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Xie Lingyun: The redefinition of lan...

Liang, Yue-June.

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Xie Lingyun: The redefinition of landscape poetry.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Xie Lingyun: The redefinition of landscape poetry./
作者:	Liang, Yue-June.
面頁冊數:	148 p.
附註:	Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 2033.
Contained By:	Dissertation Abstracts International60-06A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9936213
ISBN:	9780599373556

Xie Lingyun: The redefinition of landscape poetry.
Liang, Yue-June.

Xie Lingyun: The redefinition of landscape poetry. - 148 p.

Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 2033.

Thesis (Ph.D.)--Harvard University, 1999.

This item must not be sold to any third party vendors.

The Southern Dynasties (420--589) poet Xie Lingyun (385--433) is generally regarded as the greatest landscape poet in medieval China. According to most scholars in the field today, the formation of landscape poetry took place early in the Chinese tradition. for example, Wang Guoying ( Zhongguo shanshui yanjiu, Taipei, 1986) argues that we can already see nascent traces of what was to become landscape poetry in the Book of Songs, the earliest collection of poetry in the Chinese tradition. More recently, Ge Xiaoyin (Shanshui tianyuan shipai yanjiu, Shenyang, 1993) has argued that there are actually two lineages of Chinese landscape poetry---one identifies a "field and garden" variety (epitomized by the poet Tao Qian, 371--427) originating with the Book of Songs and a "mountains and streams" (of which Xie Lingyun is the master) variety originating in the Songs of the South. Most scholars in the field, I think, fall in one camp or the other. Indeed, it has become difficult to think about Chinese landscape poetry and Xie Lingyun without referring to their ancient and revered pedigrees. Such lineages are a useful way to think about landscape poetry on a large scale. In detail, however, they become problematic, and may even pose obstacles in our thinking about landscape and poetry. Xie Lingyun is a great Chinese poet not because he wrote the best landscape poetry, but because his poems are an examination of how one reads and how one knows about what one reads.

ISBN: 9780599373556Subjects--Topical Terms:

2122707
Asian literature.

Xie Lingyun: The redefinition of landscape poetry.
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520 $a The Southern Dynasties (420--589) poet Xie Lingyun (385--433) is generally regarded as the greatest landscape poet in medieval China. According to most scholars in the field today, the formation of landscape poetry took place early in the Chinese tradition. for example, Wang Guoying ( Zhongguo shanshui yanjiu, Taipei, 1986) argues that we can already see nascent traces of what was to become landscape poetry in the Book of Songs, the earliest collection of poetry in the Chinese tradition. More recently, Ge Xiaoyin (Shanshui tianyuan shipai yanjiu, Shenyang, 1993) has argued that there are actually two lineages of Chinese landscape poetry---one identifies a "field and garden" variety (epitomized by the poet Tao Qian, 371--427) originating with the Book of Songs and a "mountains and streams" (of which Xie Lingyun is the master) variety originating in the Songs of the South. Most scholars in the field, I think, fall in one camp or the other. Indeed, it has become difficult to think about Chinese landscape poetry and Xie Lingyun without referring to their ancient and revered pedigrees. Such lineages are a useful way to think about landscape poetry on a large scale. In detail, however, they become problematic, and may even pose obstacles in our thinking about landscape and poetry. Xie Lingyun is a great Chinese poet not because he wrote the best landscape poetry, but because his poems are an examination of how one reads and how one knows about what one reads.
520 $a What had come before Xie Lingyun had been landscape description. What Xie Lingyun wanted to find out was how as a reader we knew that the landscape was the landscape the poet traveled through. That is to say, Xie explores the very conundrum of the Chinese literary tradition which on the one hand argues that poetry is the direct expression of the subject's experience and on the other hand shows precisely how an experience, especially of a traveler trekking through real landscape in southern China, is in fact unknowable, and in doing so, Xie comes to "redefine" landscape poetry.
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