looking Laterally: Cosmopolitanism and the South Asian Postcolonial Novel.
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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Echoes From the Other Side: Gender, Space, and Psyche in Contemporary Japanese Genre Fiction.
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In Search of the National Soul: Writing Life in Chinese Literature 1918--1937.
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The Visible Translator: Language and Identity in Meiji-period Japanese Travel Narratives.
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Ritual and the shaping of narrative: The legend of the Han Emperor Wu. (Volumes I and II).
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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Authoring autonomy: The politics of art for art's sake in Filipino poetry in English.
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Exercises in the translation of contemporary Chinese and Japanese poetry.
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The development of poetic didacticism in Chinese political thought and its function in Mao's ideological campaigns.
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Strumming and singing the "Three Smiles Romance": A study of the 'Tanci' text.
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From chronicle to canon: The hermeneutics of the "Spring and Autumn Annals" according to Tung Chung-shu.
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Nouns, nominalization and denominalization in Classical Chinese: A study based on 'Mencius' and 'Zuozhuan'.
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The myth of the Chinese in the literature of the late nineteenth and twentieth centuries.
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Stories of the "others": The presentation of unconventional characters in Tang (618-907) chuanqi.
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The house in South Asian Muslim women's early anglophone life-writing and novels.
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Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S.
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The sensibility of the adopted: Trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.
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Dear Reader, Good Sir: The Birth of the Novel in Nineteenth-Century Bengal.
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Unuseless Cyborgs: Spiral Posthumanism and Popular Culture in Japan's Ushinawareta Nijunen (1990-2010).
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Rewriting the Past: Reception and Commentary of Nihon shoki, Japan's First Official History.
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Singing the Songs of Well-Ordered Ages: Territory, Time, and Projected Power in "Goshui Wakashu".
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Science, technology, and war in Song China: Reflections in the "Brush Talks from the Dream Creek" by Shen Kuo (1031-1095).
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Tropologies of Indianness in Anglophone colonial and postcolonial South Asian fiction.
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The Aesthetics of Information in Modern Chinese Literary Culture, 1919-1949.
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IN THE TRADITION OF KINGS: THE GENTLEMAN IN THE ANALECTS OF CONFUCIUS (CHINESE THOUGHT).
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MARRIAGE DESTINIES TO AWAKEN THE WORLD: A LITERARY STUDY OF "XINGSHI YINYUAN ZHUAN" (CHINESE FICTION, 17TH CENTURY).
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THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).
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HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
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WHY UTOPIAS FAIL: A COMPARATIVE STUDY OF THE MODERN ANTI-UTOPIAN TRADITIONS IN CHINESE, ENGLISH, AND JAPANESE LITERATURES (DYSTOPIA).
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(Electronic resources)
DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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(Electronic resources)
AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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(Electronic resources)
SYMPATHY, COUNTERPOISE AND SYMBOLISM: ASPECTS OF STRUCTURE IN "DREAM OF RED CHAMBER" (HONGLOUMENG, HUNGLOUMENG, CHINA).
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(Electronic resources)
FROM THE WELLSWEEP TO THE SHALLOW SKIFF: LIFE AND POETRY OF WANG ANSHI (1021-1086) (CHINA).
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(Electronic resources)
LU HSIANG-SHAN AND THE IMPORTANCE OF ORAL COMMUNICATION IN CONFUCIAN EDUCATION (CHINA, NEOCONFUCIANISM, CHU HSI).
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(Electronic resources)
THE "CONFUCIAN ODES" MADE NEW: EZRA POUND'S TRANSLATION OF THE "SHI JING" (CHINA; KUNG).
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(Electronic resources)
THE VICISSITUDES OF SATIRE IN CONTEMPORARY CHINESE FICTION: GAO XIAOSHENG.
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(Electronic resources)
TU MU AS A LITERARY CRITIC: GLEANINGS FROM THE VILLA ON FAN STREAM (CHINA).
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(Electronic resources)
THE "LEDGER ON THE RHAPSODY": STUDIES IN THE ART OF THE T'ANG 'FU' (CHINA).
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(Electronic resources)
Charles Dickens and Lao She: A study of literary influence and parallels.
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(Electronic resources)
Pu Songling's (1640-1715) "Liaozhai zhiyi" and the Chinese discourse on the strange.
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(Electronic resources)
The writings of a poet-warrior: Hu Feng's vision of realism in China (1928-1948).
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(Electronic resources)
The narrative art of "Tsai-sheng-yuan"--a feminist vision in traditional Confucian society.
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(Electronic resources)
The poetics of misunderstanding: The anxiety of reception in Chinese-Western literary relations.
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(Electronic resources)
Impregnable phalanx and splendid chamber: Chang Yueh's contributions to the poetry of the High T'ang.
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(Electronic resources)
Tales of the supernatural: "Liao-chai chih-i" and the American short story of the nineteenth century.
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(Electronic resources)
Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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(Electronic resources)
Written Cantonese and the culture of Hong Kong: The growth of a dialect literature.
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(Electronic resources)
Toward a poetics of the Chinese novel: A study of the prefatory poems in the "Chin P'ing Mei tz'u-hua".
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(Electronic resources)
'To admonish and exhort': The didactics of the 'zhiguai' tale in Ji Yun's "Yuewei caotang biji".
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(Electronic resources)
Gone with the Yin: The position of women in early Superior Clarity (Shangqing) Daoism.
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(Electronic resources)
Theory and practice: Fiction, fiction criticism, and the writing of the "Ju-lin wai-shih".
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(Electronic resources)
Radical Language, Radical Identity: Korean Writers in Japanese Spaces and the Burden to "Represent".
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(Electronic resources)
The Jeweled Broom and the Dust of the World: Keichu, Motoori Norinaga, and Kokugaku in Early Modern Japan.
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(Electronic resources)
"NEW HISTORY OF THE STATES": THE SOURCES AND NARRATIVE STRUCTURES OF A CHINESE FICTIONALIZED HISTORY (FENG MENG-LUNG).
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(Electronic resources)
EARLY CHINESE ASTRONOMY AND COSMOLOGY: THE "MANDATE OF HEAVEN" AS EPIPHANY.
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(Electronic resources)
SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM).
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(Electronic resources)
Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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(Electronic resources)
An Wandering Identity: Home, Nation and Modernity in Hu Lancheng's Literary Works.
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(Electronic resources)
TU FU'S "EIGHT LAMENTS": ALLUSION AND IMAGERY AS MODES OF POETRY (PERIPHRASIS, CHINA).
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(Electronic resources)
AESTHETICS OF OPPOSITION: A STUDY OF THE MODERNIST GENERATION OF CHINESE POETS, 1936-1949 (CHINA, WESTERN MODERNISM).
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(Electronic resources)
PEN OR SWORD: THE WEN-WU CONFLICT IN THE SHORT STORIES OF LAO SHE, (1899-1966) (CHINA).
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(Electronic resources)
Recentering Taiwan: Colonialism, the Nation, and Identity in Taiwanese Fiction and Film.
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(Electronic resources)
Murakami Haruki: A Serious Literature Writer Under the Cover of Pop Culture.
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(Electronic resources)
Chinese Enchantment: Reinventing Pu Songling's Classical Tales in the Realm of World Literature, 1880-1920.
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(Electronic resources)
A SOCIETY UNDER FOREIGN RULE: THE CHARACTERS OF KUAN HAN-CH'ING AS CRITICAL STATEMENTS ABOUT THE YUAN DYNASTY, 1280--1368. (CHINA).
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(Electronic resources)
VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).
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(Electronic resources)
HUANG T'ING-CHIEN: HIS ANCESTRY AND FAMILY BACKGROUND AS DOCUMENTED IN HIS WRITINGS AND OTHER SUNG WORKS (CHINA).
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(Electronic resources)
A STUDY OF THE 'SHU' (LETTERS) OF THE HAN DYNASTY (206 B.C.-A.D. 220) (CHINA).
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(Electronic resources)
Master of the family: History and development of the Chinese cult to the stove.
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(Electronic resources)
The order of narrative discourse: Problems of Chinese historiography and fiction.
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(Electronic resources)
Western and Chinese literary genre theory and criticism: A comparative study.
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(Electronic resources)
Filmic discourse on women in Chinese cinema (1949-1965): Art, ideology and social relations.
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(Electronic resources)
Unfolding Buddhism: Communal Scripts, Localized Translations, and the Work of the Dying in Cambodian Chanted Leporellos.
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(Electronic resources)
Theaters of Reform and Remediation: Xiqu (Chinese Opera) in the Mid-Twentieth Century.
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(Electronic resources)
Nandan, Gender Plasticity, and the Dichotomization of "Artistic" Femininity versus "Natural" Masculinity from China's Republican Era to the Early PRC, 1912-Early 1960s.
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(Electronic resources)
Liberalism and Nationalism: "T'ien Hsia Monthly"'s Translation of Chinese Culture (1935-1941).
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(Electronic resources)
SATIRE AND THE POLEMICS OF THE CRITICISM OF CHINESE FICTION: A STUDY OF THE "JU-LIN WAI-SHIH.".
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(Electronic resources)
CHINESE IMPRESSIONISTIC CRITICISM: A STUDY OF THE POETRY-TALK (SHIH-HUA TZ'U-HUA) TRADITION.
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(Electronic resources)
LINKED-VERSE POETRY IN CHINA: A STUDY OF ASSOCIATIVE LINKING IN "LIEN-CHU" POETRY WITH EMPHASIS ON THE POEMS OF HAN YU AND HIS CIRCLE.
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(Electronic resources)
THE WOODEN-TONGUED BELL: THE USES OF LITERATURE AND POETRY-COLLECTING IN HAN CHINA.
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(Electronic resources)
POETICS AND PROSODY IN EARLY MEDIAEVAL CHINA: A STUDY AND TRANSLATION OF KUKAI'S "BUNKYO HIFURON.".
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(Electronic resources)
THE IMPACT OF CHINA'S LITERARY MOVEMENTS ON MALAYA'S VERNACULAR CHINESE LITERATURE FROM 1919 TO 1941.
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(Electronic resources)
On the Criteria and Methods for "Discerning Inauthenticity" in the Context of Early Chinese Texts.
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(Electronic resources)
Manuscripts, Texts and Geographical Writings: A Study of Dunhuang Manuscript P.2005.
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(Electronic resources)
Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film.
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(Electronic resources)
Cripping Hwabyung: A Cripqueer Analysis of Korean Historical Drama Films.
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(Electronic resources)
The Discourse of Nonverbal Autism: Agency, Identity, and Framing in the Writing of Naoki Higashida.
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(Electronic resources)
The Way of Darkness and Light: Daoist Divine Women in Pre-Modern Chinese Fiction.
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(Electronic resources)
The Way of the Idle Men: Leisure and Daily Life of Bannermen in Qing Beijing, 1750-1900.
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(Electronic resources)
Breaking Silence - A Reading of Shimizu Shikin's Early Writings on Women's Rights and Education 1887 - 1890.
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(Electronic resources)
Zheng Xuan's Shangshuzhu: Compilation for the Lost Work and the Textual Research.
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(Electronic resources)
A Study of the Relationship between Ci-poetry and Scholarship on Confucian Classics in the Late Qing Dynasty.
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(Electronic resources)
Re-examining Taiwanese Fiction in the Era of Post-Martial Law through Cross-strait Literary Interactions: Zhang Dachun, Shi Shuqing and Zhu Tianxin as foci.
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(Electronic resources)
Illumination: Dong Zhongshu's Influences on the Literature and Thought of the Former Han Dynasty.
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(Electronic resources)
Crossing Rivers and Lakes: The Art of Everyday Life in Contemporary China.
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(Electronic resources)
Innovation and global aspiration: The emergence of China as a leading nation in the global telecommunications sector.
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(Electronic resources)
The Third Day of the Third Month in Early Medieval Chinese Texts: Literary Composition as Ritualized Practice.
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(Electronic resources)
Re-imagining Republican Era Shanghai and Emerging Legal Discourse Through Cheng Xiaoqing's Detective Novel Series Huo Sang Tan'an.
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(Electronic resources)
Translating "The Ballad of Tsiu Sing" as World Literature: A Creative Approach = = 創造性翻譯：將《周成過台灣》搬上世界文學舞台.
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(Electronic resources)
Experimental Poetics of the Asian Diaspora: Readings in Meatspace and Cyberspace.
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(Electronic resources)
Writing Otherness: Uses of History and Mythology in Constructing Literary Representations of India's Hijras.
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(Electronic resources)
Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi's The Stolen Bicycle.
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(Electronic resources)
Intersecting Nations, Diverging Discourses: The Fraught Encounter of Chinese and Tibetan Literatures in the Modern Era.
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(Electronic resources)
The Role of Texts in the Formation of the Geluk School in Tibet During the Mid-Fourteenth and Fifteenth Centuries.
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(Electronic resources)
Retelling Stories as a Way to Catharsis Ambivalent Feelings Faceciousness, and Re-Evaluation of Lu Xun's Old Stories Retold.
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(Electronic resources)
Body and Psyche: The Archetypal Explorations of Symbolism of Trees in Taiwan.
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(Electronic resources)
Envisioning the Chinese Detective: Dimensions of an Imported Genre, 1890s-1940s.
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(Electronic resources)
You Are Whom You Eat: Cannibalism in Contemporary Chinese Fiction and Film.
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(Electronic resources)
Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
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(Electronic resources)
Pacific Crossings: Travel, Writing, and Literary Transition in the Sino-American Nineteenth and Early Twentieth Centuries.
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(Electronic resources)
Re-visions of the past: Lyricism as history in contemporary Chinese poetry and film.
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(Electronic resources)
Neo-Confucian Philosophy of History, the Case of Zhu Xi = = 理學的史學 : 朱子的個案.
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(Electronic resources)
On the Road, above the Sea: Post-geographic and Bodily Epistemologies in Taiwanese Travelogues.
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(Electronic resources)
The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia.
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(Electronic resources)
Rethinking the Postwar from Outside: Japanese Literature of Decolonization.
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(Electronic resources)
The Aesthetics of Non-discrimination: Chinese Poetics and Social Critique in Huihong's Night Chats from Chilly Hut (c. 1121).
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(Electronic resources)
The Poverty of Fiction: Russia in the Making of a Modern Chinese Realism.
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(Electronic resources)
九品往生與冥間官府：漢唐佛教天堂地獄觀念的構建 = = Nine Grades in the Pure Land and the Bureaucracy in Hell: The Construction of the Concept of Heaven and Hell in Buddhism between the Han and Tang Dynasties.
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(Electronic resources)
"Art Is to Sacrifice One's Death": The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin.
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(Electronic resources)
Killing Me Softly in a Metropolis: Tales of Murder and Murderous Passion in Republican Shanghai (1911-1937).
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(Electronic resources)
Epistolary Knowledge for Mass Consumption: Letter Manuals in Late Qing and Republican China (ca. 1831-1949).
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(Electronic resources)
Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions.
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(Electronic resources)
A Preliminary Study of the Relationship between the Script Found on the Excavated Warring States Manuscripts from the Chu Region and the Archaic Script of Shang and Western Zhou Dynasties = = 戰國楚地出土文字與商代、西周文字關係 初步研究.
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(Electronic resources)
(Non)illusion, Allegory, and Play: Literati Playwrights' Genre Consciousness and Its Metatheatrical Representations in Late-Ming and Early-Qing China.
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(Electronic resources)
80 Years of "The Orient": Re-Mapping the Trajectory of American Orientalism in the Wake of COVID-19.
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(Electronic resources)
Scaling the Nation: Local Literary Production and National Literature in Postwar Japan, 1946-1955.
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(Electronic resources)
Nilai Ukhuwah Dalam Buku Puisi Tunjammu Kekasih Dan Jalan Malam Karya Abdul Wachid B.S = = The Value of Ukhuwah in the Poetry Book of Tunjammu Beloved and the Night Way by Abdul Wachid B.S.
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(Electronic resources)
Migration of Text and Shift of Identity : = Self-Translation in the Bilingual Works of Lin Yutang, Eileen Chang, and Ha Jin.
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(Electronic resources)
Between Ya and Su : = A Study on the Poetry Involved in the Scholar-Beauty Novels in the Ming and Qing Dynasties.
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(Electronic resources)
The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945.
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(Electronic resources)
The Intermedial Screen : = Cinema and Media Culture in Colonial Taiwan, 1895-1945.
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(Electronic resources)
Wang Yinglin (1223 - 1296) : = A Study in the Political and Intellectual History of the Demise of Song.
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(Electronic resources)
Toward Sublime Beauty : = Politics of Aesthetics in Modern Japanese Literature, 1870-1947.
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(Electronic resources)
Philological Botany : = The Poetics of Plant Classification in Early China and Japan.
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(Electronic resources)
The early fiction of Matsumoto Seicho : = Detective fiction as social critique.
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(Electronic resources)
Chinese writers writing abroad: Allegories of diasporic identity in transition.
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(Electronic resources)
Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China.
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(Electronic resources)
Modernity, Gender and Poetics: Chen Jitong (1852-1907) and the Cross-cultural Intellectual and Literary Writing Practices in Late Qing China.
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(Electronic resources)
Women, Creativity, and Translation in Mid-Meiji Japan: The Literature of Nakajima Shoen (1861-1901).
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(Electronic resources)
Nationalism, secularism, belonging, and identity in Philip Roth, Salman Rushdie, and Orhan Pamuk.
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(Electronic resources)
Sartorial Spectacle: Clothing, Identity, and the State in Early Qing Drama.
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(Electronic resources)
The "Daode Jing" as American Scripture: Text, Tradition, and Translation.
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(Electronic resources)
History, Trauma, and the Ethics of Remembering in the Early Works of Takeda Taijun (1943-1955).
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(Electronic resources)
Writing Diversity, Interplaying Difference: Wang Duo's Assorted Scripts for Yugu.
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(Electronic resources)
Seeing the Sacred: Daoist Ritual, Painted Icons, and the Canonization of a Local God in Ming China.
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(Electronic resources)
"Heaven and Earth Grant Me This Life at Leisure": An Analytical Study of Yongzheng's Leisure Poetry.
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(Electronic resources)
Performing Disaster: The Response to 3.11 and the Great Kanto Earthquake in Japanese Film and Theater.
by:
(Electronic resources)
History of children's theatre in Korea: From the beginning to the present time, 1920-1998.
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(Electronic resources)
A Comparative Study of Three Interfering Women in Western and Chinese Tales.
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(Electronic resources)
In the Eye of the Selector: Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China.
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(Electronic resources)
The Invention of Chinese Buddhist Poetry: Poet-Monks in Late Medieval China (c. 760-960 CE).
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(Electronic resources)
Divorce and the Divorced Woman in Early Medieval China (First Through Sixth Century).
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(Electronic resources)
The Making of the Ephemeral Beauty: Acceptance and Rejection of Patriarchal Constructions of Hongyan Boming in Late-Ming Texts.
by:
(Electronic resources)
THE SONG EMPEROR HUIZONG IN POPULAR HISTORY AND ROMANCE: THE EARLY CHINESE VERNACULAR NOVEL, "XUANHE YISHI".
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(Electronic resources)
THE LIFE AND TIMES OF LI PO, 701-762 A.D.: AN ANNOTATED TRANSLATION AND ANALYSIS OF THE CHRONOLOGY OF HIS LIFE TAKEN FROM HIS COLLECTED WORKS (CHINA).
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(Electronic resources)
THE CHINESE POET XUE TAO: THE LIFE AND WORKS OF A MID-TANG WOMAN. (VOLUMES I AND II).
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(Electronic resources)
Casting Gender: A Critical History of Women and Performance in China's Twentieth Century.
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(Electronic resources)
Printing for Pleasure: Chen Diexian's Literary Enterprise and Popular Magazines in Early 20th Century China.
by:
(Electronic resources)
The Poetic Practices of Hongzhi Zhengjue (1091-1157): Gong'an Commentarial Verses on Old Cases and Verses for Lay Literati.
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(Electronic resources)
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature.
by:
(Electronic resources)
Effects of an Educational Program on the Intent to Delay Sexual Activity in Thai Female Adolescents.
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(Electronic resources)
The transnational-translational modernity: Language and sexuality in colonial Taiwan and Korea.
by:
(Electronic resources)
From Empire to Motherland: Writing and the Politics of Translation in the Literatures of Transcolonial Taiwan, 1937-1960 = = 從帝國到祖國：台灣跨殖民文學的寫作與翻譯政治, 1937-1960.
by:
(Electronic resources)
The Writer and the Nation-State: Language, Aesthetics, Ideology and Power in Turkish Literature (1927-2015).
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(Electronic resources)
Reframing Salman Rushdie: The Politics of Representation and New Media in Transnational Public Culture.
by:
(Electronic resources)
Nascent Articulations of Feeling: Affective Care Labor in Emerging Postsocialist and Late Capitalist China-U.S. Circuits.
by:
(Electronic resources)
History as Meta-theater: Kong Shangren's (1648-1718) The Peach Blossom Fan.
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(Electronic resources)
Confrontation and compromise: The worlds of the supernatural and humans in Pu Song-Ling's "Liaozhai Zhiyi".
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(Electronic resources)
Writing History Through the Biographical Genre in the Han Dynasty (202 BCE - 220 CE).
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(Electronic resources)
Memory, Story, History: The Formation and Change of Collective Memory and Narrative of the Past in Early China = = 記憶、故事、歷史：早期中國的集體記憶與過去敘事的形成及其變遷.
by:
(Electronic resources)
POPULAR SONGS OF THE SOUTHERN DYNASTIES: A STUDY IN CHINESE POETIC STYLE.
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(Electronic resources)
"SUI T'ANG YEN-I": THE SOURCES AND NARRATIVE TECHNIQUES OF A TRADITIONALCHINESE NOVEL.
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(Electronic resources)
From Revolutionary to Civil Activism: May Fourth Intellectual Guo Moruo and Post-Cultural Revolution Artist Ai Weiwei.
by:
(Electronic resources)
Sacred Songs of the Central Altar: Texts and Histories of the Ritual Master in the Religious World of Southern Taiwan.
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(Electronic resources)
THE NEO-CONFUCIAN COSMOLOGY IN CHU HSI'S "I-HSUEH CH'I-MENG" (A PRIMER FOR STUDYING THE "CHANGES").
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(Electronic resources)
Songs that touch our soul A comparative study of folk songs in two Chinese classics: "Shijing" and Han yuefu.
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(Electronic resources)
Rural Transnationalism: Food, Famine, and Agriculture in U.S. and Chinese Literature, 1898-1955.
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(Electronic resources)
Human Connections with the Ocean Represented in African and Japanese Oral Narratives: Ecopsychological Perspectives.
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(Electronic resources)
A political reading of home and family in English language Singaporean novels (1972-2002).
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(Electronic resources)
What Do Manga Depict? Understanding Contemporary Japanese Comics and the Culture of Japan.
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(Electronic resources)
Railway and Chinese Modernity: The Experience of Time and Space, the Cultural Imagination from the Late Qing to Republican China.
by:
(Electronic resources)
Revisiting the 1980s: A Study on the Fictions of Liu Sola, Han Shaogong and Can Xue.
by:
(Electronic resources)
Deliberate Practice, Writing Self-efficacy, and Self-regulation among Internet Novelists in China: A Phenomenological Approach.
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(Electronic resources)
The Metaphysical Onnagata Performs: Deleuze, Performance, Performativity, and Gender on the Kabuki Stage.
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(Electronic resources)
The Cultural Lineage in the Field of Chinese Art Manifesting on Dong Qichang's Work, Theory and Value.
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(Electronic resources)
Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde = = 결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.
by:
(Electronic resources)
The Individual and the State: Stories of Assassins in Early Imperial China.
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(Electronic resources)
City on Edge: Inhabiting Literary Beijing on the Eve of the Manchu Conquest.
by:
(Electronic resources)
THE CHINESE CENSORATE OF THE MING DYNASTY, INCLUDING AN ANALYSIS OF ITS ACTIVITIES DURING THE DECADE 1424-1434.
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(Electronic resources)
Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan.
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(Electronic resources)
地理空間的意義 ──朱天文小說中的「行旅」書寫研究 = = The Meaning of Geographical Spaces: A Study of Travel Writing in Chu Tien Wen's Fiction.
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(Electronic resources)
Unwelcome Home: Ethnic Ethos, Gender and Class of North Korean Refugees and Migrants.
by:
(Electronic resources)
The Many Transformations of White Snake: Gender, Ritual, and Performance in Late Imperial China.
by:
(Electronic resources)
The Cultural Construction of Taiwan in the Literatures of Taiwan, China, and the United States.
by:
(Electronic resources)
宋代小說與道教關係研究 = = A Study of the Relationship between Taoism and Taoist Stories in the Song Dynasty.
by:
(Electronic resources)
A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
by:
(Electronic resources)
"Sentimental Journey/Winter Journey": Araki Nobuyoshi's contemporary Shisho¯setsu.
by:
(Electronic resources)
Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
by:
(Electronic resources)
Consonant Endings of Ming Dynasty Mandarin as Reflected in the Chinese Transcriptions of Uyghur Vocabulary in Gaochang guan zazi.
by:
(Electronic resources)
臺灣歷史詞彙的形塑與轉變-以「出草」為例（1717-1994） = = The Shaping and Transformation of Taiwan's Historical Phrase : Taking Chutsao(出草) as an Example (1717-1994).
by:
(Electronic resources)
Phonetic Variation of the Hian Rhyme in Taiwanese: The Dynamic Description Toward Two Hian Rhyme Varieties from [iɛn] to [ɛn] = = 台語〈軒〉韻e語音變異：對[iɛn]轉讀做[ɛn] e動態描寫.
by:
(Electronic resources)
From Premodern Xiaoshuo to a Modern Sino-Japanese Discourse on Fiction: A New History of Xiaoshuo from the Warring States to the Twentieth Century.
by:
(Electronic resources)
嶺南女作家與中國現代文學關係研究 = = Research on the Relationship between Female Writers in Lingnan and Modern Chinese Literature.
by:
(Electronic resources)
Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea.
by:
(Electronic resources)
The Influence of CEO Ambidextrous Leadership on Firm Operational and Innovative Performance: Empirical Research on Chinese Enterprises.
by:
(Electronic resources)
Networks of Space and Identity: Origin Narratives and Manifestations of the Itsukushima Deity.
by:
(Electronic resources)
In the Place of Others: Sympathy in Modern Chinese Literature and Literary Criticism from the 1910s to the 1950s.
by:
(Electronic resources)
The Rising of the Avant-Garde Movement in the 1980s People's Republic of China: A Cultural Practice of the New Enlightenment.
by:
(Electronic resources)
Paris by Way of the Moon: Translations of French Popular Fiction in Late-Qing China (1899-1912).
by:
(Electronic resources)
Sounding Awry: Unusual Voices and the Problem of Speech in Seventeenth-Century Chinese Literature.
by:
(Electronic resources)
The Genius of Form: Jin Shengtan's (1608-1661) Transformative Literary Program.
by:
(Electronic resources)
LOVE VERSUS NEO-CONFUCIAN ORTHODOXY: AN EVOLUTIONARY AND CRITICAL STUDY OF "YU-TSAN CHI" BY THE MING DRAMATIST KAO LIEN.
by:
(Electronic resources)
THE ROLE OF DRAMA IN THE "CHIN P'ING MEI": THE RELATIONSHIP BETWEEN FICTION AND DRAMA AS A GUIDE TO THE VIEWPOINT OF A SIXTEENTH-CENTURY CHINESE NOVEL.
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(Electronic resources)
EROTIC DECOR: A STUDY OF LOVE IMAGERY IN THE SIXTH CENTURY A.D. ANTHOLOGY: "YU-T'AI HSIN-YUNG" (NEW POEMS FROM A JADE TERRACE).
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(Electronic resources)
Poetic inspiration in cultural contexts: A comparative study of the European Romantic concept of inspiration and the Chinese Six Dynasties view of the "inspired" state of creation.
by:
(Electronic resources)
A comparative study of time presentation in Elizabethan and Yuan-Ming drama.
by:
(Electronic resources)
The Father, the Son, and the Aswang: Uncolonial Ontologies in Philippine Literature.
by:
(Electronic resources)
Nationalism, Genre and Childhood in Colonial Indian Children's Literature.
by:
(Electronic resources)
Rewriting Your Own Narrative: Isekai as a Contemporary Coming of Age Tale.
by:
(Electronic resources)
Interactions and Negotiations between Theater and Buddhism in Late Imperial China.
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(Electronic resources)
"Mastering" Chinese Philosophy: A History of the Genre of "Masters Literature" [Zhuzi Baijia] from the Analects to the Han Feizi.
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The particle ye and related constructions in the Guodian manuscripts of IV century BCE.
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Envisioning Women Writers: Female Authorship and the Cultures of Publishing and Translation in Early 20th Century Japan.
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Transforming Limits: Home, Literary Activism and Engagement in South Asian Literature.
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Serving Stories: Servant Characters in Twentieth Century Japanese Literature.
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Make Love and War: Chinese Popular Romance in "Greater East Asia," 1937-1945.
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(Electronic resources)
Traveling abroad, writing nationalism, and performing in disguise: People on the Japanese colonial boundaries, 1909-1943.
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Fear and Loathing in Imperial Japan: The Cultures of Korean Peril, 1919-1923.
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(Electronic resources)
Who is Brahmacarin and what is Brahmacarya? From the mytho -poetic to the religio -ethical. A new interpretation of early Indian social -intellectual history.
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Collecting Memories of a Fading Glory: Li Deyu (787-850) and the Transmission of Tang Anecdotes.
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"Chinese Whispers?" The "China" That Disappears from Lossy Communications.
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A Space for Resistance and Reinvention: Chinese Science Fiction and Its Fandom.
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An Invisible Conundrum: Visualizing "Queer Immobility" in the Contemporary PRC.
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Assembling the Man'yo Woman: Paratext and Persona in the Poetry of Otomo No Sakanoue.
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Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
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The Emergence of the Modern Chinese Narrator : = Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
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Preparing One's Act : = Performance Supports and the Question of Human Nature in Early China.
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Defending the Dharma : = Buddhist Apologetics and Print Culture in Early Modern Japan.
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Revolutionary Melodrama : = Tales of Family, Kinship, and the Nation in Modern China.
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(Electronic resources)
Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
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The Ecological Imagination : = Nature, Technology, and Criticism in Chinese Science Fiction, 1976-Today.
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Performing the Heavens : = Pacing the Void (Buxu 步虛) in Daoist Ritual and the Chinese Literary Tradition.
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The "Sou-Shen-Chi" and the "Chih-Kuai" Tradition : = A Bibliographic and Generic Study.
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Sex role socialization in Chinese and American children's books : = A comparative study.
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Chinese Avant-Garde Fiction in English Translation : = Contexts, Paratexts and Texts.
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An analysis of prosocial and aggressive content in Thai children's literature and its relationship to contemporary societal problems in Thailand.
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The perpetuity of the Dharma : = A study and translation of "Da Aluohan Nantimiduoluo suoshuo fazhu ji". ("A Record of the Perpetuity of the Dharma, Narrated by the Great Arhat Nandimitra", "Nandimitravadana").
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Virtues of the vernacular : = Moral reconstruction in late Qing Jiangnan and the revitalization of baojuan.
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In the Name of A Love Story : = Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
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Wan Qing Guangdong shu ye yu wen xiao xing tai = = Guangdong Book Industry and Literary Form in the Late Qing Dynasty.
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The Intrusion Story and Lessons From the Fantastic : = A Cross-Cultural Study.
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Save the Children : = Nation, Childrearing, and the Modern Self in Republican-era Chinese Literature 1911-1949.
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Modern Chinese Literature in Hong Kong : = A Study of Bafang (1979-1990).
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Monk Yaodi Roasts Zhuangzi : = Fang Yizhi on Zhuangzi and Human Flourishing.
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The "Zhuangzi" and nourishing xin : = Causes of strife, positive ideals of caring for living, and therapeutic linguistic practice.
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The Evolution of "Tz'u" from Late T'ang to Northern Sung : = A Genre Study.
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The country and the village : = Representations of the rural in twentieth-century South Asian literatures.
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(Electronic resources)
Assembling Solidarity : = Proletarian Arts and Internationalism in East Asia.
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(Electronic resources)
What the Ear Sees : = Media, Performance, and the Politics of the Voice in Japan, 1918-1942.
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(Electronic resources)
Reclaiming Landscape : = Place and Personhood in the Literature of Ikaino.
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(Electronic resources)
Jie she yu xi qu : = wan Ming wen ren she qun han xi qu fa zhan guan xi xin tan = Literati's Associations and Drama : New Explorations in Literati Community and Drama Development of the Late Ming.
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(Electronic resources)
Herbs and Beauty : = Gendered Poethood and Translated Affect in Late Imperial and Modern China.
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The Poetry of Chia Tao (779-843) : = A Re-Examination of Critical Stereotypes.
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Culinary Nostalgia and Fantasy : = Dipping the Post-socialist China in Hot Pot.
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(Electronic resources)
Heterogeneity in Modern Taiwan Literature and Its English Translation : = Wang Wen-Hsing and Wu He As Examples = Taiwan xian dai wen xiao zhong de yi zhi xing ji ji ying yi : yi Wang Wenxing yu Wu Hao wei li
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A Lamp on Sivayoga : = The Union of Yoga, Ritual, and Devotion in the Sivayogapradipika.
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