Fine arts.
概要
| 作品: | 947 作品在 3 項出版品 3 種語言 | |
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書目資訊
Exploring the succulent wilderness of a contemporary mind through encounters with material.
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Transformation From Wax to Metal: A Symbolic Interactionism Study of Jewelry Casting Class.
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Engaging a sense of self: Participatory action research within a course for MFA graduate students in the visual arts.
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Sustaining a core identity in adolescence: The role of the visual arts in the interplay of self and culture.
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Personal archaeology: An autoethnographic illumination of a late-blooming feminist artist.
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Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
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A cognitive ethnographic study of improvisational drawing by eight contemporary artists.
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Cultivating Earthworks of the Anthropocene: A Laboratory for Land and Environmental Art in Lime, Oregon.
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"Photography into sculpture": Peter Bunnell, Robert Heinecken and experimental forms of photography circa 1970.
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Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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Perspectives, approaches, and experiences in curating contemporary art: A phenomenographic study.
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"The line between life and death in the high seas is very thin, almost invisible": Diasporic Vietnamese Remembrance.
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Coming into Intelligibility: Decolonizing Singapore Art, Practice and Curriculum in Post-colonial Globalization.
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"Dream journey over the Xiao and Xiang": Scholar-amateur landscape painting in Southern Song China (1127-1279).
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ARTISTIC AND RELIGIOUS ASPECTS OF NOSATSU (SENJAFUDA) (JAPANESE PLACARDS, BUDDHISTIC, UKIYO-E PRINTS).
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Surfaces of sand and stone: Unearthing the origins of modern Korean painting in the archaeological remains of the past.
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POLITICAL SYMBOLISM IN THE LANDSCAPE PAINTING AND POETRY OF KUNG HSIEN (C. 1620-1689).
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HUANG T'ING-CHIEN'S CALLIGRAPHY AND HIS "SCROLL FOR CHANG TA-T'UNG": A MASTERPIECE WRITTEN IN EXILE. (VOLUME I AND II).
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THE FISHERMAN IN YUAN PAINTING AND LITERATURE AS REFLECTED IN WU CHEN'S "YU-FU T'U" IN THE SHANGHAI MUSEUM.
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AN HISTORICAL ANALYSIS OF THE FINE ARTS AT WAT PHRA CHETUPHON, A REPOSITORY OF RATANAKOSIN ARTISTIC HERITAGE.
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SUNG KAO-TSUNG, MA HO-CHIH, AND THE MAO 'SHIH' SCROLLS: ILLUSTRATIONS OF THE CLASSIC OF POETRY.
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A STUDY OF THE CHRONOLOGY AND DEVELOPMENT OF THE CAVES AT TUN-HUANG EXECUTED FROM NORTHERN LIANG TO T'ANG.
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THE FIGURE PAINTINGS OF JEN PO-NIEN (1840-1896): THE EMERGENCE OF A POPULAR STYLE IN LATE CHINESE PAINTING.
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THE MONOLITHIC TEMPLES OF THE PALLAVA DYNASTY: A CHRONOLOGY. (VOLUMES I-III) (INDIA, ARCHITECTURE).
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ORIENTAL INFLUENCES ON THE TWELFTH-CENTURY RELIEF SCULPTURE OF VLADIMIR-SUZDAL (CENTRAL ASIAN, TURKIC, IRANIAN).
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IGBO POTTERY TRADITIONS IN THE LIGHT OF HISTORICAL ANTECEDENTS AND PRESENT-DAY REALITIES (NIGERIA).
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The "Rivers and Mountains in Autumn Colors" by Zhao Boju, and associated attributions.
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"Still dreaming of paradise": Rodgers and Hammerstein's "Oklahoma!", "South Pacific", and postwar America.
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Words into images: Textualizing the visual and visualizing the textual in medieval illustrated manuscripts.
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A study of surface enrichment of ceramics with reference to the fundamental importance of their clay bodies.
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Physical and social factors in rehabilitation or resettlement of squatter communities in south east Asia.
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American Indian graffiti muralism: Survivance and geosemiotic signposts in the American cityscape.
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Enacting politics through art: Encounters between queer and trans of color organizers and the Canadian city.
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Addresses To/Through/Within a Public Sphere: The Politics and Performativity of Contemporary Photo-Works.
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Contemporary landscape photography: Dissolving boundaries in Jungjin Lee's "Wind" series.
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Transforming the Visual to the Sonic: Creating Musical Experiences in Dialog with Abstract Paintings.
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Underground scientists: Applying Techniques of Reverse Psychology in the Exhibition Environment.
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Overcoming Poverty: See, Understand, Act, And, Breaking Points: Non-Conformist Exhibition Themes and Techniques.
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Fashion and Art Collaborations: The Benefits for Both Brands in a Designer x Artist Brand Alliance.
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Collective world: Interdisciplinary collaboration and communication in the visual arts.
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An analysis of public art on university campuses: Policies, procedures, and best practices.
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Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.
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Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience.
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Fernand Leger and the Creation of "La Creation du Monde": "Le Negre", Mechanical Abstraction, and the Spectacle.
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Mike Parr: The body, identity, and the element of time in performance art, 1970's to the present.
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A study about how to create a mythical beast successfully, focusing on the example of the nine-tailed fox in eastern art.
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DRAGON DESIGN IN CHINESE TEXTILES OF THE CH'ING DYNASTY: ITS APPLICATION TO MODERN TEXTILES.
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CLASSIFICATION OF STYLE IN PAINTINGS: A DEVELOPMENTAL STUDY USING AMERICAN AND CHINESE SUBJECTS.
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'MOMEI' (INK PLUM): THE EMERGENCE, FORMATION, AND DEVELOPMENT OF A CHINESE SCHOLAR-PAINTING GENRE. (VOLUMES I AND II).
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Patronage and the economic life of the artist in eighteenth-century Yangchow painting.
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Wang Meng's development as an artist as seen through his depiction of scholars' retreats.
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Mi Youren and the inherited literati tradition: Dimensions of ink-play. (Volumes I-III).
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Broken Kingdom: An Analysis of Cultural Shifts Amongst the Dine People Upon European Contact.
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Humanistic Vocal Pedagogy: Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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The Disruptive Impact of Game Design, Mobile Technology, Social Networks and Emerging Media on Theme Parks.
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HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA).
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INLAID BRONZES OF PRE-IMPERIAL CHINA: A CLASSIC TRADITION AND ITS LATER REVIVALS (HISTORY, ARCHAEOLOGY).
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TUNHUANG CAVE 249: A REPRESENTATION OF THE VIMALAKIRTINIRDESA. (VOLUMES I AND II) (BUDDHIST, CHINA).
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Painting Authenticity: Intersections in the Lives and Art of Zhang Yu, Huang Gongwang, and Ni Zan.
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WANG MENG'S "PIEN MOUNTAINS": THE LANDSCAPE OF EREMITISM IN LATER FOURTEENTH CENTURY CHINESE PAINTING.
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Art, commerce, and social transformation: Public art and the marketing of Philadelphia.
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Artists' Book / The Kojiki or Records of Ancient Matters, -The Story of Ancient Japan-.
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THE CHINESE TEA TRADE AND ITS INFLUENCE ON THE ENGLISH GARDEN OF THE EIGHTEENTH CENTURY.
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RITES AND FESTIVITIES IN THE ART OF EASTERN HAN CHINA: SHANTUNG AND KIANGSU PROVINCES.
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YUN SHOU-P'ING (1633-1690) AND THE ORTHODOX TRADITION OF CHINESE BIRD-AND-FLOWER PAINTING.
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The Northern Wei tomb of Ssu-ma Chin-lung and early Chinese figure painting. (Volumes I and II).
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Museum Provenance and Its Financial Impact: The Analysis of Museum Deaccessioning and the Value of Art.
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The Power of Art: The Emotional and Physiological Impact of Creating Self-Portraits Using Mandalas and Human Figure Drawings.
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The Muddy Market of Contemporary Ceramics: Interactions within the Art World-from Pot, to Concept, to Sculpture.
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Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.
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Reappropriation de l'artisanat traditionnellement feminin par le dessin : petits traces vers une ecriture feminine.
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From the Concert Hall to the Cinema: The Journey of the 20th Century Classical American Sound.
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What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment.
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Une pratique performative autoreferentielle axee par une mise en jeu intime de mon corps avec un objet signifiant.
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Master Quyuan's Seal and Clerical Scripts: The Handwriting and Calligraphy of a Qing Scholar of Confucian Classics.
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Body Topography: A Study of Body Mimesis and Configuration in Video Art = = 身體拓樸－論錄像藝術中的身體擬態與轉塑.
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The Innovative U Journey of Togo Village Art Museum and Its Emerging Design Culture = = 土溝農村美術館的創新U旅程與設計文化的湧現.
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Coming-of-Age, Photography and Animalization in El Color del Crepusculo, Maquis and La Noche Inmovil of Alfons Cervera.
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The Work of Maxime Plescia-Buchi: Developing Contemporary Tattoo Art by Embracing Tattoo's Traditions and History.
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There My Thoughts Unfold: A Search for Embodied Meaning in Text, Performance, and Video.
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Establishing Visual Narrative Using Symbolism of the Northern Renaissance and the Expressionist Movement.
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Art as a Catalyst for Change: A Performance Ethnography of Social Practice Art in Community.
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The Survival of Hindu Cremation Myths and Rituals in 21 st Century Practice: Three Contemporary Case Studies.
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Enacting a Third Space Pedagogy in an Art Museum Setting: Strategies, Intersections, and Values.
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Borderlands Art Practice: Performing Borderlands Spaces Through Art///Food///Performative///Writing///Pedagogy.
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Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
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In Pursuit of the Fourth Dimension: Hayashi Yasuo's Presence in Art History and the Art Market.
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Logistics of Space, Material, and Time: Struggles and Strategies for Sustaining Art Practice.
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Embodied by Design: The Presence of Creativity, Art-Making, and Self in Virtual Reality.
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Emile-Antoine Bourdelle and the Midi: French Sculpture and Regional Identity at the Turn of the Twentieth Century.
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Nubians of Plutonia: Black Women in Modern Post-Apocalyptic and Dystopian Graphic Literature.
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Barbara Kruger圖文作品之女性意識與身體政治 = = Feminine Consciousness and Body Politics in Barbara Kruger's Works with Pictures and Words.
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Automatic Pigment Classification in Painted Works of Art from Diffuse Reflectance Image Data.
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Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
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The Prospective Influence of the Land Art Movement on the Future of Contemporary Memorial Design.
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Sensational modernism: Disfigured bodies and aesthetic astonishment in modern American literature and photography.
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Art, Life Story and Cultural Memory: Profiles of the Artists of the Lewis and Clark Bicentennial.
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How did you get to be here? Costume design interpretations of Sondheim's "Merrily We Roll Along".
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From Print to Tablet: A Visual Analysis of the Transition of Printed Magazine Layouts to Touch Screen Tablet Devices.
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Public art as an agent of neighborhood identity and cultural expression: Lessons from Chicago's Pilsen neighborhood.
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I could not swallow the grainy flesh-colored memory critical underpinnings of a multimedia art installation.
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The Art of Reconciling Contradictions: An Account of the Preparation and Performance of Charles Marlow.
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Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.
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Conversational use of photographic images on Facebook: Modeling visual thinking on social media.
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A study of the modern electric bass through technique, tone, and stylistic interpretation.
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A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined.
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A comparison of Chinese and Western traditions of design with a proposed model based on the Yin-Yang principle.
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Mandalas and icons, pathways to growth: A model for art therapy as a vehicle for personal development.
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Establishing papal authority and familial prestige: Michelangelo's designs of the Campidoglio.
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Differentiating Between Reproductions and Original Artworks: The Influence of Style and Sequence.
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The Art of Career Change: Exploring the Motivations and Outcomes of Career Change Professionals in Art Education.
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Avant l'Appetit: An Augmented Reality Interactive Menu that Elevates the Gourmet Food Experience.
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Revealing the Connections between Life and Art: Ceramic Artist Davis Shaner's Place in Ceramics History.
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An exploratory study of Jungian art therapy with outpatients diagnosed with serious and persistent mental illness.
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The effects of technical and conceptual teaching methodologies on student outcomes in life drawing.
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The Fine Arts in Midwestern Community Colleges: Six Case Studies Portraying a Cross-Case Analysis of Sustainability.
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Packaging Human Expresschon: The Intersection of Visual Communication, Art, and Music.
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From Functionality to Aesthetics: Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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Care and Preservation of Cultural Heritage: Bridging the Fields of Conservation and Collections Management.
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Minimalist Paintings of Agnes Martin: A Spiritual Experience Disguised as a Simple Grid.
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Animated autoethnographies: Using stop motion animation as a catalyst for self-acceptance in the art classroom.
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Seasons A motion graphics depicts activities of ancient Chinese people in four seasons.
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The Visual Message of Animal Imagery: Celtic, Anglo-Saxon, and Viking Influences Applied to Contemporary Personal Symbolism.
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South African Women in Art: Women's Needlework Cooperatives as Income Generating Enterprise.
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Teaching Critical Thinking in the Digital Era through Visual Art: A Higher Education Perspective.
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GRAAPHS: Graphic Representations of Abstract and Altruistic Phenomenological Hymns and Stories.
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Searching Borders of Art, Soul and Spirit: In Direction of the Film Something Borrowed, Something Blue.
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The Songwriter's Habitus: Characteristics of Individuals Who Acquire the Domain of Songwriting.
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Creating Secure Investments of Expressive Vision: Ceramics, A Medium for A Future Audience.
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The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art.
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"Para Que Recorder": Preserving the Legacy of Maria Grever Through Selected Vocal Compositions for Study and Performance.
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Absurdist Electronics: Design Explorations of the Physical Body in Relation to Wearable Technology.
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A Tactile Interface to Assist Older Adults in Finding a Roommate = = 一个为老年人寻找共居室友的触觉界面设计.
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Goya Reclaimed: Contemporary Artists' Appropriation of Francisco de Goya's Work for a Contemporary Consumption.
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Exploring Ecological Empathy and Artistic Creativity: An Autoethnography of a Visual Artist.
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The Artist-Led Condition: Reframing Self-Organisation in the Visual Arts in the UK Post-2007.
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Angelo de Sousa's Photographic and Film Collection: Strategies for the Preservation of Colour Slide-Based Artworks.
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Wandering an Interactive Installation about Screen and Body = = 游荡与迷失 -- 一个关于人与屏幕的交互装置艺术.
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Treading Lightly Between the Analogue and Digital to Transform Float Glass: An Alternative Glass Practice?
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Variations of virtual reality in theatre and film: Truth and illusion via art and technology.
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Perspectives through Art: Exploration of Sexual Identity Formation of Lesbian-Identified Women.
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The Rising of the Avant-Garde Movement in the 1980s People's Republic of China: A Cultural Practice of the New Enlightenment.
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Bauhaus Felsefesinin gunumuz sanatina Etkisi = = The Influence Of Bauhaus Philosophy Over Present Art .
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The Pond Filled with the Fragrance of the Lotuses: Discourse by Cheng Chian-Ho = = 芳池荷風－鄭千荷創作論述.
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蕨處逢生－劉潔樺水墨創作論述 = = The Fern Blooms Between The Cracks - The Research of Jie-Hua Liu's Colour Ink-Wash Painting.
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Transform Soliloquize: The Creative Discourse of Chang, Wen-Ching's Paintings = = 蛻變 獨白 張文菁創作論述.
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Space of Time: Understanding Time as a Spatial Component an Urban Place of Reflection on Death-Revealing an Awareness of Time.
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A Record of an Exhibition of [Sculpture & Photography] Entitled Absorb and Exude with a Corollary Statement.
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Freeing the Art from the Artist: Creating a Safe Holding Environment for Expressive Arts Therapy.
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Fessenden's Worlds: Biosys. A Short Film Inspired by Edmond Hamilton's "Fessenden's Worlds".
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Building Quality Teaching Artists Through Apprenticeship: The Value of Professional Development and Rubrics.
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Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
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Murals: Approach, Implementation, and Community Perception the Benefits to Community Art in Alaska.
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An Interdisciplinary Analysis of Popular Music Genres in the Recording Studio and Billboard Charts.
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The Influence of Art Therapy on the Social and Emotional Skill Development of the Adolescent with High Functioning Autism.
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A Heuristic Inquiry: Exploring the Growing Necessity for Art Therapy Assessments in Virtual Reality.
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80 Years of "The Orient": Re-Mapping the Trajectory of American Orientalism in the Wake of COVID-19.
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The Grotesque Visions of a Genteel Rogue: Frederick E. Cohen's Detroit Paintings, 1845 - 1853.
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Reappraising the Rococo: The Enduring Relevance of Eighteenth-Century French Painting.
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Forms of Femininity: The Esoteric Visual Language of Amazigh Women Through Ceramic Traditions and Symbolic Motifs.
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Visual Memory Retention and Its Relationship to Students' Specialization in Fine Arts and Gender.
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Applying Transmedia Storytelling to Develop a Brand Narrative for a South African Hip Hop Musician.
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Modern Art Made Practical: Intersections of Fine Art and Design in America, 1920-1945.
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The Graphic Construct of the Contemporary Reportage Artist: Vision, Experience and Drawing.
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Interpreting the Traditional Jewellery of Bedouin in Oman Through Contemporary Jewellery Practice.
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The Unfolding of the Play: Javanese Social Structure in the Reliefs of Borobudur and Loro Jonggrang.
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Revitalising Brassware Handicrafts in Terengganu, Malaysia Through Sustainable Design.
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Operation Mode and Commodity Attributes of Art Festivals: The Case of Tianfu Ancient Town Art Festival.
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In Life and in Death: A study of Human-Animal Relationships in the Pre-Pottery Neolithic.
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The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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Celebration of Culture and Student Voice through Visual Arts: A Case Study of Effective Engagement Strategies.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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Things Charlie Says: A Wacked Out Rumination on Meaning and Memory in the Wake of Alzheimer's.
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Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg's Early Works.
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Landscaping the Power Matrix : = Inventing and Manufacturing Chineseness Through Landscape Performing Arts.
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History, Memory, and Islam through the Animal : = The Zoomorphic Imaginary in Cirebon.
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Producing Bhangra : = Music, Culture and Technology - Mediating Culture in Music Production.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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Paintingphotogdigital : = From Hybridity to Synthesis in the Age of Medium Equivalence.
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We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
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Qiang de kong jian guan nian : = Lin Yushu yi shu chuang zuo lun shu = The Concept of Wall Space : Lin Yu-Shu's Art Creation.
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"Songs from Vessels" for Ensemble and Live Electronics and Vessels : = A Virtual Reality Micro-Opera.
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The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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The Ragpicker's Topology : = Towards a Photographic Practice for Surveying Urban Character.
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Packaging Environments : = the Art and Design of the Container Corporation of America.
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Assumed Identities and the Construction of Self Among the West Indian Diaspora in the Greater Toronto Area (GTA).
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Celebrity Avatars : = A Technical Approach to Creating Digital Avatars for Social Marketing Strategies.
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Developing Successful Conductors : = A Survey of Feedback Methods for Undergraduate Instrumental Conducting Courses.
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Teachers' and Students' Perceptions of Goal Orientation Theory in Secondary Instrumental Music Classrooms : = A Case Study.
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Societal Structure, Family, and Masculinity in the Bildungsroman : = An Analysis of The Great Santini and Portnoy's Complaint.
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Implementing Music Therapy into Behavioral Healthcare to Treat Autism Spectrum Disorder.
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Sources for the "Early Christian" Style and Content in the Art of Dante Gabriel Rossetti.
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The gooey, the bloody, and just plain gross: Exploring art and visual culture with an abject visual methodology.
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Caught on the Net: Working with Preservice Art Educators to Develop Digital Awareness in the Art Room.
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A Manufacturing Cost Estimation by Utilizing a Novel Sensor Based Cost Model in a Knowledge Management System.
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Art and Psyche: Carl Gustav Jung's Vision of the Mandala and Its Relevance to Art History.
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Creativity in the Ontario Elementary Curriculum 1853-2018: A Historically Situated Document Analysis.
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Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
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History and Belonging: A Phenomenological Study of Participatory Public Art Murals in Colorado.
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Employing a Genre-Based Approach to Teach Written Communication in Italian as a Foreign Language.
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Vital Assemblages: A Fashion-Led Research Investigation into Collaboration between Fashion Design Research and Biology.
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An Analysis of Smartphone Camera and Digital Camera Images Captured by Adolescents Ages Fifteen to Seventeen.
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Impediments to Art Market Growth: Understanding Germany's Disproportionately Small Art Market Share.
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Reimagining Arts Engagement through Gamification and Digital Placemaking: The Intersection of Meaning at Hybrid Spaces.
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Immersive Media, Social Change, and Creativity: A Framework for Designing Collaborative 360° Video Productions.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Community Art as an Engagement Tool for Developing Restorative Mental Health Narratives.
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Imagining Freedom: Criminalization, Visuality, and the Circulation of Abolitionist Art Messages.
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Dancing the Miao-Yu : = Asian Influences in the Dance Arts of Merce Cunningham and Erick Hawkins.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
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The Walkable Neighborhood and Public Art Testing a Method for Objectively Measuring a Perceptual Urban Design Quality.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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Alternate Fingerings for the Flute : = Paul Koonce's "Escape Tone" and the Possibilities of Notation.
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Craft and Storytelling : = Romance and Reality in Joseph Conrad and Gabriel Garcia Marquez.
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The Serpentine Genesis of Hysteria : = Psychoanalysis, Photography, Artificial Intelligence.
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The Light Ages : = An Investigation Into the Relationship Between Photography and the Hegemony of Light.
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Data-Driven Audiovisual Art Focused on the Uncertainty in the Human-Data-Machine Loop.
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Creating Musical Scores Inspired by the Intersection of Human Speech and Music Through Model-Based Cross Synthesis.
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The Utilization of Biophilic Arts Within Healthcare Settings : = A Descriptive Case Study.
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A Study of the Bolognese-Roman Painter Francesco Albani. (Part I : Text. Part II : Catalogue) (Italy).
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Community Involvement as an Aspect of School Management : = Implication for Whole School Development.
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The Colonization of Media : = Indigeneity, Aesthetics, and Social Science Between the Nineteenth and Twenty-First Centuries.
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Unsupervised Generative Chord Representation Learning and its Effect on Novelty-Creativity and Fidelity-Standards.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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Using Plaster Castings of the Body as an Art Therapy Intervention to Explore Embodiment in Individuals With Eating Disorders.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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Performative Modernity : = Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
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