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The Emergence of the Modern Chinese Narrator : = Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Emergence of the Modern Chinese Narrator :/
其他題名:
Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
作者:
Peng, Tao.
面頁冊數:
1 online resource (266 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Contained By:
Dissertations Abstracts International84-01A.
標題:
Literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29066384click for full text (PQDT)
ISBN:
9798837547409
The Emergence of the Modern Chinese Narrator : = Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
Peng, Tao.
The Emergence of the Modern Chinese Narrator :
Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi. - 1 online resource (266 pages)
Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Thesis (Ph.D.)--University of California, Riverside, 2022.
Includes bibliographical references
In this dissertation, I examine the short stories written by four modern Chinese stylists whose works, I argue, represent the crucial transformation of Chinese writing in the twentieth century. Traditionally, most scholarship on the modernization of Chinese fiction has focused on the social-historical determinants found in the stories' narrative structures. I argue, however, that a narrative analysis independent of language cannot tell the difference of the voices sent out by different subjects in a story. Only through a linguistic analysis, then, can we conduct a reliable narrative analysis. I argue that Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi form a historical continuum of Foucault's discursive struggle, which maps out the route of modernization of Chinese writing in the twentieth century. In these authors' works, I examine the varying distances among author, narrator, and characters through the subtle differences in their voices. While the concept of distance among these voices hearkens to western narratives, we cannot convincingly define the Chinese narratives as "modern" simply because they include western narrative techniques. What makes Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi pioneers of modern Chinese fiction is their creation of a new and distinctively Chinese style, inspired by western literature, through language. Their writing creates a Chinese narrative style whose essence relies on the linguistic elements of classical written Chinese and contemporary spoken dialects. The modernization of Chinese fiction cannot be simply regarded as a process of Westernization because Chinese language demands Western narrative techniques being Sinicized at the same time.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798837547409Subjects--Topical Terms:
537498
Literature.
Subjects--Index Terms:
Short storiesIndex Terms--Genre/Form:
542853
Electronic books.
The Emergence of the Modern Chinese Narrator : = Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
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In this dissertation, I examine the short stories written by four modern Chinese stylists whose works, I argue, represent the crucial transformation of Chinese writing in the twentieth century. Traditionally, most scholarship on the modernization of Chinese fiction has focused on the social-historical determinants found in the stories' narrative structures. I argue, however, that a narrative analysis independent of language cannot tell the difference of the voices sent out by different subjects in a story. Only through a linguistic analysis, then, can we conduct a reliable narrative analysis. I argue that Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi form a historical continuum of Foucault's discursive struggle, which maps out the route of modernization of Chinese writing in the twentieth century. In these authors' works, I examine the varying distances among author, narrator, and characters through the subtle differences in their voices. While the concept of distance among these voices hearkens to western narratives, we cannot convincingly define the Chinese narratives as "modern" simply because they include western narrative techniques. What makes Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi pioneers of modern Chinese fiction is their creation of a new and distinctively Chinese style, inspired by western literature, through language. Their writing creates a Chinese narrative style whose essence relies on the linguistic elements of classical written Chinese and contemporary spoken dialects. The modernization of Chinese fiction cannot be simply regarded as a process of Westernization because Chinese language demands Western narrative techniques being Sinicized at the same time.
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