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A Study of "1950s Hong Kong Literature".
~
Chau, Tsz Yan Emily.
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A Study of "1950s Hong Kong Literature".
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Study of "1950s Hong Kong Literature"./
作者:
Chau, Tsz Yan Emily.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2014,
面頁冊數:
176 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Contained By:
Dissertation Abstracts International76-10A(E).
標題:
Asian literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3707422
ISBN:
9781321820911
A Study of "1950s Hong Kong Literature".
Chau, Tsz Yan Emily.
A Study of "1950s Hong Kong Literature".
- Ann Arbor : ProQuest Dissertations & Theses, 2014 - 176 p.
Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2014.
This item is not available from ProQuest Dissertations & Theses.
As one of the former colonial areas, Hong Kong has a more complex colonial experience. The demise of British colonial rule in 1997 did not gain independence for Hong Kong, and noticeably, Hong Kong remained in close contact with Mainland China throughout the colonial period. The debate of the subjectivity of "Hong Kong literature" oscillates between the framing of local literature and regional literature, and generates various understandings of locality and literary history. Despite discrepancy, "1950s" is commonly regarded as the critical period of Hong Kong literature's emergence and various understandings of localism are hence generated. This dissertation aims at investigating localism from the perspective of "Hong Kong literature". Through analyzing different discourses of the notion of "1950s Hong Kong literature", this thesis scrutinizes the interplay of national imagination, colonial policies and cultural production, and tries to examine the possibilities of constructing "Hong Kong literature" with localism.
ISBN: 9781321820911Subjects--Topical Terms:
2122707
Asian literature.
A Study of "1950s Hong Kong Literature".
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Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
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Adviser: Hang Fung Carole Hoyan.
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As one of the former colonial areas, Hong Kong has a more complex colonial experience. The demise of British colonial rule in 1997 did not gain independence for Hong Kong, and noticeably, Hong Kong remained in close contact with Mainland China throughout the colonial period. The debate of the subjectivity of "Hong Kong literature" oscillates between the framing of local literature and regional literature, and generates various understandings of locality and literary history. Despite discrepancy, "1950s" is commonly regarded as the critical period of Hong Kong literature's emergence and various understandings of localism are hence generated. This dissertation aims at investigating localism from the perspective of "Hong Kong literature". Through analyzing different discourses of the notion of "1950s Hong Kong literature", this thesis scrutinizes the interplay of national imagination, colonial policies and cultural production, and tries to examine the possibilities of constructing "Hong Kong literature" with localism.
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There are six chapters in this thesis. Chapter 1 addresses the motivation, purpose of research, methodology, as well as the literature review of the existing studies. Chapter 2 analyzes prevailing discourses on the notion of "1950s Hong Kong literature", so as to investigate different discursive formations of the subjectivity of Hong Kong literature. Chapter 3, with the examples in the Hsin Sheng Wen Pao [special characters omitted], examines the colonial policies and its role in literary production regarding the notion of "1950s Hong Kong literature". Chapter 4 departs from the idea of capital, examines debates over the position of popular culture in the literary field. The dialogue is carried out through the different understandings on the notion of "1950s Hong Kong literature". Chapter 5 studies the relationship between symbolic capital and localism with the example of how a Hong Kong writer, Shu Xiangcheng [special characters omitted], was perceived in the compilation "1950s Hong Kong literature". In Chapter 6, this section evaluates the importance of the discourse "1950s Hong Kong literature", and suggests other possibilities of the Hong Kong literature subjectivity in the future.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3707422
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