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Conceptualization and visualization ...

Yang, Bingfeng.

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Conceptualization and visualization of the invisible in Western and Chinese thought and literature.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Conceptualization and visualization of the invisible in Western and Chinese thought and literature./
作者:	Yang, Bingfeng.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
面頁冊數:	303 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-01(E), Section: A.
Contained By:	Dissertation Abstracts International77-01A(E).
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3719493
ISBN:	9781321998535

Conceptualization and visualization of the invisible in Western and Chinese thought and literature.
Yang, Bingfeng.

Conceptualization and visualization of the invisible in Western and Chinese thought and literature. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 303 p.

Source: Dissertation Abstracts International, Volume: 77-01(E), Section: A.

Thesis (Ph.D.)--The University of Texas at Dallas, 2015.

Despite significant difference in practice, three functional patterns of conceptualization and visualization of the invisible can be recognized in both Western and Chinese traditions. The three visual patterns, which I describe as emblematic, realistic and postmodernist respectively, are culturally productive in both Western and Chinese thought and literature as distinctive worldviews and as literary structures. As general conceptual modes of seeing the empirical world, the three visual patterns indicate three types of worldview including the medieval view of the world as revelatory signs, the scientific view of the world as informative data and the postmodernist view of the world as cultural constructions respectively. The three functional patterns are also observable in the literary structures of allegorical fiction, the realistic novel and postmodernist metafiction.

ISBN: 9781321998535Subjects--Topical Terms:

570001
Comparative literature.

Conceptualization and visualization of the invisible in Western and Chinese thought and literature.
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