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The Explorations of Identity and Lit...
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Chan, Tsz Him.
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The Explorations of Identity and Literature in Hong Kong's Youth Journals during the "Fiery Years": a Study of Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Explorations of Identity and Literature in Hong Kong's Youth Journals during the "Fiery Years": a Study of Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly./
作者:
Chan, Tsz Him.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:
168 p.
附註:
Source: Dissertations Abstracts International, Volume: 79-05, Section: A.
Contained By:
Dissertations Abstracts International79-05A.
標題:
Modern literature. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10663725
ISBN:
9780355304107
The Explorations of Identity and Literature in Hong Kong's Youth Journals during the "Fiery Years": a Study of Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly.
Chan, Tsz Him.
The Explorations of Identity and Literature in Hong Kong's Youth Journals during the "Fiery Years": a Study of Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 168 p.
Source: Dissertations Abstracts International, Volume: 79-05, Section: A.
Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2016.
.
The emergence and development of modern literature often intertwines with intellectuals' exploration of identity. From the late 60's to the mid 70's, young writers and editors in Hong Kong responded to and engaged in local and oversea political incidents and social movements by running magazines that demonstrated various identity explorations and literary practices. Some of them identified with China through various means while some developed trans-regional identification by engaging in overseas student movements and culture, and nurtured a distinctive literary practice by integrating ethnic identification and anti-colonial discourse. Toward the end of "the fiery years", those young writers and editors who identified with China also tried to adjust their self-positioning of identity and direction of literary practice. This dissertation attempts to illustrate the various identity and literary explorations by examining representative publications including Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly. This dissertation contains five chapters. Chapter one provides the research context and goals. Through reviewing previous scholarship and its limitation, it helps define my research scope. Chapter two firstly analyzes the imagination of a cultural China of Pangu at its early stage, then discusses its influences on the literary discourse and the writings of the students from the Institute of Creation and Experimentation of Culture. Furthermore, this chapter examines the change of political and literary stance of Pangu, as well as the intellectuals' confusion and struggle in the course of such change. Chapter three investigates how Wenxue yu meishu inherited and adjusted the editorial approaches of the late period of Pangu and its exploration of "reflections of life". After Wenxue yu meishu renamed as Wenmei yuekan, how it revisited the notion of "life" is also discussed. This chapter also examines other aspects of art besides literature, and demonstrates how the popularization of art was put into practice in Wenxue yu meishu and Wenmei yuekan. Chapter four investigates the anti-colonialism discourse found in the 70's Biweekly and its entanglement with internationalism and the intellectuals' identification with China. It also discusses how the radical youth's imagination helped create literary works that contains anti-colonialism and anti-establishment sentiments, alongside their explicit sexual depiction. Lastly, by discussing the literary sections in the 70's Biweekly, I attempt to illuminate the editors' perspective on the relation between literature and politics while they made no explicit political claims. Chapter five summarizes previous chapters and indicates different trajectories of identity exploration and literary practice found in these youth publications around "the fiery years" in the last century, so as to enrich our v understanding of that epoch.
ISBN: 9780355304107Subjects--Topical Terms:
2122750
Modern literature.
Subjects--Index Terms:
Colonial
The Explorations of Identity and Literature in Hong Kong's Youth Journals during the "Fiery Years": a Study of Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly.
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The emergence and development of modern literature often intertwines with intellectuals' exploration of identity. From the late 60's to the mid 70's, young writers and editors in Hong Kong responded to and engaged in local and oversea political incidents and social movements by running magazines that demonstrated various identity explorations and literary practices. Some of them identified with China through various means while some developed trans-regional identification by engaging in overseas student movements and culture, and nurtured a distinctive literary practice by integrating ethnic identification and anti-colonial discourse. Toward the end of "the fiery years", those young writers and editors who identified with China also tried to adjust their self-positioning of identity and direction of literary practice. This dissertation attempts to illustrate the various identity and literary explorations by examining representative publications including Pangu, Wenxue yu meishu, Wenmei yuekan and the 70's Biweekly. This dissertation contains five chapters. Chapter one provides the research context and goals. Through reviewing previous scholarship and its limitation, it helps define my research scope. Chapter two firstly analyzes the imagination of a cultural China of Pangu at its early stage, then discusses its influences on the literary discourse and the writings of the students from the Institute of Creation and Experimentation of Culture. Furthermore, this chapter examines the change of political and literary stance of Pangu, as well as the intellectuals' confusion and struggle in the course of such change. Chapter three investigates how Wenxue yu meishu inherited and adjusted the editorial approaches of the late period of Pangu and its exploration of "reflections of life". After Wenxue yu meishu renamed as Wenmei yuekan, how it revisited the notion of "life" is also discussed. This chapter also examines other aspects of art besides literature, and demonstrates how the popularization of art was put into practice in Wenxue yu meishu and Wenmei yuekan. Chapter four investigates the anti-colonialism discourse found in the 70's Biweekly and its entanglement with internationalism and the intellectuals' identification with China. It also discusses how the radical youth's imagination helped create literary works that contains anti-colonialism and anti-establishment sentiments, alongside their explicit sexual depiction. Lastly, by discussing the literary sections in the 70's Biweekly, I attempt to illuminate the editors' perspective on the relation between literature and politics while they made no explicit political claims. Chapter five summarizes previous chapters and indicates different trajectories of identity exploration and literary practice found in these youth publications around "the fiery years" in the last century, so as to enrich our v understanding of that epoch.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10663725
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