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Early Chinese vernacular literature ...

Breuer, Rudiger Walter.

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Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua./
作者:	Breuer, Rudiger Walter.
面頁冊數:	339 p.
附註:	Source: Dissertation Abstracts International, Volume: 63-05, Section: A, page: 1838.
Contained By:	Dissertation Abstracts International63-05A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3054007
ISBN:	9780493690315

Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.
Breuer, Rudiger Walter.

Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua. - 339 p.

Source: Dissertation Abstracts International, Volume: 63-05, Section: A, page: 1838.

Thesis (Ph.D.)--Washington University in St. Louis, 2001.

This item must not be sold to any third party vendors.

The thesis concerns a heterogeneous group of lengthy narratives of the Southern Song (1127--1279) and Yuan (1260--1368) periods and their historical and cultural context. I attempt to establish the degree of oral and writerly imagination embodied in these texts by determining their relationship to oral storytelling by professionals and amateurs on the one side and written works of narrative fiction, theater, and historiography on the other. The concept of the "oral-literary continuum" is introduced to describe the complex interactions between storytellers, authors, editors, and audiences, and to break away from the overwhelmingly textual focus of other models.

ISBN: 9780493690315Subjects--Topical Terms:

2122707
Asian literature.

Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.
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245 1 0 $a Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.
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500 $a Source: Dissertation Abstracts International, Volume: 63-05, Section: A, page: 1838.
500 $a Chair: Robert E. Hegel.
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506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a The thesis concerns a heterogeneous group of lengthy narratives of the Southern Song (1127--1279) and Yuan (1260--1368) periods and their historical and cultural context. I attempt to establish the degree of oral and writerly imagination embodied in these texts by determining their relationship to oral storytelling by professionals and amateurs on the one side and written works of narrative fiction, theater, and historiography on the other. The concept of the "oral-literary continuum" is introduced to describe the complex interactions between storytellers, authors, editors, and audiences, and to break away from the overwhelmingly textual focus of other models.
520 $a Chapters 1 and 2 contextualize the narratives by a description of social spaces for oral-written and social interactions. I explore the participation of scholar-officials and the court in performative events and the storytellers' reliance on the literary tradition. Chapter 3 contains a reassessment of pinghua as a technical term. I conclude that pinghua was originally a genre of oral storytelling which relied heavily on literary sources, without being necessarily synonymous with "historical book" storytelling. As printed texts, they were conscious recreations of performances in which disparate materials were assembled in a continuous narrative. Chapter 4 provides concrete examples that pinghua were neither exclusively oral nor exclusively written. I contend that they are the result of literary experimentation, namely, the fusion of the oral-performative with the literary traditions. Chapter 5 generalizes about the complexity with which oral and written narrative strands interwove during the Song, Yuan, and early Ming.
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