Asian literature.
概要
| 作品: | 681 作品在 0 項出版品 0 種語言 | |
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書目資訊
A content analysis of gender stereotypes and romantic ideals in Chinese Boy's Love stories.
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Reading Bodies: Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel "Guwangyan" ("Preposterous Words").
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A Reappraisal of Shanshui shi from the Liu-Song (420-479 CE) and High Tang Eras (712-770).
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Gender and Genre in the High Qing: Depictions of Feminine Sociability and Household Dynamics across Late Imperial Genres.
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Conceptualization and visualization of the invisible in Western and Chinese thought and literature.
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The birth of new barbarians: The theater of encounter in four early twentieth -century French and Chinese writers.
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The politics and poetics of wo /man /ufacture: Male representations of woman in Chinese Han fu and Roman love elegy.
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Early Chinese vernacular literature and the oral -literary continuum: The example of Song and Yuan dynasties pinghua.
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From "orphans" to "bastards": The legacy of the Cultural Revolution and contemporary Chinese allegories of the *individual.
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The social life of nations: A comparative study of American and Chinese utopian fiction, 1888-1906.
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"The Mirror of China": Language selection, images of China, and narrating Japan in the Kamakura period (1185-1333).
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Seeking Redemption and Sanctity: Seventeenth-Century Chinese Christian Literati and their Self-Writing.
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Turning ghosts into people: "The White-Haired Girl", revolutionary folklorism and the politics of aesthetics in modern China.
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Shi and State: A Study of the Ming China Literary Restoration Movement from 1488 to 1521.
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Feng Menglong's "Romantic Dream": Strategies of containment in his revision of "The Peony Pavilion".
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A Genealogy of an Erotic Figure: Rereading the "Chinese Influence" of Heian Literature.
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A reading of the divine speech in Job in light of the Zhuangzi: From an Asian feminist perspective.
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Autonomy and Dependency Relationships in Poetry and Fiction by Tomioka Taeko and Ito Hiromi.
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Valences of Vengeance: The Moral Imagination of Early Modern Japanese Vendetta Fiction.
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A descriptive study of writing development in Chinese-speaking young children, ages 3-6.
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Fictions of enlightenment: An intertextual study of "Xiyou ji", "Xiyou bu", and "Honglou meng".
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Female role models: Fictional and actual heroines of the late Chinese Empire with reference to Meng Lijun and Qiu Jin.
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Yi Lin, pious rebel: A study of the Founding Minister of the Shang in early Chinese texts.
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Re-envisioning Literature and History: An Annotated Translation of Two Short Stories by Jin Renshun.
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A DIACHRONIC STUDY OF GRAMMATICAL SUBJECT IN JAPANESE (DISCOURSE, TOPIC MARKER, "THE TALE OF GENJI", LANGUAGE CHANGE).
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The Lineage of Emotions in Medieval Japan: A Textual Analysis of Yoshitsune's Kibune Episode.
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The emotional weight of poetic sound: An exploration of phonemic iconicity in the haiku of Basho.
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Coincidence or Contact: A Study of Sound Changes in Eastern Old Japanese Dialects and Ryukyuan Languages.
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Urban Strangers: Representations of Migrant Workers in Contemporary Chinese Literature, Film, and Popular Culture.
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History, mystery, myth: A comparative study of narrative strategies in the "Baija gongan" and "The Complete Sherlock Holmes".
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Comic roles and performance in the play "Zhang Xie Zhuangyuan" with a complete translation.
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Miura Ayako the Christian writer: A critical study of her major novels and their reception in Japan.
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"A significant season": Literature in a time of endings. Cai Yong and a few contemporaries.
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A study of "The Han Garden Collection": New approaches to modern Chinese poetry, 1930-1934.
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History and the true war story: Reading for moral injury in Vietnam veteran literatures.
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Two authorial rhetorics of Li Yu's (1611-1680) works: Inversion and auto-communication.
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Towards an itinerant sinophone: Transnational literary collaboration in the writings of Xiao Hong, Zhang Ailing, and Lao She.
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Ideality and reality: Feminist utopias and the patriarchal world in eighteenth-century Chinese and English fiction.
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The affective politics of home: Queer familial imaginations in 20th and 21st century Chinese theatre and film.
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Co-constructing Empire in Early Choson Korea: Knowledge Production and the Culture of Diplomacy, 1392-1592.
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Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels.
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Chinese euphonics: Phonetic patterns, phonorhetoric and literary artistry in early Chinese narrative texts.
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Mercenary mamas and rising sons: The figure of the controlling mother in modern Japanese literature.
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Foundations of Chinese historiography: Literary representation in Zuo zhuan and Guoyu.
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Poetry in narrative: Meng Ch'i (fl. 841-886) and "True Stories of Poems (Pen-shih shih)".
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Narrating the nation: The aesthetics of historical experience in Chinese reportage literature, 1919-1966.
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An annotated translation of Yan Yu's "Canglang shihua": An early thirteenth-century Chinese poetry manual.
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Du Fu, Li Ho, and Li Shangyin: The development of a fictive voice in late Tang lyric poetry.
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Standards of excess: Literary histories, canons, and the reception of Late Tang poetry.
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Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
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Reading Comic Books Critically: How Japanese Comic Books Influence Taiwanese Students.
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A verbal paradise visualized: An ekphrasistic study of the "Daguanyuan" in Cao Xueqin's "Hongloumeng"
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"Gu Tang Shigui" and the making of commented poetry anthologies in the seventeenth century China.
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Quasi-History and Public Knowledge: A Social History of Late Ming and Early Qing Unofficial Historical Narratives.
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THE AUTHORSHIP OF "THE DREAM OF THE RED CHAMBER": A COMPUTERIZED STATISTICAL STUDY OF ITS VOCABULARY.
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Quest for the urtext: The textual archaeology of "The Three Kingdoms". (Volumes I and II).
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"An amorous history of the silver screen": Film culture, urban modernity, and the vernacular experience in China, 1896-1937.
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Reading the "kowaka -mai" as medieval myth: Story -patterns, traditional reference and performance in late medieval Japan.
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Buddhists, Brahmans, and Buddhist Brahmans: Negotiating Identities in Indian Antiquity.
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The "Candragarbha-sutra" in central and east Asia: Studies in a Buddhist prophecy of decline.
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The 'fuju fuse' controversy in Nichiren Buddhism: The debate between Busshoin Nichio and Jakushoin Nichiken.
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Ksemendra's "Bodhisattvavadanakalpalata": A text-critical edition and translation of chapters one to five.
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The Indo-Tibetan Buddhist consecration ritual for 'stupas', images, books and temples.
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The range of the bodhisattva: A study of an early Mahayanasutra, "Aryasatyakaparivarta", Discourse of Truth Teller.
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Die ganze Welt in einem Zoll. Ein Beitrag zur chinesischen Siegelkunde. (Volumes I and II).
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A comparative study of Buddhist version of the "Epic of Gesar of Ling". (Volumes I and II).
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The landscapes of Wu Bin (c. 1543-c. 1626) and a seventeenth-century discourse of originality.
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Composing courtiers: Ki no Tsurayuki's poetic visions of gender, writing, and ritual at the Heian court.
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A study of clothing in the classic Chinese novel "Hong lou meng" ("A Dream of Red Mansions").
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Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945.
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How a city speaks: Urban space in Chang'an and the construction of Tang Dynasty narratives.
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Theory and Anecdote in Chinese Poetics: the Trajectory of Remarks on Poetry in Song Dynasty China.
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Vocabularies of Violence: The Chinese Coolie Trade and the Constitutive Power of its Conceptual Vocabularies, 1847-1907.
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Making China's greatest poet: The construction of Du Fu in the poetic culture of the Song Dynasty (960-1279).
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Mediating Trans/nationalism: Japanese 'Jun'ai' (Pure-Love) in Popular Media Representations.
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From Tradition to Brand: The Making of 'Global' Korean Culture in Millennial South Korea.
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From Hangzhou to Lin'an: History, Space, and the Experience of Urban Living in Narratives from Song Dynasty China.
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Timeless in Asia: Wordless and Silent Experiences of Minimalism in Postcolonial American Art.
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Young Mongol intellectuals during the Manchukuo era: A case study on Erdenitogammataqu's early literature 1931-1945.
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The author's Doppelgaenger: Celebrity, canonicity, and the anxiety of the literary marketplace in the contemporary novel.
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Liang Yusheng's critical study of the Doubtful Passages in the Grand Scribe's Records and its impact on modern scholarship.
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Re-Envisioning the Workings of Text and Image: "Yoru no Nezame" and Late-Heian Literature and Art.
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The Shaman detective: A comparative reading of enchantment and animism in contemporary Japanese detective fiction.
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The space of Japanese science fiction: Illustration, subculture, and the body in "SF Magazine".
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Crossing boundaries: The transnational third space of contemporary Chinese-Francophone writers.
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Ching and chuan: Towards defining the Confucian scriptures in Han China (206 BCE--220 CE).
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The genesis and development of Hangdang in traditional Chinese theatre before the emergence of Beijing Opera.
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The major developments and their ideological implications of Chinese film and film education since the Cultural Revolution.
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The Chinese outcry and the American dream: A comparative study of Lu Xun and F. Scott Fitzgerald.
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An unlucky muse from northeast China: A study of Duanmu Hongliang during the War of Resistance.
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Family troubles: Contestations and non-western modernity in the cases of China, Taiwan, and Japan.
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The idea of the monk in medieval China: Asceticism, thaumaturgy, and scholarship in the "Biographies of Eminent Monks".
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Rhetoric, romance, and intertextuality: The making and remaking of Guan Hanqing in Yuan and Ming China.
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Constant dancing in the palaces: Context and characteristics of movement in early Chinese performance.
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Buddhism, biography and power: A study of Daoxuan's "Continued Lives of Eminent Monks".
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Metaphors of love and desire in "The Portrait of a Lady", "The Dream of the Red Chamber" and "The Tale of Genji".
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Blowing Away Convention: Enchi Fumiko, Tanabe Seiko and Aging Women in Modern Japanese Literature.
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Double temporality and its significance: A narrative analysis of Chinese fiction in the nineteen eighties.
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Fugitive Subjects of the "Mi-Yi": Politics of Life and Labor in Taiwan's Medical Modernity.
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Re-claiming the ideals of the yoˇllyoˇ: Women in and with books in Early Chosoˇn Korea.
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A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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Echoes From the Other Side: Gender, Space, and Psyche in Contemporary Japanese Genre Fiction.
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The Wild Individual: Politics and Aesthetics of Realism in Post-Mao China (1977-1984).
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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The Visible Translator: Language and Identity in Meiji-period Japanese Travel Narratives.
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The development of poetic didacticism in Chinese political thought and its function in Mao's ideological campaigns.
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From chronicle to canon: The hermeneutics of the "Spring and Autumn Annals" according to Tung Chung-shu.
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Nouns, nominalization and denominalization in Classical Chinese: A study based on 'Mencius' and 'Zuozhuan'.
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Gold mountain dreams: Chinese-American literature and its sociohistorical context, 1850-1963.
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Li Kung-lin and long handscroll illustrations of T'ao Ch'ien's "Returning Home". (Volumes I and II).
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Ritual and the shaping of narrative: The legend of the Han Emperor Wu. (Volumes I and II).
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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The transparency of Chinese realism: A study of texts by Lu Xun, Ba Jin, Mao Dun, and Lao She.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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The myth of the Chinese in the literature of the late nineteenth and twentieth centuries.
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Stories of the "others": The presentation of unconventional characters in Tang (618-907) chuanqi.
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Unuseless Cyborgs: Spiral Posthumanism and Popular Culture in Japan's Ushinawareta Nijunen (1990-2010).
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Science, technology, and war in Song China: Reflections in the "Brush Talks from the Dream Creek" by Shen Kuo (1031-1095).
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Tropologies of Indianness in Anglophone colonial and postcolonial South Asian fiction.
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Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S.
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The sensibility of the adopted: Trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.
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Rewriting the Past: Reception and Commentary of Nihon shoki, Japan's First Official History.
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Singing the Songs of Well-Ordered Ages: Territory, Time, and Projected Power in "Goshui Wakashu".
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THE CRITICAL RECEPTION OF THE POETRY OF WEI YING-WU (737-792): THE CREATION OF A POETIC REPUTATION (CHINESE POETRY).
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IN THE TRADITION OF KINGS: THE GENTLEMAN IN THE ANALECTS OF CONFUCIUS (CHINESE THOUGHT).
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MARRIAGE DESTINIES TO AWAKEN THE WORLD: A LITERARY STUDY OF "XINGSHI YINYUAN ZHUAN" (CHINESE FICTION, 17TH CENTURY).
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HSIEH T'IAO AND THE TRANSFORMATION OF FIVE-CHARACTER POETRY (CHINESE, HSIEH LING-YUN, T'AO CH'IEN, SIX DYNASTIES).
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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SYMPATHY, COUNTERPOISE AND SYMBOLISM: ASPECTS OF STRUCTURE IN "DREAM OF RED CHAMBER" (HONGLOUMENG, HUNGLOUMENG, CHINA).
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FROM THE WELLSWEEP TO THE SHALLOW SKIFF: LIFE AND POETRY OF WANG ANSHI (1021-1086) (CHINA).
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LU HSIANG-SHAN AND THE IMPORTANCE OF ORAL COMMUNICATION IN CONFUCIAN EDUCATION (CHINA, NEOCONFUCIANISM, CHU HSI).
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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THE "CONFUCIAN ODES" MADE NEW: EZRA POUND'S TRANSLATION OF THE "SHI JING" (CHINA; KUNG).
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The narrative art of "Tsai-sheng-yuan"--a feminist vision in traditional Confucian society.
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Impregnable phalanx and splendid chamber: Chang Yueh's contributions to the poetry of the High T'ang.
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Tales of the supernatural: "Liao-chai chih-i" and the American short story of the nineteenth century.
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The poetics of misunderstanding: The anxiety of reception in Chinese-Western literary relations.
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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Toward a poetics of the Chinese novel: A study of the prefatory poems in the "Chin P'ing Mei tz'u-hua".
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'To admonish and exhort': The didactics of the 'zhiguai' tale in Ji Yun's "Yuewei caotang biji".
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Gone with the Yin: The position of women in early Superior Clarity (Shangqing) Daoism.
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Theory and practice: Fiction, fiction criticism, and the writing of the "Ju-lin wai-shih".
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Radical Language, Radical Identity: Korean Writers in Japanese Spaces and the Burden to "Represent".
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The Jeweled Broom and the Dust of the World: Keichu, Motoori Norinaga, and Kokugaku in Early Modern Japan.
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Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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"NEW HISTORY OF THE STATES": THE SOURCES AND NARRATIVE STRUCTURES OF A CHINESE FICTIONALIZED HISTORY (FENG MENG-LUNG).
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TU FU'S "EIGHT LAMENTS": ALLUSION AND IMAGERY AS MODES OF POETRY (PERIPHRASIS, CHINA).
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AESTHETICS OF OPPOSITION: A STUDY OF THE MODERNIST GENERATION OF CHINESE POETS, 1936-1949 (CHINA, WESTERN MODERNISM).
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PEN OR SWORD: THE WEN-WU CONFLICT IN THE SHORT STORIES OF LAO SHE, (1899-1966) (CHINA).
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Recentering Taiwan: Colonialism, the Nation, and Identity in Taiwanese Fiction and Film.
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Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China.
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Chinese Enchantment: Reinventing Pu Songling's Classical Tales in the Realm of World Literature, 1880-1920.
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Nationalism, secularism, belonging, and identity in Philip Roth, Salman Rushdie, and Orhan Pamuk.
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History, Trauma, and the Ethics of Remembering in the Early Works of Takeda Taijun (1943-1955).
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Seeing the Sacred: Daoist Ritual, Painted Icons, and the Canonization of a Local God in Ming China.
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"Heaven and Earth Grant Me This Life at Leisure": An Analytical Study of Yongzheng's Leisure Poetry.
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Performing Disaster: The Response to 3.11 and the Great Kanto Earthquake in Japanese Film and Theater.
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History of children's theatre in Korea: From the beginning to the present time, 1920-1998.
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VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).
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HUANG T'ING-CHIEN: HIS ANCESTRY AND FAMILY BACKGROUND AS DOCUMENTED IN HIS WRITINGS AND OTHER SUNG WORKS (CHINA).
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In the Eye of the Selector: Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China.
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The Invention of Chinese Buddhist Poetry: Poet-Monks in Late Medieval China (c. 760-960 CE).
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Women, Creativity, and Translation in Mid-Meiji Japan: The Literature of Nakajima Shoen (1861-1901).
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THE SONG EMPEROR HUIZONG IN POPULAR HISTORY AND ROMANCE: THE EARLY CHINESE VERNACULAR NOVEL, "XUANHE YISHI".
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Filmic discourse on women in Chinese cinema (1949-1965): Art, ideology and social relations.
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Unfolding Buddhism: Communal Scripts, Localized Translations, and the Work of the Dying in Cambodian Chanted Leporellos.
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Theaters of Reform and Remediation: Xiqu (Chinese Opera) in the Mid-Twentieth Century.
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Casting Gender: A Critical History of Women and Performance in China's Twentieth Century.
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Printing for Pleasure: Chen Diexian's Literary Enterprise and Popular Magazines in Early 20th Century China.
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Liberalism and Nationalism: "T'ien Hsia Monthly"'s Translation of Chinese Culture (1935-1941).
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SATIRE AND THE POLEMICS OF THE CRITICISM OF CHINESE FICTION: A STUDY OF THE "JU-LIN WAI-SHIH.".
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CHINESE IMPRESSIONISTIC CRITICISM: A STUDY OF THE POETRY-TALK (SHIH-HUA TZ'U-HUA) TRADITION.
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POETICS AND PROSODY IN EARLY MEDIAEVAL CHINA: A STUDY AND TRANSLATION OF KUKAI'S "BUNKYO HIFURON.".
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THE IMPACT OF CHINA'S LITERARY MOVEMENTS ON MALAYA'S VERNACULAR CHINESE LITERATURE FROM 1919 TO 1941.
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On the Criteria and Methods for "Discerning Inauthenticity" in the Context of Early Chinese Texts.
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The Poetic Practices of Hongzhi Zhengjue (1091-1157): Gong'an Commentarial Verses on Old Cases and Verses for Lay Literati.
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Reframing Salman Rushdie: The Politics of Representation and New Media in Transnational Public Culture.
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Confrontation and compromise: The worlds of the supernatural and humans in Pu Song-Ling's "Liaozhai Zhiyi".
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Illumination: Dong Zhongshu's Influences on the Literature and Thought of the Former Han Dynasty.
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Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature.
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Effects of an Educational Program on the Intent to Delay Sexual Activity in Thai Female Adolescents.
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Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film.
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The transnational-translational modernity: Language and sexuality in colonial Taiwan and Korea.
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The Writer and the Nation-State: Language, Aesthetics, Ideology and Power in Turkish Literature (1927-2015).
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The Discourse of Nonverbal Autism: Agency, Identity, and Framing in the Writing of Naoki Higashida.
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Nascent Articulations of Feeling: Affective Care Labor in Emerging Postsocialist and Late Capitalist China-U.S. Circuits.
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The Way of the Idle Men: Leisure and Daily Life of Bannermen in Qing Beijing, 1750-1900.
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From Revolutionary to Civil Activism: May Fourth Intellectual Guo Moruo and Post-Cultural Revolution Artist Ai Weiwei.
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Sacred Songs of the Central Altar: Texts and Histories of the Ritual Master in the Religious World of Southern Taiwan.
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Breaking Silence - A Reading of Shimizu Shikin's Early Writings on Women's Rights and Education 1887 - 1890.
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A Study of the Relationship between Ci-poetry and Scholarship on Confucian Classics in the Late Qing Dynasty.
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"SUI T'ANG YEN-I": THE SOURCES AND NARRATIVE TECHNIQUES OF A TRADITIONALCHINESE NOVEL.
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THE NEO-CONFUCIAN COSMOLOGY IN CHU HSI'S "I-HSUEH CH'I-MENG" (A PRIMER FOR STUDYING THE "CHANGES").
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Songs that touch our soul A comparative study of folk songs in two Chinese classics: "Shijing" and Han yuefu.
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Innovation and global aspiration: The emergence of China as a leading nation in the global telecommunications sector.
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The Third Day of the Third Month in Early Medieval Chinese Texts: Literary Composition as Ritualized Practice.
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Rural Transnationalism: Food, Famine, and Agriculture in U.S. and Chinese Literature, 1898-1955.
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Translating "The Ballad of Tsiu Sing" as World Literature: A Creative Approach = = 創造性翻譯：將《周成過台灣》搬上世界文學舞台.
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Human Connections with the Ocean Represented in African and Japanese Oral Narratives: Ecopsychological Perspectives.
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A political reading of home and family in English language Singaporean novels (1972-2002).
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What Do Manga Depict? Understanding Contemporary Japanese Comics and the Culture of Japan.
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The Metaphysical Onnagata Performs: Deleuze, Performance, Performativity, and Gender on the Kabuki Stage.
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Writing Otherness: Uses of History and Mythology in Constructing Literary Representations of India's Hijras.
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The Cultural Lineage in the Field of Chinese Art Manifesting on Dong Qichang's Work, Theory and Value.
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Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi's The Stolen Bicycle.
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Intersecting Nations, Diverging Discourses: The Fraught Encounter of Chinese and Tibetan Literatures in the Modern Era.
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The Role of Texts in the Formation of the Geluk School in Tibet During the Mid-Fourteenth and Fifteenth Centuries.
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Retelling Stories as a Way to Catharsis Ambivalent Feelings Faceciousness, and Re-Evaluation of Lu Xun's Old Stories Retold.
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THE CHINESE CENSORATE OF THE MING DYNASTY, INCLUDING AN ANALYSIS OF ITS ACTIVITIES DURING THE DECADE 1424-1434.
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Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan.
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Postsocialist collectivites: Institutions, aesthetics, politics in the Sinophone novel.
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Pacific Crossings: Travel, Writing, and Literary Transition in the Sino-American Nineteenth and Early Twentieth Centuries.
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Networks of Space and Identity: Origin Narratives and Manifestations of the Itsukushima Deity.
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"Art Is to Sacrifice One's Death": The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin.
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Killing Me Softly in a Metropolis: Tales of Murder and Murderous Passion in Republican Shanghai (1911-1937).
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Epistolary Knowledge for Mass Consumption: Letter Manuals in Late Qing and Republican China (ca. 1831-1949).
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Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea.
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地理空間的意義 ──朱天文小說中的「行旅」書寫研究 = = The Meaning of Geographical Spaces: A Study of Travel Writing in Chu Tien Wen's Fiction.
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The Many Transformations of White Snake: Gender, Ritual, and Performance in Late Imperial China.
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The Cultural Construction of Taiwan in the Literatures of Taiwan, China, and the United States.
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宋代小說與道教關係研究 = = A Study of the Relationship between Taoism and Taoist Stories in the Song Dynasty.
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A Montage of Masculinities: Textual and Visual Readings of Japanese and Korean Modernist Literature in the 1920s and 1930s.
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Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
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The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia.
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The Aesthetics of Non-discrimination: Chinese Poetics and Social Critique in Huihong's Night Chats from Chilly Hut (c. 1121).
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In the Place of Others: Sympathy in Modern Chinese Literature and Literary Criticism from the 1910s to the 1950s.
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The Rising of the Avant-Garde Movement in the 1980s People's Republic of China: A Cultural Practice of the New Enlightenment.
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Paris by Way of the Moon: Translations of French Popular Fiction in Late-Qing China (1899-1912).
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Sounding Awry: Unusual Voices and the Problem of Speech in Seventeenth-Century Chinese Literature.
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LOVE VERSUS NEO-CONFUCIAN ORTHODOXY: AN EVOLUTIONARY AND CRITICAL STUDY OF "YU-TSAN CHI" BY THE MING DRAMATIST KAO LIEN.
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80 Years of "The Orient": Re-Mapping the Trajectory of American Orientalism in the Wake of COVID-19.
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The particle ye and related constructions in the Guodian manuscripts of IV century BCE.
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Envisioning Women Writers: Female Authorship and the Cultures of Publishing and Translation in Early 20th Century Japan.
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Transforming Limits: Home, Literary Activism and Engagement in South Asian Literature.
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Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
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The "Sou-Shen-Chi" and the "Chih-Kuai" Tradition : = A Bibliographic and Generic Study.
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On the Road, above the Sea: Post-geographic and Bodily Epistemologies in Taiwanese Travelogues.
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(書目-電子資源)
嶺南女作家與中國現代文學關係研究 = = Research on the Relationship between Female Writers in Lingnan and Modern Chinese Literature.
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Traveling abroad, writing nationalism, and performing in disguise: People on the Japanese colonial boundaries, 1909-1943.
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Collecting Memories of a Fading Glory: Li Deyu (787-850) and the Transmission of Tang Anecdotes.
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Scaling the Nation: Local Literary Production and National Literature in Postwar Japan, 1946-1955.
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(書目-電子資源)
The Emergence of the Modern Chinese Narrator : = Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi.
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Preparing One's Act : = Performance Supports and the Question of Human Nature in Early China.
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(書目-電子資源)
Defending the Dharma : = Buddhist Apologetics and Print Culture in Early Modern Japan.
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(書目-電子資源)
Speaking for Voiceless Women : = A Comparative Study of Nizar Qabbani's and Zhai Yongming's Poetry.
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(書目-電子資源)
The Ecological Imagination : = Nature, Technology, and Criticism in Chinese Science Fiction, 1976-Today.
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(書目-電子資源)
Performing the Heavens : = Pacing the Void (Buxu 步虛) in Daoist Ritual and the Chinese Literary Tradition.
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(書目-電子資源)
Sex role socialization in Chinese and American children's books : = A comparative study.
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(書目-電子資源)
Migration of Text and Shift of Identity : = Self-Translation in the Bilingual Works of Lin Yutang, Eileen Chang, and Ha Jin.
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Virtues of the vernacular : = Moral reconstruction in late Qing Jiangnan and the revitalization of baojuan.
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(書目-電子資源)
In the Name of A Love Story : = Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911).
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(書目-電子資源)
Wan Qing Guangdong shu ye yu wen xiao xing tai = = Guangdong Book Industry and Literary Form in the Late Qing Dynasty.
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(書目-電子資源)
Between Ya and Su : = A Study on the Poetry Involved in the Scholar-Beauty Novels in the Ming and Qing Dynasties.
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(書目-電子資源)
Save the Children : = Nation, Childrearing, and the Modern Self in Republican-era Chinese Literature 1911-1949.
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(書目-電子資源)
Wang Yinglin (1223 - 1296) : = A Study in the Political and Intellectual History of the Demise of Song.
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(書目-電子資源)
What the Ear Sees : = Media, Performance, and the Politics of the Voice in Japan, 1918-1942.
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(書目-電子資源)
A Lamp on Sivayoga : = The Union of Yoga, Ritual, and Devotion in the Sivayogapradipika.
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(書目-電子資源)
Herbs and Beauty : = Gendered Poethood and Translated Affect in Late Imperial and Modern China.
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(書目-電子資源)
Liyage yu "Shi Jing" ying yi = = James Legge and English Translations of The She King, or The Book of Poetry.
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(書目-電子資源)
Toward Sublime Beauty : = Politics of Aesthetics in Modern Japanese Literature, 1870-1947.
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