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In the Name of A Love Story : = Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
In the Name of A Love Story :/
其他題名:
Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
作者:
Li, Mengjun.
面頁冊數:
1 online resource (342 pages)
附註:
Source: Dissertations Abstracts International, Volume: 81-08, Section: A.
Contained By:
Dissertations Abstracts International81-08A.
標題:
Literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27776283click for full text (PQDT)
ISBN:
9781392719763
In the Name of A Love Story : = Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
Li, Mengjun.
In the Name of A Love Story :
Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911). - 1 online resource (342 pages)
Source: Dissertations Abstracts International, Volume: 81-08, Section: A.
Thesis (Ph.D.)--The Ohio State University, 2014.
Includes bibliographical references
In the immediate aftermath of the dynastic transition in 1644, when the Ming dynasty (1368-1644) collapsed and the Manchus claimed to be the holder of Heaven's Mandate to rule the empire, a de novo novelistic genre emerged in the book market, typically grouped under the label of "scholar-beauty fiction." These novels soon ascended the best-seller list and enjoyed long-lasting popularity throughout the Qing dynasty (1644-1911). Interestingly, Qing-dynasty critics as well as modern scholars have dismissed this large corpus of novels as light-hearted romance. By contrast, my dissertation seeks to address the question of the curious popularity of this genre. It proposes to view this literary phenomenon as the earliest self-conscious genre fiction in the Chinese context. As a commercially-driven genre, these novels follow a narrative formula and provide entertainment and comfort through happy fantasies of wish-fulfillment, but they also engage serious social and political concerns in explicit and indirect ways. The narrative flexibility allowed by the formula enabled the genre's ideological versatility. As such, scholar-beauty fiction served as an effective venue of self-expression and social commentary for frustrated and obscure literati writers, one that was welcomed by their peers and by other audiences.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781392719763Subjects--Topical Terms:
537498
Literature.
Subjects--Index Terms:
Traditional Chinese fictionIndex Terms--Genre/Form:
542853
Electronic books.
In the Name of A Love Story : = Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
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Source: Dissertations Abstracts International, Volume: 81-08, Section: A.
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In the immediate aftermath of the dynastic transition in 1644, when the Ming dynasty (1368-1644) collapsed and the Manchus claimed to be the holder of Heaven's Mandate to rule the empire, a de novo novelistic genre emerged in the book market, typically grouped under the label of "scholar-beauty fiction." These novels soon ascended the best-seller list and enjoyed long-lasting popularity throughout the Qing dynasty (1644-1911). Interestingly, Qing-dynasty critics as well as modern scholars have dismissed this large corpus of novels as light-hearted romance. By contrast, my dissertation seeks to address the question of the curious popularity of this genre. It proposes to view this literary phenomenon as the earliest self-conscious genre fiction in the Chinese context. As a commercially-driven genre, these novels follow a narrative formula and provide entertainment and comfort through happy fantasies of wish-fulfillment, but they also engage serious social and political concerns in explicit and indirect ways. The narrative flexibility allowed by the formula enabled the genre's ideological versatility. As such, scholar-beauty fiction served as an effective venue of self-expression and social commentary for frustrated and obscure literati writers, one that was welcomed by their peers and by other audiences.
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