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The Intermedial Screen : = Cinema and Media Culture in Colonial Taiwan, 1895-1945.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Intermedial Screen :/
其他題名:	Cinema and Media Culture in Colonial Taiwan, 1895-1945.
作者:	Wen, Laura Jo-Han.
面頁冊數:	1 online resource (207 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Contained By:	Dissertations Abstracts International83-06A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10193368click for full text (PQDT)
ISBN:	9798759966913

The Intermedial Screen : = Cinema and Media Culture in Colonial Taiwan, 1895-1945.
Wen, Laura Jo-Han.

The Intermedial Screen :Cinema and Media Culture in Colonial Taiwan, 1895-1945. - 1 online resource (207 pages)

Source: Dissertations Abstracts International, Volume: 83-06, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2016.

Includes bibliographical references

What is, and where was, cinema? How might media archaeological inquiries of cinema be unpacked in a colonial context? And how would we rethink cinema with historical insights from Taiwan, a former Japanese colony traditionally conceived to be situated on the periphery of East Asian modernity? Cinema, mediating new concepts of seeing and techniques of storytelling since the late nineteenth century, has greatly redefined the landscape of culture in vastly divergent locales of the world. Hinging upon the issue of colonial modernity, this dissertation investigates the intersections in colonial Taiwan between cinema and other cultural media, such as magic lanterns, newspapers, and popular music. With historical coincidence, Taiwan became a Japanese colony in 1895, the same year as the Lumiere brothers showed some of the earliest motion pictures to a paying public. Intersecting the development of early cinema, screen practice, soundscapes, and wartime discourses, cinema in Taiwan began with the Japanese mediated, transnationally shaped colonial culture. Inspired by media archaeology to conceptualize cinema as a techno-historical event, the visual dominance of which intertwines with technological capacities, imperial control, and local appropriation of its cultural moments, this dissertation examines the interconnection between cinema and media culture in colonial Taiwan in a transnational context through five chapters: "Revisiting Film History and Media Culture in Colonial Taiwan," "Magic Lantern Shows and Screen Modernity," "Reading Eigaka News: Colonial Actualities and Cinematic Adaptations," "Listening to Vernacular Modernism: Film Culture and Popular Soundscape," and finally, "Coda: The Media, The War, and Postcolonial 'Filming Back,'" which altogether reflect issues of cinema and power at the convergence of visual motifs, modern techniques, and colonial legacies.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798759966913Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

CinemaIndex Terms--Genre/Form:

542853
Electronic books.

The Intermedial Screen : = Cinema and Media Culture in Colonial Taiwan, 1895-1945.
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