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The Poetry of Chia Tao (779-843) : = A Re-Examination of Critical Stereotypes.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Poetry of Chia Tao (779-843) :/
其他題名:	A Re-Examination of Critical Stereotypes.
作者:	Witzling, Catherine Anne.
面頁冊數:	1 online resource (380 pages)
附註:	Source: Dissertations Abstracts International, Volume: 41-07, Section: A.
Contained By:	Dissertations Abstracts International41-07A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8024759click for full text (PQDT)
ISBN:	9798662086982

The Poetry of Chia Tao (779-843) : = A Re-Examination of Critical Stereotypes.
Witzling, Catherine Anne.

The Poetry of Chia Tao (779-843) :A Re-Examination of Critical Stereotypes. - 1 online resource (380 pages)

Source: Dissertations Abstracts International, Volume: 41-07, Section: A.

Thesis (Ph.D.)--Stanford University, 1980.

Includes bibliographical references

Aims. Little is known about Chia Tao except that he was one of a circle of literary figures patronized by Han Yu; his poetry is said to be "lean" and "strange." The aid of this dissertation is to use Chia Tao's poetry as a starting point for the investigation of the poetry of his circle. By arriving at a more realistic and informed appraisal of Chia Tao's poetry, one can re-examine the works of other members of this circle and define the parameters of their shared aesthetic. If Han Yu's fu-ku (restoration of antiquity) ideals were formative in this aesthetic, understanding of the notion of fu-ku must be broadened to include the assumption that artistic creation is in itself a worthy act, and that the dedicated artist is moral by definition. Contents. Chapter one is an inquiry into the major unresolved questions surrounding Chia Tao's life, the composition of his alleged poetic circle and his relationships with individuals in that group. It also discusses the conventions of his biographical portrayal and the significance thereof. Chapter two examines the themes and techniques in his self-consciously archaic poems; his self-constitution as an adherent of fu-ku ideals and the relationship of this to his conventional portrayal. In Chapter three I discuss the affective qualities in Chia Tao's poetry as shown by his relationship to significant non-human phenomena in his landscapes. I also explore the effect of Chia Tao's poetic persona; tensions between the desire for intimacy and the desire for separation. Chapter four analyses Chia Tao's presentation of the world--how his conflicting desires are expressed by his manipulation of time and space, and the kinetic quality of his poetry. Chapter five contains a tentative identification of Chia Tao as an adherent of Ch'an Buddhism. It also discusses reflections of the Buddhist outlook in his poetry and the way in which he individualizes it. Chapter six discusses recurrent preoccupations and techniques in Chia Tao's poetry. It contains a comparison of his works with those by other members of his circle in an attempt to answer the questions: Was his poetry strange or revolutionary? What does it have in common with the poetry of his associates? The Conclusion contains a summary of critical opinion concerning Chia Tao, and looks at his works in the light of redefined fu-ku ideals.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798662086982Subjects--Topical Terms:

2122707
Asian literature.
Index Terms--Genre/Form:

542853
Electronic books.

The Poetry of Chia Tao (779-843) : = A Re-Examination of Critical Stereotypes.
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504 $a Includes bibliographical references
520 $a Aims. Little is known about Chia Tao except that he was one of a circle of literary figures patronized by Han Yu; his poetry is said to be "lean" and "strange." The aid of this dissertation is to use Chia Tao's poetry as a starting point for the investigation of the poetry of his circle. By arriving at a more realistic and informed appraisal of Chia Tao's poetry, one can re-examine the works of other members of this circle and define the parameters of their shared aesthetic. If Han Yu's fu-ku (restoration of antiquity) ideals were formative in this aesthetic, understanding of the notion of fu-ku must be broadened to include the assumption that artistic creation is in itself a worthy act, and that the dedicated artist is moral by definition. Contents. Chapter one is an inquiry into the major unresolved questions surrounding Chia Tao's life, the composition of his alleged poetic circle and his relationships with individuals in that group. It also discusses the conventions of his biographical portrayal and the significance thereof. Chapter two examines the themes and techniques in his self-consciously archaic poems; his self-constitution as an adherent of fu-ku ideals and the relationship of this to his conventional portrayal. In Chapter three I discuss the affective qualities in Chia Tao's poetry as shown by his relationship to significant non-human phenomena in his landscapes. I also explore the effect of Chia Tao's poetic persona; tensions between the desire for intimacy and the desire for separation. Chapter four analyses Chia Tao's presentation of the world--how his conflicting desires are expressed by his manipulation of time and space, and the kinetic quality of his poetry. Chapter five contains a tentative identification of Chia Tao as an adherent of Ch'an Buddhism. It also discusses reflections of the Buddhist outlook in his poetry and the way in which he individualizes it. Chapter six discusses recurrent preoccupations and techniques in Chia Tao's poetry. It contains a comparison of his works with those by other members of his circle in an attempt to answer the questions: Was his poetry strange or revolutionary? What does it have in common with the poetry of his associates? The Conclusion contains a summary of critical opinion concerning Chia Tao, and looks at his works in the light of redefined fu-ku ideals.
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8024759 $z click for full text (PQDT)