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HSIEH T'IAO AND THE TRANSFORMATION O...
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CHOU, CHAO-MING.
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HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
Record Type:
Electronic resources : Monograph/item
Title/Author:
HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES)./
Author:
CHOU, CHAO-MING.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 1986,
Description:
280 p.
Notes:
Source: Dissertation Abstracts International, Volume: 47-06, Section: A, page: 2163.
Contained By:
Dissertation Abstracts International47-06A.
Subject:
Asian literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8621719
HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
CHOU, CHAO-MING.
HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
- Ann Arbor : ProQuest Dissertations & Theses, 1986 - 280 p.
Source: Dissertation Abstracts International, Volume: 47-06, Section: A, page: 2163.
Thesis (Ph.D.)--Princeton University, 1986.
This dissertation is divided into five chapters. The introductory chapter states the subject and scope of my dissertation and gives a short account of Hsieh T'iao's life and times.Subjects--Topical Terms:
2122707
Asian literature.
HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
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HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
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Source: Dissertation Abstracts International, Volume: 47-06, Section: A, page: 2163.
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Thesis (Ph.D.)--Princeton University, 1986.
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This dissertation is divided into five chapters. The introductory chapter states the subject and scope of my dissertation and gives a short account of Hsieh T'iao's life and times.
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In Chapter Two, I analyze the poetic tradition, especially chao-yin poetry (poetry on summoning the recluse), yu-hsien poetry (poetry on roaming immortals), and hsuan-yen poetry (poetry on metaphysical discourse) in order to trace the development of nature poetry, which leads to a comparative study between T'ao Yuan-ming's t'ien-yuan (field and garden) poetry and Hsieh Ling-yun's shan-shui (mountain and water) poetry. I also make a comparison of linguistic features, including use of nouns, verbs, and parallelism.
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In Chapter Three, I demonstrate Hsieh Ling-yun's influence on Pao Chao and Hsieh T'iao. I also study the transformation of "the art of beholder." In Hsieh T'iao's shan-shui poetry this transformation is marked by a change from a linear sequence of views or a single panoramic view to a "highlighted" view. Formally, this is a process of change from Ancient-Style poetry to Recent-Style poetry. My discussion of the fusion of emotion and scene in Hsieh T'iao's works will include shan-shui poetry and chueh-chu.
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Chapter Four discusses the art of description and versification in yung-wu poetry, including related issues such as the activities of literary groups, the popularity of allusions, and the development of versification in regulated poetry.
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A short epilogue draws on critical opinions of Hsieh T'iao to shed more light on his style and its place in the evolution of Recent-Style poetry.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8621719
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