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Comic roles and performance in the p...

Llamas, Regina Sofia.

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Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation./
作者:	Llamas, Regina Sofia.
面頁冊數:	419 p.
附註:	Source: Dissertation Abstracts International, Volume: 59-05, Section: A, page: 1578.
Contained By:	Dissertation Abstracts International59-05A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9832298
ISBN:	9780591853889

Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.
Llamas, Regina Sofia.

Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation. - 419 p.

Source: Dissertation Abstracts International, Volume: 59-05, Section: A, page: 1578.

Thesis (Ph.D.)--Harvard University, 1998.

In this dissertation I investigate the function of the 3 main comic roles (mo, jing, and chou) in the early Southern Song play, Top Graduate Zhang Xie, as well as some aspects of their performance. From its very early stages, Chinese drama relied both for its composition and performance on the division and specialization of roles; types were created to fit these roles. I show how role formation is indicative of the structure of early Southern theater and explain how these three roles follow a set of formulaic routines which they repeat in each comic section. Comedy was a requirement for all Chinese drama, and the typical structure of a dramatic piece alternates comic scenes with serious scenes maintaining the balance between the two. In Zhang Xie, however, the comic scenes played by comic roles dominate the performance. Recurrent patterns of language and action show that these scenes were meant to be performed rather than read. In addition to discussing role organization, I also examine passages in the text that provide clues as to how comedy was performed. In the last chapter, I include a full translation of the play.

ISBN: 9780591853889Subjects--Topical Terms:

2122707
Asian literature.

Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.
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245 1 0 $a Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.
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520 $a In this dissertation I investigate the function of the 3 main comic roles (mo, jing, and chou) in the early Southern Song play, Top Graduate Zhang Xie, as well as some aspects of their performance. From its very early stages, Chinese drama relied both for its composition and performance on the division and specialization of roles; types were created to fit these roles. I show how role formation is indicative of the structure of early Southern theater and explain how these three roles follow a set of formulaic routines which they repeat in each comic section. Comedy was a requirement for all Chinese drama, and the typical structure of a dramatic piece alternates comic scenes with serious scenes maintaining the balance between the two. In Zhang Xie, however, the comic scenes played by comic roles dominate the performance. Recurrent patterns of language and action show that these scenes were meant to be performed rather than read. In addition to discussing role organization, I also examine passages in the text that provide clues as to how comedy was performed. In the last chapter, I include a full translation of the play.
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