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Fukushima meltdown reactor: Burn eve...
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Simmons, Josh C.
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Fukushima meltdown reactor: Burn everything.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Fukushima meltdown reactor: Burn everything./
作者:
Simmons, Josh C.
面頁冊數:
12 p.
附註:
Source: Masters Abstracts International, Volume: 54-06.
Contained By:
Masters Abstracts International54-06(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1592226
ISBN:
9781321862539
Fukushima meltdown reactor: Burn everything.
Simmons, Josh C.
Fukushima meltdown reactor: Burn everything.
- 12 p.
Source: Masters Abstracts International, Volume: 54-06.
Thesis (Mus.M.)--Bowling Green State University, 2015.
Fukushima Meltdown Reactor: Burn Everything is a six-movement, fifteen-minute multimedia work composed for performance by the multimedia trio, Netmoire, whose performing forces include saxophone, two live electronics performers, and live visuals. The piece's music, visuals, and performance art elements were inspired by the March 2011 Fukushima nuclear reactor disaster.
ISBN: 9781321862539Subjects--Topical Terms:
2122690
Fine arts.
Fukushima meltdown reactor: Burn everything.
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Fukushima Meltdown Reactor takes the audience on a dramatic journey through the process of a nuclear reactor meltdown from an omniscient viewpoint, with performers cast into character roles. The saxophonist represents Uranium-235, which is the isotope used in nuclear fission reactors. Since the two electronics performers are positioned in front of arrays of knobs, buttons, and screens, they act as the power plant operators.
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Technology serves as a central focus in Fukushima Meltdown Reactor. The saxophonist is amplified and one of the electronics performers is primarily responsible for processing and manipulating the instrument's sounds using the Ableton Live signal-processing environment. The other electronics performer cues fixed media sounds, operates software instruments created in Cycling '74's Max/MSP audio programming language, and triggers video clips.
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To expand the piece's concept into the visual realm, individual, concept driven animations serve as a digital version of a stage set. Animation source materials include hyperboloid shapes, the Bohr model of the atom, and news coverage clips from various nuclear disasters.
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