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Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Speaking for Voiceless Women :/
其他題名:
A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
作者:
Ma, Tianrui.
面頁冊數:
1 online resource (228 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Contained By:
Dissertations Abstracts International84-02A.
標題:
Comparative literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29327721click for full text (PQDT)
ISBN:
9798841766759
Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
Ma, Tianrui.
Speaking for Voiceless Women :
A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry. - 1 online resource (228 pages)
Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Thesis (Ph.D.)--Indiana University, 2022.
Includes bibliographical references
This dissertation is an investigation of three primary issues in the writing of the Syrian male poet Nizar Qabbani and the Chinese female poet Zhai Yongming: the relationship between the author and reader, the combination of life writing with poetry, and the articulation of a feminine voice from a marginalized space. While I rely on some of their prose works to better understand their views of gender and poetry, my primary focus for comparison are the two poetry collections: Qabbani's The Journal of an Indifferent Woman (1968) and Zhai's Jing'an Village (1985). During his diplomatic stay in Beijing, Qabbani wrote The Journal in the form of a diary depicting the voice of a frustrated, rebelling Arab woman condemning the suppression of women's rights in the Arab tradition. On the other hand, Zhai's Jing'an Village contains twelve poems named after the twelve lunar year months and is the epitome of her two-year life as a rusticated youth. Thematically, The Journal and Jing'an embody the authors' misplaced personal experiences as an outsider in a foreign country or a strange village. In form, these two collections are both poems disguised in the format of life writing. This innovative form combines two less studied genres, i.e., poetic diary and verse biography. With an interdisciplinary and cross-genre methodology, I use Arabic, Chinese, and Western literary theories, such as psychoanalytic criticism and Immanuel Kant's aesthetic judgment, to demonstrate the transportability of the feminine voice in the text. My purpose is to use Qabbani's and Zhai's poems, as well as related theories, to testify that a feminine text is not necessarily written by a female author. The scarce differences in the texts due to the gender differences between Qabbani and Zhai are overcome by their same ambition to produce a feminine text that best illustrates women's sufferings in a patriarchal society.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798841766759Subjects--Topical Terms:
570001
Comparative literature.
Subjects--Index Terms:
Arabic poetryIndex Terms--Genre/Form:
542853
Electronic books.
Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
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Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
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This dissertation is an investigation of three primary issues in the writing of the Syrian male poet Nizar Qabbani and the Chinese female poet Zhai Yongming: the relationship between the author and reader, the combination of life writing with poetry, and the articulation of a feminine voice from a marginalized space. While I rely on some of their prose works to better understand their views of gender and poetry, my primary focus for comparison are the two poetry collections: Qabbani's The Journal of an Indifferent Woman (1968) and Zhai's Jing'an Village (1985). During his diplomatic stay in Beijing, Qabbani wrote The Journal in the form of a diary depicting the voice of a frustrated, rebelling Arab woman condemning the suppression of women's rights in the Arab tradition. On the other hand, Zhai's Jing'an Village contains twelve poems named after the twelve lunar year months and is the epitome of her two-year life as a rusticated youth. Thematically, The Journal and Jing'an embody the authors' misplaced personal experiences as an outsider in a foreign country or a strange village. In form, these two collections are both poems disguised in the format of life writing. This innovative form combines two less studied genres, i.e., poetic diary and verse biography. With an interdisciplinary and cross-genre methodology, I use Arabic, Chinese, and Western literary theories, such as psychoanalytic criticism and Immanuel Kant's aesthetic judgment, to demonstrate the transportability of the feminine voice in the text. My purpose is to use Qabbani's and Zhai's poems, as well as related theories, to testify that a feminine text is not necessarily written by a female author. The scarce differences in the texts due to the gender differences between Qabbani and Zhai are overcome by their same ambition to produce a feminine text that best illustrates women's sufferings in a patriarchal society.
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