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What We Talk About When We Talk Abou...
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Henderson, Ross D.
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What We Talk About When We Talk About Basara.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
What We Talk About When We Talk About Basara./
作者:
Henderson, Ross D.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:
55 p.
附註:
Source: Masters Abstracts International, Volume: 56-03.
Contained By:
Masters Abstracts International56-03(E).
標題:
Asian literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10260024
ISBN:
9781369693812
What We Talk About When We Talk About Basara.
Henderson, Ross D.
What We Talk About When We Talk About Basara.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 55 p.
Source: Masters Abstracts International, Volume: 56-03.
Thesis (Master's)--University of Washington, 2017.
The word basara is frequently used in discussing Japan's fourteenth century. Indeed, the period itself is often casually referred to as the "age of basara," and the fourteenth century military chronicle Taiheiki is its primary text. Basara is often taken to mean excess in dress, behavior, and consumption. However, this loose understanding is not born out by the extant references in fourteenth-century documents. Recent scholarship has pointed to a more specific descriptive meaning in this period: movement like the fluttering of loose clothing. Yet, particularly in Taiheiki's Sasaki Doyo, there is an active "maximalist" aesthetic at work. I hope to show basara's precise meaning in context, and propose another term to describe the aesthetic phenomenon: "transgressive excess." That is, excessive in the common sense, and "transgressing" in four categories: appropriate taste, class structure, public order, and political borders. This terminological realignment allows a clearer understanding of the aesthetics of excess.
ISBN: 9781369693812Subjects--Topical Terms:
2122707
Asian literature.
What We Talk About When We Talk About Basara.
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The word basara is frequently used in discussing Japan's fourteenth century. Indeed, the period itself is often casually referred to as the "age of basara," and the fourteenth century military chronicle Taiheiki is its primary text. Basara is often taken to mean excess in dress, behavior, and consumption. However, this loose understanding is not born out by the extant references in fourteenth-century documents. Recent scholarship has pointed to a more specific descriptive meaning in this period: movement like the fluttering of loose clothing. Yet, particularly in Taiheiki's Sasaki Doyo, there is an active "maximalist" aesthetic at work. I hope to show basara's precise meaning in context, and propose another term to describe the aesthetic phenomenon: "transgressive excess." That is, excessive in the common sense, and "transgressing" in four categories: appropriate taste, class structure, public order, and political borders. This terminological realignment allows a clearer understanding of the aesthetics of excess.
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