東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Study of Li Yanshan (1898-1961): Mod...

Lu, Yu.

FindBook

Google Book

Amazon

博客來

Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century./
作者:	Lu, Yu.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	447 p.
附註:	Source: Dissertations Abstracts International, Volume: 79-08, Section: A.
Contained By:	Dissertations Abstracts International79-08A.
標題:	Asian Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10753201
ISBN:	9780355552928

Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.
Lu, Yu.

Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 447 p.

Source: Dissertations Abstracts International, Volume: 79-08, Section: A.

Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2017.

This item must not be sold to any third party vendors.

The number of the masterpieces done by great artists through Song down to Qing dynasty, which were emulated by Li Yanshan (1898-1961), reaches more than sixty pieces; such quantity is a rarity in Chinese history. Li consciously chose to emulate instead of copying wholly, an interesting characteristic among the traditional painters. By summarizing the painting styles of different periods, Li Yanshan makes great personal advancements, forming a distinctive personal style, especially on the subject of landscape and bamboo. However, there are still blanks to be filled in the research of Li Yanshan, an artist that was hardly studied before. On one hand, for most part of his life, he was a judge and a headmaster of a school, before he seriously started to view himself as a painter. On the other, because of his versatile styles, it becomes a rather challenging job to document his works and life. As the teacher of Lui Shou Kwan ( [special characters omitted]) who is the co-founder and promoter of Chinese contemporary Ink Paintings, as well as the first and second Chairman of the HK Chinese Art Association [special characters omitted]), Li Yanshan was a pivotal figure in Chinese art history, especially for modern Hong Kong art history. On account of all the above, this thesis documents more than six-hundred different sets of works by Li, including his smaller works, calligraphy notes and inscriptions, recording the evolvement of his styles against different periods of his life, prevailing value systems and political climates from the Qing Dynasty, the Republican period, to the time after the liberation of Mainland China. The aim is to restore the painter in a context of his own time. This is the first academic documentation of Li Yanshan's life and works in chronological order, filling a blank of Hong Kong art history. As During an interesting turning point in Chinese history, Li Yanshan was blessed with such an opportunity to view and study ancient masterpieces in huge quantity. The hermit-like Li Yanshan chose consciously to lead a recluse life like his Yuan dynasty counterparts, which resulted in his materials being scattered in the US, Canada, the UK, Hong Kong, Mainland China and the China Taiwan area and so on. Together with the oral accounts by his close friends, relatives, students, collectibles and repurchased information, the thesis attempts to comb through Li Yanshan's entire life with the assistance of common sense; this thesis further discusses the inheritance and development of the traditional Chinese arts by Li, the emulation and rendering of ancient masters by artists from different schools since Ming dynasty, including the Four Wang of the Qing Dynasty, Beijing, Shanghai and Guangdong schools during the Republican period, and how emulation contributes to personal styles as exemplified by Li Yanshan. In the end, the thesis will comment on Li Yanshan's art as well as his contribution to the art history, thus shedding some new lights to the inheritance and development of traditional art.

ISBN: 9780355552928Subjects--Topical Terms:

1669375
Asian Studies.

Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.
LDR:04263nmm a2200349 4500 001 2209954
005 20191112103749.5
008 201008s2017 ||||||||||||||||| ||eng d
020 $a 9780355552928
035 $a (MiAaPQ)AAI10753201
035 $a AAI10753201
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lu, Yu. $3 1273593
245 1 0 $a Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 447 p.
500 $a Source: Dissertations Abstracts International, Volume: 79-08, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Tang, Tong Kam.
502 $a Thesis (Ph.D.)--The Chinese University of Hong Kong (Hong Kong), 2017.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a The number of the masterpieces done by great artists through Song down to Qing dynasty, which were emulated by Li Yanshan (1898-1961), reaches more than sixty pieces; such quantity is a rarity in Chinese history. Li consciously chose to emulate instead of copying wholly, an interesting characteristic among the traditional painters. By summarizing the painting styles of different periods, Li Yanshan makes great personal advancements, forming a distinctive personal style, especially on the subject of landscape and bamboo. However, there are still blanks to be filled in the research of Li Yanshan, an artist that was hardly studied before. On one hand, for most part of his life, he was a judge and a headmaster of a school, before he seriously started to view himself as a painter. On the other, because of his versatile styles, it becomes a rather challenging job to document his works and life. As the teacher of Lui Shou Kwan ( [special characters omitted]) who is the co-founder and promoter of Chinese contemporary Ink Paintings, as well as the first and second Chairman of the HK Chinese Art Association [special characters omitted]), Li Yanshan was a pivotal figure in Chinese art history, especially for modern Hong Kong art history. On account of all the above, this thesis documents more than six-hundred different sets of works by Li, including his smaller works, calligraphy notes and inscriptions, recording the evolvement of his styles against different periods of his life, prevailing value systems and political climates from the Qing Dynasty, the Republican period, to the time after the liberation of Mainland China. The aim is to restore the painter in a context of his own time. This is the first academic documentation of Li Yanshan's life and works in chronological order, filling a blank of Hong Kong art history. As During an interesting turning point in Chinese history, Li Yanshan was blessed with such an opportunity to view and study ancient masterpieces in huge quantity. The hermit-like Li Yanshan chose consciously to lead a recluse life like his Yuan dynasty counterparts, which resulted in his materials being scattered in the US, Canada, the UK, Hong Kong, Mainland China and the China Taiwan area and so on. Together with the oral accounts by his close friends, relatives, students, collectibles and repurchased information, the thesis attempts to comb through Li Yanshan's entire life with the assistance of common sense; this thesis further discusses the inheritance and development of the traditional Chinese arts by Li, the emulation and rendering of ancient masters by artists from different schools since Ming dynasty, including the Four Wang of the Qing Dynasty, Beijing, Shanghai and Guangdong schools during the Republican period, and how emulation contributes to personal styles as exemplified by Li Yanshan. In the end, the thesis will comment on Li Yanshan's art as well as his contribution to the art history, thus shedding some new lights to the inheritance and development of traditional art.
590 $a School code: 1307.
650 4 $a Asian Studies. $3 1669375
650 4 $a Fine arts. $3 2122690
650 4 $a Art Criticism. $3 637082
650 4 $a Art history. $3 2122701
690 $a 0342
690 $a 0357
690 $a 0365
690 $a 0377
710 2 $a The Chinese University of Hong Kong (Hong Kong). $b History of Chinese Art. $3 2103323
773 0 $t Dissertations Abstracts International $g 79-08A.
790 $a 1307
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10753201