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Azure from indigo: "Hong lou meng"'...

Scott, Mary Elizabeth.

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Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei"./
作者:	Scott, Mary Elizabeth.
面頁冊數:	374 p.
附註:	Source: Dissertation Abstracts International, Volume: 50-11, Section: A, page: 3596.
Contained By:	Dissertation Abstracts International50-11A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9008343

Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei".
Scott, Mary Elizabeth.

Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei". - 374 p.

Source: Dissertation Abstracts International, Volume: 50-11, Section: A, page: 3596.

Thesis (Ph.D.)--Princeton University, 1989.

This item must not be sold to any third party vendors.

This dissertation examines the nature and extent of the great Qing dynasty novel Hong lou meng's debt to its notorious late Ming predecessor, Jin Ping Mei. It reviews the critical literature on Jin Ping Mei and Hong lou meng, in order to establish that shifts in literary taste dictated by changes in the political climate during the past 250 years have led to the near-eclipse of Jin Ping Mei, resulting in many readers' misleading impression that Hong lou meng had no significant predecessors in traditional Chinese fiction. Given the more favorable climate of literary opinion on Jin Ping Mei at the time Hong lou meng was written, the influence of Zhang Zhupo's Jin Ping Mei commentary on Qing writers of fiction, and the indirect evidence that Hong lou meng's author must have known Jin Ping Mei well, one may conclude that Jin Ping Mei was a likely model for Hong lou meng.Subjects--Topical Terms:

2122707
Asian literature.

Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei".
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245 1 0 $a Azure from indigo: "Hong lou meng"'s debt to "Jin Ping Mei".
300 $a 374 p.
500 $a Source: Dissertation Abstracts International, Volume: 50-11, Section: A, page: 3596.
502 $a Thesis (Ph.D.)--Princeton University, 1989.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation examines the nature and extent of the great Qing dynasty novel Hong lou meng's debt to its notorious late Ming predecessor, Jin Ping Mei. It reviews the critical literature on Jin Ping Mei and Hong lou meng, in order to establish that shifts in literary taste dictated by changes in the political climate during the past 250 years have led to the near-eclipse of Jin Ping Mei, resulting in many readers' misleading impression that Hong lou meng had no significant predecessors in traditional Chinese fiction. Given the more favorable climate of literary opinion on Jin Ping Mei at the time Hong lou meng was written, the influence of Zhang Zhupo's Jin Ping Mei commentary on Qing writers of fiction, and the indirect evidence that Hong lou meng's author must have known Jin Ping Mei well, one may conclude that Jin Ping Mei was a likely model for Hong lou meng.
520 $a Enumerating the similarities between the two novels and exploring their interpretive significance leads to the discovery, in both, of a complex binary symmetry, in which the story of a wealthy family's rise and fall is articulated in part through images of heat and cold, notably "hot" and "cold" birthdays and funerals and the imagery of changing seasons in the family garden. This symmetry also emerges through images embodying the traditional beliefs that truth and illusion are one, and that beauty and sensory pleasure are transient. In both novels, this complex symmetrical structure is the vehicle through which chaos in social relations, attributed to the family's sexual and financial excesses and gradually revealed in images of incest and of misplaced valuable or erotically charged objects, is finally resolved by a reiteration of traditional neo-Confucian hierarchicalism amidst the signs of the family's ruin. In showing how an excess of qing sk15, passion, leads inevitably to the emptiness, death, mourning, sterility and oblivion of xiao sk15, filial piety, both novels reveal themselves as carefully constructed exercises in neo-Confucian self-cultivation for their readers, who learn moderation and discernment through the protagonist's immoderation and blindness.
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