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A Feminine Canon : = Li Qingzhao and Zhu Shuzhen.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Feminine Canon :/
Reminder of title:	Li Qingzhao and Zhu Shuzhen.
Author:	Van Bibber-Orr, Edwin.
Description:	1 online resource (248 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 75-05, Section: A.
Contained By:	Dissertations Abstracts International75-05A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3571850click for full text (PQDT)
ISBN:	9781303316685

A Feminine Canon : = Li Qingzhao and Zhu Shuzhen.
Van Bibber-Orr, Edwin.

A Feminine Canon :Li Qingzhao and Zhu Shuzhen. - 1 online resource (248 pages)

Source: Dissertations Abstracts International, Volume: 75-05, Section: A.

Thesis (Ph.D.)--Yale University, 2013.

Includes bibliographical references

This dissertation argues that the Chinese woman poets Li Qingzhao (1084-ca. 1155) and Zhu Shuzhen(1135?-1180?) were canonized as the two greatest women writers in Chinese history. I show that Li Qingzhao and Zhu Shuzhen's canonization enabled the explosion of women's writing in the late Ming (1550-1644). The first two chapters of the dissertation address Zhu Shuzhen's reception and canonization from the Southern Song (1127-1279) to the Ming (1368-1644), the second two address Li Qingzhao's reception during the same time period, and the final chapter concerns the phenomenon of Li Qingzhao and Zhu Shuzhen as a canonical pair from the Qing (1644-1912) to the late twentieth-century. Zhu Shuzhen has mostly been ignored in the West, and I begin by analyzing the 1182 preface to her collected works, Duanchang ji (Heartbreak), collected by the Southern Song literatus Wei Duanli (1130-ca.1184). I then examine Zhu Shuzhen's canonization in the Ming, arguing that male literati promoted Zhu Shuzhen by eroticizing her. With Li Qingzhao, I begin with Southern Song anthologies that collect her poetry, and show that the early thirteenth-century anthology Caotang shiyu (Extra Poems from Thatched Hut) was the primary vessel for Li Qingzhao's canonization in the late Ming. In the dissertation's final chapter, I examine Kenneth Rexroth's (1905-1982) translations of Li Qingzhao and Zhu Shuzhen.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781303316685Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

ChinaIndex Terms--Genre/Form:

542853
Electronic books.

A Feminine Canon : = Li Qingzhao and Zhu Shuzhen.
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504 $a Includes bibliographical references
520 $a This dissertation argues that the Chinese woman poets Li Qingzhao (1084-ca. 1155) and Zhu Shuzhen(1135?-1180?) were canonized as the two greatest women writers in Chinese history. I show that Li Qingzhao and Zhu Shuzhen's canonization enabled the explosion of women's writing in the late Ming (1550-1644). The first two chapters of the dissertation address Zhu Shuzhen's reception and canonization from the Southern Song (1127-1279) to the Ming (1368-1644), the second two address Li Qingzhao's reception during the same time period, and the final chapter concerns the phenomenon of Li Qingzhao and Zhu Shuzhen as a canonical pair from the Qing (1644-1912) to the late twentieth-century. Zhu Shuzhen has mostly been ignored in the West, and I begin by analyzing the 1182 preface to her collected works, Duanchang ji (Heartbreak), collected by the Southern Song literatus Wei Duanli (1130-ca.1184). I then examine Zhu Shuzhen's canonization in the Ming, arguing that male literati promoted Zhu Shuzhen by eroticizing her. With Li Qingzhao, I begin with Southern Song anthologies that collect her poetry, and show that the early thirteenth-century anthology Caotang shiyu (Extra Poems from Thatched Hut) was the primary vessel for Li Qingzhao's canonization in the late Ming. In the dissertation's final chapter, I examine Kenneth Rexroth's (1905-1982) translations of Li Qingzhao and Zhu Shuzhen.
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653 $a Qing Dynasty
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