東華大學圖書館 |

Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde = = 결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde =/
其他題名:	결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.
作者:	Smith, Kevin Michael.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	361 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Contained By:	Dissertations Abstracts International81-02A.
標題:	Modern literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13805615
ISBN:	9781085586627

Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde = = 결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.
Smith, Kevin Michael.

Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde =결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 361 p.

Source: Dissertations Abstracts International, Volume: 81-02, Section: A.

Thesis (Ph.D.)--University of California, Davis, 2019.

This item must not be sold to any third party vendors.

This dissertation examines Korean modernist poetry from the Japanese colonial period (1910-1945) within the context of an interwar global avant-garde through the rubric of combined and uneven development. Understanding modernist fragmentation as the specific aesthetic correlate of capitalism's differentiated growth and reproduction across space and time, I examine how modernist poets in colonial Korea surveyed, interrogated, and critically responded to such radical inequalities and contradictions engendered by industrial capitalism and Japanese imperialism as those between town and country, colony and metropole, proletarian and bourgeois, work and leisure time, battlefield and homefront, and psychic unfreedom and a liberated unconscious. I present therein close readings of a number of modernist Korean poets, including Yi Sang, O Chang-hwan, Im Hwa, Paek Sok, Yi Si-u, and Kim Kirim, around four central topics: simultaneity and social acceleration; the proletarian avant-garde and revolutionary prolepsis; futurism and industrial warfare; and surrealism and the fourth dimension of the unconscious. By framing the modernist-inflected poetry of colonial Korea within a wider literary and cultural aperture, drawing together works from Japanese Dadaism, Italian futurism, French cubism, Russian constructivism, and American proletarian literature, I aim to trace the diffusion of global modernism along the variegated contours of capital's unevenness, suggesting that "lateness" as a political-economic index and critical-theoretical tool may be disentangled from moral or colonial discourses concerning cultural or civilizational inferiority so as to help account for the divergent and nonsynchronous appearance of modernist practice at different geographic and historical conjunctures.

ISBN: 9781085586627Subjects--Topical Terms:

2122750
Modern literature.
Subjects--Index Terms:

Avant-garde

Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde = = 결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.
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020 $a 9781085586627
035 $a (MiAaPQ)AAI13805615
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040 $a MiAaPQ $c MiAaPQ
100 1 $a Smith, Kevin Michael. $3 3553685
245 1 0 $a Combined and Uneven Modernism: Colonial Korean Poetry and the Global Avant-garde = $b 결합된 불균등 모더니즘: 식민지 조선의 시와 세계적 아방가르드.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 361 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
500 $a Advisor: Suh, Serk-Baek.
502 $a Thesis (Ph.D.)--University of California, Davis, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation examines Korean modernist poetry from the Japanese colonial period (1910-1945) within the context of an interwar global avant-garde through the rubric of combined and uneven development. Understanding modernist fragmentation as the specific aesthetic correlate of capitalism's differentiated growth and reproduction across space and time, I examine how modernist poets in colonial Korea surveyed, interrogated, and critically responded to such radical inequalities and contradictions engendered by industrial capitalism and Japanese imperialism as those between town and country, colony and metropole, proletarian and bourgeois, work and leisure time, battlefield and homefront, and psychic unfreedom and a liberated unconscious. I present therein close readings of a number of modernist Korean poets, including Yi Sang, O Chang-hwan, Im Hwa, Paek Sok, Yi Si-u, and Kim Kirim, around four central topics: simultaneity and social acceleration; the proletarian avant-garde and revolutionary prolepsis; futurism and industrial warfare; and surrealism and the fourth dimension of the unconscious. By framing the modernist-inflected poetry of colonial Korea within a wider literary and cultural aperture, drawing together works from Japanese Dadaism, Italian futurism, French cubism, Russian constructivism, and American proletarian literature, I aim to trace the diffusion of global modernism along the variegated contours of capital's unevenness, suggesting that "lateness" as a political-economic index and critical-theoretical tool may be disentangled from moral or colonial discourses concerning cultural or civilizational inferiority so as to help account for the divergent and nonsynchronous appearance of modernist practice at different geographic and historical conjunctures.
520 $a 한국어 초록본 논문은 자본주의적 불균등 발전이라는 중심으로 세계적 아방가르드 맥락 안에 있는 일제 시기의 조선 모더니즘 시를 검토한다. 자본주의의 차등적 확대와 재생산에 미학적 상관 현상으로서 모더니즘적 파편화를 이해하기 위하여, 일제 시기 내내 산업 자본주의와 일본 제국주의가 일으키는 불평등 성장과 모순들을 조선 모더니즘 시인들이 어떻게 조망, 심문, 그리고 비판적으로 대답했는지 조사한다. 이 모순들은 도시와 지방, 제국과 식민지, 부르주아와 프롤레타리아, 작업 시간과 여가 시간, 전장과 후방의 전시 동원, 그리고 심리적 부자유와 해방된 무의식이 포함된다. 이를 위해 모더니즘 시인들인 이상 (李箱), 오장환, 임화, 백석, 이시우, 김기림의 작품을 네 개의 주요 주제와의 관련 아래 자세히 분석해보고자 한다. 이 주제는 동시 발생과 사회적 가속화, 프롤레타리아적 전위와 혁명적 예변법(豫辯法), 미래파와 산업적 전쟁, 그리고 초현실주의와 무의식의 4차원이다. 식민지 조선의 전위 시를 일본 다다주의, 이탈리아 미래파, 프랑스 입체파, 러시아 구성주의, 그리고 미국 프롤레타리아 문학을과 비교하는 방법으로 분석하고, 이를 통해 세계적 모더니즘의 확산을 불균등 발전의 방사선의 확산에 따라 추적한다. 그 결과 역사적 지체는 문화적이나 문명적인 열등함을 상징하는 식민지 담론의 개념이 아니라 오히려 정치 경제학적이고 비판 이론적 지표로서 서로 다른 지리적이고 역서적인 국면에서 부동시적(不同時的)으로 발생하는 모더니즘 예술적 실천을 해명할 수 있다는 것을 밝혔다. 핵심어: 모더니즘, 식민지 조선, 불균등 발전, 시와 시론, 일본 제국주의, 아방가르드.
590 $a School code: 0029.
650 4 $a Modern literature. $3 2122750
650 4 $a Asian literature. $3 2122707
653 $a Avant-garde
653 $a Colonial Korea
653 $a Japanese empire
653 $a Modernism
653 $a Poetics
653 $a Uneven development
690 $a 0298
690 $a 0305
710 2 $a University of California, Davis. $b Comparative Literature. $3 1024843
773 0 $t Dissertations Abstracts International $g 81-02A.
790 $a 0029
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13805615