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The transparency of Chinese realism:...

Wang, Rujie.

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The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She./
作者:	Wang, Rujie.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1993,
面頁冊數:	272 p.
附註:	Source: Dissertation Abstracts International, Volume: 54-03, Section: A, page: 9260.
Contained By:	Dissertation Abstracts International54-03A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9320542

The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
Wang, Rujie.

The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She. - Ann Arbor : ProQuest Dissertations & Theses, 1993 - 272 p.

Source: Dissertation Abstracts International, Volume: 54-03, Section: A, page: 9260.

Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 1993.

This dissertation is a study in hermeneutic phenomenology that attempts to register the changes in cultural assumptions that have occurred in Chinese critical realism since the May Fourth period. It problematizes the referential transparency of realism by pointing out the sedimented context of the Chinese Enlightenment, in which the realists negotiated traditional Chinese humanism by means of a number of dominant Western social and political discourses.Subjects--Topical Terms:

570001
Comparative literature.

The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
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245 1 4 $a The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
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500 $a Source: Dissertation Abstracts International, Volume: 54-03, Section: A, page: 9260.
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520 $a This dissertation is a study in hermeneutic phenomenology that attempts to register the changes in cultural assumptions that have occurred in Chinese critical realism since the May Fourth period. It problematizes the referential transparency of realism by pointing out the sedimented context of the Chinese Enlightenment, in which the realists negotiated traditional Chinese humanism by means of a number of dominant Western social and political discourses.
520 $a Thus, Lu Xun's The True Story of Ah Q (1921) is a self-representation and interrogation of the Chinese people as underevolved cannibals; it is mediated through the author's knowledge of Social Darwinism and Christian humanism. Ba Jin's Family (1931) is a representation of the traditional family as a suffocating prisonhouse, which is filtered through the author's acquaintance with Western individualism and Russian anarchism. The representation of Chinese society in Mao Dun's Midnight (1933) as ready for a Bolshevic revolution is mediated through the author's knowledge of Marx's economic theory and political thought. And Lao She's Camel Xiangzi (1936) which depicts man as hopelessly struggling against his inner drives as well as the external forces of nature, is mediated through the author's familiarity with French naturalism.
520 $a In the light of the present-day understanding of colonialist discourse as a form of appropriating non-Western cultures, Chinese realism seems to be a failed struggle to mediate reality with a broader structuring principle of history, since the May Fourth generation of realist writers ended up by opting for a Western progressive notion of civilization.
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