東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Silk and Sacrifice: Gender, Death, a...

Wang-Wolf, Xuan.

FindBook

Google Book

Amazon

博客來

Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions./
作者:	Wang-Wolf, Xuan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	237 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-11, Section: A.
Contained By:	Dissertations Abstracts International82-11A.
標題:	Asian studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28492731
ISBN:	9798738619984

Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions.
Wang-Wolf, Xuan.

Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 237 p.

Source: Dissertations Abstracts International, Volume: 82-11, Section: A.

Thesis (Ph.D.)--Arizona State University, 2021.

This item must not be sold to any third party vendors.

This dissertation explores the relationship between expressions of female virtue-predominantly chastity-and violence within two popular early Chinese literary traditions: Qiu Hu 秋胡 and Han Peng 韓朋. Both tales were in circulation by the Western Han (206 BCE-24 CE) and depict husbands and wives torn apart by conflict-the victims of drama instigated by men-and ultimately end with the righteous suicides of their female leads. Testifying to their enduring popularity, these stories were adapted by poets and prose writers alike, including prominent figures such as Fu Xuan, Yan Yanzhi, Li Shangyin, and Shi Junbao, as well as unknown composers of works discovered at Dunhuang. The results of their labor-poems, prose, and even a Yuan dynasty (1279-1368) stage adaptation-demonstrate the flexibility of these traditions as a means of exploring contemporary concerns regarding female integrity and talent, the dangers of beauty, women's roles in the family, as well as socio-economic issues. By providing the first study of the portrayal of women within these influential traditions across genre and time, this dissertation not only contributes to the understanding of both tales as elite representations of idealized femininity, but also highlights how such popular traditions were subject to competing pressures of social norms, genre, and audience expectation. By examining and contrasting these disparate works, this study argues that these traditions were less singular tales that owed their existence to any given work than they were a broad collection of topoi that could be shuffled into differing configurations to meet the need of a given author at a given moment.

ISBN: 9798738619984Subjects--Topical Terms:

1571829
Asian studies.
Subjects--Index Terms:

Chinese literature

Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions.
LDR:02847nmm a2200385 4500 001 2284913
005 20211124093252.5
008 220723s2021 ||||||||||||||||| ||eng d
020 $a 9798738619984
035 $a (MiAaPQ)AAI28492731
035 $a AAI28492731
040 $a MiAaPQ $c MiAaPQ
100 1 $a Wang-Wolf, Xuan. $3 3564131
245 1 0 $a Silk and Sacrifice: Gender, Death, and Adaptation in Two Chinese Literary Traditions.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 237 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-11, Section: A.
500 $a Advisor: West, Stephen H.
502 $a Thesis (Ph.D.)--Arizona State University, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation explores the relationship between expressions of female virtue-predominantly chastity-and violence within two popular early Chinese literary traditions: Qiu Hu 秋胡 and Han Peng 韓朋. Both tales were in circulation by the Western Han (206 BCE-24 CE) and depict husbands and wives torn apart by conflict-the victims of drama instigated by men-and ultimately end with the righteous suicides of their female leads. Testifying to their enduring popularity, these stories were adapted by poets and prose writers alike, including prominent figures such as Fu Xuan, Yan Yanzhi, Li Shangyin, and Shi Junbao, as well as unknown composers of works discovered at Dunhuang. The results of their labor-poems, prose, and even a Yuan dynasty (1279-1368) stage adaptation-demonstrate the flexibility of these traditions as a means of exploring contemporary concerns regarding female integrity and talent, the dangers of beauty, women's roles in the family, as well as socio-economic issues. By providing the first study of the portrayal of women within these influential traditions across genre and time, this dissertation not only contributes to the understanding of both tales as elite representations of idealized femininity, but also highlights how such popular traditions were subject to competing pressures of social norms, genre, and audience expectation. By examining and contrasting these disparate works, this study argues that these traditions were less singular tales that owed their existence to any given work than they were a broad collection of topoi that could be shuffled into differing configurations to meet the need of a given author at a given moment.
590 $a School code: 0010.
650 4 $a Asian studies. $3 1571829
650 4 $a Asian literature. $3 2122707
650 4 $a Gender studies. $3 2122708
650 4 $a Womens studies. $3 2122688
653 $a Chinese literature
653 $a Death
653 $a Gender
653 $a Adaptation
653 $a Female virtue
690 $a 0342
690 $a 0305
690 $a 0453
690 $a 0733
710 2 $a Arizona State University. $b East Asian Languages and Civilizations. $3 3190631
773 0 $t Dissertations Abstracts International $g 82-11A.
790 $a 0010
791 $a Ph.D.
792 $a 2021
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28492731