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A marked category: Nine women of mod...

Lingenfelter, Andrea Diane.

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A marked category: Nine women of modern Chinese poetry, 1920-1997.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A marked category: Nine women of modern Chinese poetry, 1920-1997./
作者:	Lingenfelter, Andrea Diane.
面頁冊數:	600 p.
附註:	Source: Dissertation Abstracts International, Volume: 59-09, Section: A, page: 3462.
Contained By:	Dissertation Abstracts International59-09A.
標題:	Asian literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9907928
ISBN:	9780599057883

A marked category: Nine women of modern Chinese poetry, 1920-1997.
Lingenfelter, Andrea Diane.

A marked category: Nine women of modern Chinese poetry, 1920-1997. - 600 p.

Source: Dissertation Abstracts International, Volume: 59-09, Section: A, page: 3462.

Thesis (Ph.D.)--University of Washington, 1998.

This dissertation investigates the extent to which treating women poets as a marked category, or special case, is meaningful, through the study of the work of nine women writing Chinese vernacular poetry in China, Taiwan, and Hong Kong. This study examines the question of when and where gender might be manifested in language, subject matter, and voice, and further assesses whether or not it is possible to make generalizations about women's writing as such.

ISBN: 9780599057883Subjects--Topical Terms:

2122707
Asian literature.

A marked category: Nine women of modern Chinese poetry, 1920-1997.
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100 1 $a Lingenfelter, Andrea Diane. $3 3182052
245 1 2 $a A marked category: Nine women of modern Chinese poetry, 1920-1997.
300 $a 600 p.
500 $a Source: Dissertation Abstracts International, Volume: 59-09, Section: A, page: 3462.
500 $a Chairperson: Wang Ching-Hsien.
502 $a Thesis (Ph.D.)--University of Washington, 1998.
520 $a This dissertation investigates the extent to which treating women poets as a marked category, or special case, is meaningful, through the study of the work of nine women writing Chinese vernacular poetry in China, Taiwan, and Hong Kong. This study examines the question of when and where gender might be manifested in language, subject matter, and voice, and further assesses whether or not it is possible to make generalizations about women's writing as such.
520 $a The careers of the nine poets (Ping Hsin, Lin Whei-yin, Ch'en Ching-jung, Cheng Min, Lin Ling, Hsiung Hung, Hsi Hsi, Chai Yung-ming, and Hsia Yu) span the decades from the 1920s to the 1990s, and this dissertation situates each poet's work in its historical, cultural, and literary context. Taking each body of work to be both the reflection of an individual woman's consciousness and of her environment, this dissertation attempts to define the ways in which individual women writers express (or do not express) in their poetry an awareness of themselves as women, while examining the social and aesthetic implications of these varying modes of expression.
520 $a The study concludes that, although some women articulate a strongly female point of view, it is not meaningful to treat women as a special, or marked, category, and that it is impossible to make generalizations about women's writing as such. There appears to be no linguistic basis to distinguish between women's poetic language and men's poetic language; rather, women's writing is a reflection of women's experience, as diverse as the women themselves.
590 $a School code: 0250.
650 4 $a Asian literature. $3 2122707
650 4 $a Modern literature. $3 2122750
650 4 $a Womens studies. $3 2122688
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710 2 $a University of Washington. $3 545923
773 0 $t Dissertation Abstracts International $g 59-09A.
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793 $a English
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