東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Shadow of Progress: Chinese Dystopia...

Cai, Jingjing.

FindBook

Google Book

Amazon

博客來

Shadow of Progress: Chinese Dystopian Fiction Since 1990s.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Shadow of Progress: Chinese Dystopian Fiction Since 1990s./
作者:	Cai, Jingjing.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	239 p.
附註:	Source: Dissertation Abstracts International, Volume: 80-03(E), Section: A.
Contained By:	Dissertation Abstracts International80-03A(E).
標題:	Literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10977660
ISBN:	9780438688162

Shadow of Progress: Chinese Dystopian Fiction Since 1990s.
Cai, Jingjing.

Shadow of Progress: Chinese Dystopian Fiction Since 1990s. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 239 p.

Source: Dissertation Abstracts International, Volume: 80-03(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2018.

This dissertation is a study of contemporary Chinese dystopian fiction published from the early 1990s to the early 21st century. The geographic locus for this study comprises Mainland China, Taiwan, and Hong Kong, as what I am interested in are dystopian discourses in the Chinese language rather than a particular geographical location. Contemporary Chinese dystopian fiction is futuristic and pessimistic, painting a gloomy picture of the future. By analyzing contemporary Chinese dystopian fiction in light of local politics and culture, global environmental challenges, and gender discourses, my study situates various dystopian accounts of the future not only within their historical contexts, but also within a global network of theories and representations, including post-socialism, developmentalism, postmodernism, and feminism.

ISBN: 9780438688162Subjects--Topical Terms:

537498
Literature.

Shadow of Progress: Chinese Dystopian Fiction Since 1990s.
LDR:03370nmm a2200337 4500 001 2203083
005 20190528122952.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438688162
035 $a (MiAaPQ)AAI10977660
035 $a (MiAaPQ)indiana:15518
035 $a AAI10977660
040 $a MiAaPQ $c MiAaPQ
100 1 $a Cai, Jingjing. $3 3429871
245 1 0 $a Shadow of Progress: Chinese Dystopian Fiction Since 1990s.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 239 p.
500 $a Source: Dissertation Abstracts International, Volume: 80-03(E), Section: A.
500 $a Adviser: Manling Luo.
502 $a Thesis (Ph.D.)--Indiana University, 2018.
520 $a This dissertation is a study of contemporary Chinese dystopian fiction published from the early 1990s to the early 21st century. The geographic locus for this study comprises Mainland China, Taiwan, and Hong Kong, as what I am interested in are dystopian discourses in the Chinese language rather than a particular geographical location. Contemporary Chinese dystopian fiction is futuristic and pessimistic, painting a gloomy picture of the future. By analyzing contemporary Chinese dystopian fiction in light of local politics and culture, global environmental challenges, and gender discourses, my study situates various dystopian accounts of the future not only within their historical contexts, but also within a global network of theories and representations, including post-socialism, developmentalism, postmodernism, and feminism.
520 $a My dissertation consists of an introduction and four chapters. In the Introduction, I historicize the development of Chinese dystopian fiction and lay out the social, historical, and theoretical framework of my study. In Chapter 1, I provide an analysis of Wang Lixiong's Yellow Peril and Chan Koonchung's The Fat Years, showing how the first novel envisions authoritarianism as China's future and the second experiments with anarchism. In Chapter 2 on Wang Xiaobo's Silver Age, I examine how this dystopian trilogy uses postmodernism to explore the troubled self-perception and identity crisis of Chinese intellectuals under postsocialist conditions. Chapter 3 explores the environmental dystopian thinking in Wu Mingyi's The Man with the Compound Eyes, which I argue promotes an ecocentric or anti-interventionist vision. Chapter 4 offers a close reading of Hong Ying's Carnation Club, in which I demonstrate how she defamiliarizes our experience of our present by envisioning a futuristic lesbian world in which sexism and subordination of women are reexamined and criticized.
520 $a My dissertation demonstrates that Chinese dystopian fiction resonates with politically motivated critiques of modern Chinese society, participates in major literary currents of the twentieth century, and constitutes a unique strand within global dystopian literary practices. By illuminating the significance of contemporary Chinese dystopian fiction, the analysis enriches our understanding of modern Chinese literary history and global discourses on the future of humanity.
590 $a School code: 0093.
650 4 $a Literature. $3 537498
650 4 $a Asian literature. $3 2122707
650 4 $a Asian studies. $3 1571829
690 $a 0401
690 $a 0305
690 $a 0342
710 2 $a Indiana University. $b East Asian Languages and Cultures. $3 2094560
773 0 $t Dissertation Abstracts International $g 80-03A(E).
790 $a 0093
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10977660