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Literary tanci: A woman's tradition ...
~
Hu, Siao-chen.
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Literary tanci: A woman's tradition of narrative in verse.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Literary tanci: A woman's tradition of narrative in verse./
作者:
Hu, Siao-chen.
面頁冊數:
338 p.
附註:
Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.
Contained By:
Dissertation Abstracts International56-01A.
標題:
Asian literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9514852
Literary tanci: A woman's tradition of narrative in verse.
Hu, Siao-chen.
Literary tanci: A woman's tradition of narrative in verse.
- 338 p.
Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.
Thesis (Ph.D.)--Harvard University, 1994.
This item must not be sold to any third party vendors.
Among the types of Chinese spoken and sung literature (shuochang XXXX), tanci XXXX is distinguished by its special appeal to women audiences, readers, and writers. The subject of this study is the female literary tanci, i.e., narratives written for reading by women writers in the Qing.Subjects--Topical Terms:
2122707
Asian literature.
Literary tanci: A woman's tradition of narrative in verse.
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Literary tanci: A woman's tradition of narrative in verse.
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338 p.
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Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.
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Thesis (Ph.D.)--Harvard University, 1994.
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This item must not be sold to any third party vendors.
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Among the types of Chinese spoken and sung literature (shuochang XXXX), tanci XXXX is distinguished by its special appeal to women audiences, readers, and writers. The subject of this study is the female literary tanci, i.e., narratives written for reading by women writers in the Qing.
520
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Chapter 1 is an introduction to the genre and a background survey of the six texts selected for study. Chapter 2 reviews the implications of writing by women and examines how women writers of the literary tanci proclaimed their rights to authorship in their texts. Chapter 3 considers the women's act of reading, how texts related to women, and how reading was viewed by public opinion. Chapter 4 and 5 are textual analyses, with emphasis on domestic and adventure subject matter, respectively. It is pointed out that women writers first set their eyes on domesticity, but that their imagination extended to open spaces, domesticating them and challenging men's conception of them. The final chapter discusses the style of literary tanci. It concludes that the major stylistic characteristic of literary tanci--the irrelevant detail, which has been criticized as a fatal aesthetic flaw, can be read as a metaphor for the female condition that indirectly challenges the dominant literary norms and standards.
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There is a short conclusion appended to Chapter Six, which restates my major arguments and suggests possible topics for future study.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9514852
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