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Affinities of forms: Chinese poets a...
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Liu, Wan.
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Affinities of forms: Chinese poets and Pope, Pound, Eliot and Williams.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Affinities of forms: Chinese poets and Pope, Pound, Eliot and Williams./
作者:
Liu, Wan.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 1988,
面頁冊數:
65 p.
附註:
Source: Masters Abstracts International, Volume: 27-02, page: 1860.
Contained By:
Masters Abstracts International27-02.
標題:
Comparative literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1334865
Affinities of forms: Chinese poets and Pope, Pound, Eliot and Williams.
Liu, Wan.
Affinities of forms: Chinese poets and Pope, Pound, Eliot and Williams.
- Ann Arbor : ProQuest Dissertations & Theses, 1988 - 65 p.
Source: Masters Abstracts International, Volume: 27-02, page: 1860.
Thesis (M.A.)--Rice University, 1988.
Despite the tremendous linguistic particularities and cultural differences, Chinese poetry shares some formal and technical similarity with Anglo-American poetry. Through an effective use of the couplet-based verse form well suited for the play of parallelism and antithesis, classic Chinese poets and Alexander Pope achieve precision and concision in emotional and intellectual communications, making extremely precise distinctions between the elements of their thoughts or feelings. In terms of the "aesthetic form," "the relation between the sensuous nature of the art medium and the conditions of human perceptions," a certain type of Chinese Tang poetry and poetry by T. S. Eliot, Ezra Pound and William Carlos Williams display affinity, as manifested in the employment of juxtaposition to project a subjective state through presentation of external objects.Subjects--Topical Terms:
570001
Comparative literature.
Affinities of forms: Chinese poets and Pope, Pound, Eliot and Williams.
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Despite the tremendous linguistic particularities and cultural differences, Chinese poetry shares some formal and technical similarity with Anglo-American poetry. Through an effective use of the couplet-based verse form well suited for the play of parallelism and antithesis, classic Chinese poets and Alexander Pope achieve precision and concision in emotional and intellectual communications, making extremely precise distinctions between the elements of their thoughts or feelings. In terms of the "aesthetic form," "the relation between the sensuous nature of the art medium and the conditions of human perceptions," a certain type of Chinese Tang poetry and poetry by T. S. Eliot, Ezra Pound and William Carlos Williams display affinity, as manifested in the employment of juxtaposition to project a subjective state through presentation of external objects.
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