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Du Fu, Li Ho, and Li Shangyin: The d...

Chen, Pauline.

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Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry./
作者:	Chen, Pauline.
面頁冊數:	218 p.
附註:	Source: Dissertation Abstracts International, Volume: 57-01, Section: A, page: 2250.
Contained By:	Dissertation Abstracts International57-01A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9612904

Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.
Chen, Pauline.

Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry. - 218 p.

Source: Dissertation Abstracts International, Volume: 57-01, Section: A, page: 2250.

Thesis (Ph.D.)--Princeton University, 1996.

This dissertation explores the innovations of the late Tang poets Du Fu, Li Ho, and Li Shangyin. The late Tang was a period of poetic innovation that witnessed a movement away from the traditional images of nature, and a growing reliance on images derived from cultural memory, as embodied in historical and literary texts. At the same time, an increased use of supernatural imagery suggested the poets' desires to express extremities of feeling that violated laws of empirical reality.Subjects--Topical Terms:

2122707
Asian literature.

Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.
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245 1 0 $a Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.
300 $a 218 p.
500 $a Source: Dissertation Abstracts International, Volume: 57-01, Section: A, page: 2250.
502 $a Thesis (Ph.D.)--Princeton University, 1996.
520 $a This dissertation explores the innovations of the late Tang poets Du Fu, Li Ho, and Li Shangyin. The late Tang was a period of poetic innovation that witnessed a movement away from the traditional images of nature, and a growing reliance on images derived from cultural memory, as embodied in historical and literary texts. At the same time, an increased use of supernatural imagery suggested the poets' desires to express extremities of feeling that violated laws of empirical reality.
520 $a This dissertation first examines how Du Fu, through an unprecedentedly rich use of allusion, defines and expresses himself largely through images from culture and history, rather than from nature. It also explores how Du Fu modifies the conventions of the lushi by breaking its spatial and temporal unity. He instead juxtaposes disparate images linked by an underlying symbolic meaning. The dissertation then examines how Li Ho uses the externalized expressive resources of yuefu, for example narrative and dramatic passages and archetypal stock figures, to express more subtle and individual literati concerns. Li Ho also modifies and extends the yuefu conventions, for example, by appending prefaces of his yuefu, a practice previously limited to occasional literati poetry, and by having inanimate or non-existent beings, rather than stock-figures, speak their thoughts. Finally, Li Shangyin builds on both Du Fu's and Li Ho's achievements. The density of his allusions and shifts in time and space surpass even Du Fu's. Like Li Ho, he frequently alludes to the supernatural, but unlike Li Ho, he uses the supernatural to express his deepest concerns. Through his frequent and systematic use of allusion to mythical and supernatural realms, he creates a vision of an alternate magical world which he opposes to the limitations of empirical reality. Li Shangyin's conscious construction of an alternate world that is not merely an allegory for ordinary empirical reality, culminates the movement of the three poets away from the earlier conception of the poet as merely responding to and expressing the truth inherent in the natural world to a conception of creation unbound by the limits of verisimilitude.
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