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Shih(1) and historical consciousness...

Wilkerson, Douglas Keith.

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Shih(1) and historical consciousness in Ming drama.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Shih(1) and historical consciousness in Ming drama./
作者:	Wilkerson, Douglas Keith.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1992,
面頁冊數:	281 p.
附註:	Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 1830.
Contained By:	Dissertation Abstracts International54-01A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9315275

Shih(1) and historical consciousness in Ming drama.
Wilkerson, Douglas Keith.

Shih(1) and historical consciousness in Ming drama. - Ann Arbor : ProQuest Dissertations & Theses, 1992 - 281 p.

Source: Dissertation Abstracts International, Volume: 54-01, Section: A, page: 1830.

Thesis (Ph.D.)--Yale University, 1992.

Veneration of the excellence of Early and High T'ang poetry by Ming Neoclassical poets of the sixteenth century presented a most difficult problem: how to recover the poetry of an age whose style was typified by occasional poetry, by nature inseparable from the particular historical and biographical details of specific writers. Early spokesmen of the $ku\sp3$-$w\{e}n\sp2$-tz'$u\sp2$ movement sought to return the poetic language to pre-Sung purity; but a growing awareness of irreversible linguistic changes during the Sung and Yuan led others to attempt instead a reenactment of T'ang lives and recreation of T'ang occasions which could be rendered in the contemporary idiom. This late-classical consciousness of linguistic separation from the tradition they sought to emulate drove many poets, such as Wang$\sp2$ Chiu$\sp3$-ssu$\sp1,$ K'ang$\sp1$ Hai$\sp3,$ Hsu$\sp2$ Wei$\sp4$ and Wang$\sp2$ Shih$\sp4$-chen, paradoxically to seek intimate poetic self-expression in the fictional modes of dramatic poetry. By adopting the role of T'ang poet they relived those earlier literary experiences, rewriting T'ang poems and occasions as their own. This construction of the self as "poet" was an essential ingredient in the "literatus play" of the late Ming and early Ch'ing.Subjects--Topical Terms:

2122707
Asian literature.

Shih(1) and historical consciousness in Ming drama.
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