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THE CRITICAL RECEPTION OF THE POETRY...

LEE, OSCAR.

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THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY)./
作者:	LEE, OSCAR.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1986,
面頁冊數:	243 p.
附註:	Source: Dissertation Abstracts International, Volume: 47-03, Section: A, page: 9040.
Contained By:	Dissertation Abstracts International47-03A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8610784

THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).
LEE, OSCAR.

THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY). - Ann Arbor : ProQuest Dissertations & Theses, 1986 - 243 p.

Source: Dissertation Abstracts International, Volume: 47-03, Section: A, page: 9040.

Thesis (Ph.D.)--Columbia University, 1986.

The T'ang dynasty poet Wei Ying-wu is frequently cited as one of a quartet of men, along with Wang Wei, Liu Tsung-yuan and Meng Hao-jan, whose works are considered the mainstay of T'ang nature poetry. And yet, while the other three members have received much critical attention, there have been relatively few studies of Wei Ying-wu and of his poetry. This neglect can be attributed to the paucity of information available about Wei, which has obviated the approach to Chinese poetry most commonly adopted by sinologists: biographical criticism. The aim of this dissertation is to present an alternative to biographical criticism as a way of reading Chinese poetry, using the works of Wei Ying-wu as the material for analysis.Subjects--Topical Terms:

2122707
Asian literature.

THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).
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245 1 4 $a THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1986
300 $a 243 p.
500 $a Source: Dissertation Abstracts International, Volume: 47-03, Section: A, page: 9040.
502 $a Thesis (Ph.D.)--Columbia University, 1986.
520 $a The T'ang dynasty poet Wei Ying-wu is frequently cited as one of a quartet of men, along with Wang Wei, Liu Tsung-yuan and Meng Hao-jan, whose works are considered the mainstay of T'ang nature poetry. And yet, while the other three members have received much critical attention, there have been relatively few studies of Wei Ying-wu and of his poetry. This neglect can be attributed to the paucity of information available about Wei, which has obviated the approach to Chinese poetry most commonly adopted by sinologists: biographical criticism. The aim of this dissertation is to present an alternative to biographical criticism as a way of reading Chinese poetry, using the works of Wei Ying-wu as the material for analysis.
520 $a By reconstructing the way Wei's poetry was critically received over the centuries, this dissertation explores the development of certain issues in poetic discourse relevant to the reading of Wei's works. The sources for this information include not only shih-hua ("poetry talks"), but also literary anthologies and other extant writings discussing poetry, all of which reflect how the poetry of Wei Ying-wu was read and evaluated.
520 $a The Introduction presents the theoretical bases for my approach, which is based on the writings of "aesthetics of reception" critics. Chapter One presents the political and cultural milieu of T'ang China in the late eighth century, discussing the reasons why Wei's poetry was not received favorably by his contemporaries in the T'ang, as well as the type of poetry which was popular during that period. Chapter Two presents the changes in his reputation soon after his death, examining writings from the Mid-T'ang and the Late T'ang. Chapter Three explores how Wei fit into the contours of literary discourse engaged in by critics writing in the Sung. This chapter discusses the changes which set the stage for his inclusion into an "orthodoxy" of T'ang poets, which is where Wei remains up to modern times. A feature apparent in this study is how the interpretation of poetry is historically conditioned: Wei's poetry was read differently during various periods, depending on how the literary discourse of the times chose to regard his works.
520 $a Thus, besides discussing how we can use traditional Chinese literary criticism to write the history of reading poetry in China, this study also treats greater issues in literary study, such as the writing of literary history and the formation of poetic canons.
590 $a School code: 0054.
650 4 $a Asian literature. $3 2122707
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710 2 $a Columbia University. $3 571054
773 0 $t Dissertation Abstracts International $g 47-03A.
790 $a 0054
791 $a Ph.D.
792 $a 1986
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8610784