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Uno Koji (1891-1961).

Gerbert, Elaine.

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Uno Koji (1891-1961).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Uno Koji (1891-1961)./
作者:	Gerbert, Elaine.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1990,
面頁冊數:	229 p.
附註:	Source: Dissertation Abstracts International, Volume: 51-08, Section: A, page: 2748.
Contained By:	Dissertation Abstracts International51-08A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9101261

Uno Koji (1891-1961).
Gerbert, Elaine.

Uno Koji (1891-1961). - Ann Arbor : ProQuest Dissertations & Theses, 1990 - 229 p.

Source: Dissertation Abstracts International, Volume: 51-08, Section: A, page: 2748.

Thesis (Ph.D.)--Yale University, 1990.

Uno Koji, author of over four hundred novels, stories, and essays, was a member of the bundan from the time of the publication of Kura no Naka (1919) until his death in 1961. He led a literary coterie, won the Yomiuri Prize for literature, and was a judge on the Akutagawa Prize Committee and a member of the Academy of Arts.Subjects--Topical Terms:

2122707
Asian literature.

Uno Koji (1891-1961).
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245 1 0 $a Uno Koji (1891-1961).
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300 $a 229 p.
500 $a Source: Dissertation Abstracts International, Volume: 51-08, Section: A, page: 2748.
500 $a Adviser: Edwin McClellan.
502 $a Thesis (Ph.D.)--Yale University, 1990.
520 $a Uno Koji, author of over four hundred novels, stories, and essays, was a member of the bundan from the time of the publication of Kura no Naka (1919) until his death in 1961. He led a literary coterie, won the Yomiuri Prize for literature, and was a judge on the Akutagawa Prize Committee and a member of the Academy of Arts.
520 $a He has been described as a master of the sentence and a consummate storyteller, a writer who represents an important step in the evolution of colloquial prose in the modern Japanese novel, and has been credited with reviving the use of humor in the novel and in literary criticism. These achievements are discussed in this study together with other means he used to draw critical attention to the convention of the shishosetsu (a prose narrative about the self), such as writing novels that parody the narrative techniques and the subject of the genre. It is suggested that this self-conscious manner of writing was one of his most important contributions to the vitality of the Taisho-period novel.
520 $a The concept of play is used to highlight the interrelationship between aspects of Uno's narrative style and his attitude toward literature.
520 $a The study covers the whole of Uno's career, focusing primarily on his better known works such as Kura no Naka, Ku no Sekai, Kareki no Aru Fukei, Omoigawa, Akutagawa Ryunosuke, and Yo ni mo Fushigi na Monogatari, but including as well discussion of works somewhat less well known, such as Koemon no Kaimei, Munashii Haru, Gunkokoshinkyoku, Aki no Kokoro, and Utsurikawari.
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