東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Li Liufang: The life and art of a la...

Chu, Christina.

FindBook

Google Book

Amazon

博客來

Li Liufang: The life and art of a late Ming literatus. (Volumes I and II).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Li Liufang: The life and art of a late Ming literatus. (Volumes I and II)./
作者:	Chu, Christina.
面頁冊數:	408 p.
附註:	Source: Dissertation Abstracts International, Volume: 52-02, Section: A, page: 3210.
Contained By:	Dissertation Abstracts International52-02A.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9119058

Li Liufang: The life and art of a late Ming literatus. (Volumes I and II).
Chu, Christina.

Li Liufang: The life and art of a late Ming literatus. (Volumes I and II). - 408 p.

Source: Dissertation Abstracts International, Volume: 52-02, Section: A, page: 3210.

Thesis (Ph.D.)--University of Kansas, 1990.

The painting career of Li Liufang spanned a period of twenty-six years as shown by his earliest extant dated works of 1602 and the last dated work of 1628. His paintings testify to a stylistic evolution successively influenced by Huang Gongwang, Wang Meng, Wu Zhen, Ni Zan and Dong Qichang and ultimately evolving an individual style. Li Liufang was also accomplished in the arts of poetry, calligraphy, seal carving, bamboo carving and rock gardening. He was esteemed as one fo the "Nine Friends of Painting" as well as the "Four Gentlemen of Jiading." Li Liufang led the life of a recluse in his rustic abode of Sandalwood Garden (Tanyuan) until his death in 1629. His style was carried on by his son, Li Hangzhi, and many literatus painters who expressed admiration for his life and art. As an individualist and a non-conformist, Li Liufang was considered a literati role model. Through the practice of Li Liufang's style, these later artists aimed to emulate a literati ideal. Li Liufang, being a prolific writer has left us a collection of poems, essays and inscriptions in his book Anthology of the Sandlewood Garden (Tanyuan ji) in which he recorded his travels, his life, details of his environment, and comments and criticisms on art. Massive writing by contemporary literati associates, gazettes of Jiangnan, Suzhou, Taicang and Jiading, traditional documentations and references in painting catalogues also add to our knowledge of the life and work of Li Liufang. This study has been undertaken in order to reconstruct a chronology of Li Liufang's life and work which will lead to some interesting revelations about the late Ming/Early Qing painting. Through an understanding of Li Liufang's localized influence in the Jianding area, one can get an insight into the nature of his role in transmitting and perpetuating the literati style formulated by the orthodox theorist Dong Qichang as well as a sense of continuity that was evident in the subsequent development of the history of Chinese painting.Subjects--Topical Terms:

2122701
Art history.

Li Liufang: The life and art of a late Ming literatus. (Volumes I and II).
LDR:02899nmm a2200289 4500 001 2076762
005 20161104141213.5
008 170521s1990 ||||||||||||||||| ||eng d
035 $a (MiAaPQ)AAI9119058
035 $a AAI9119058
040 $a MiAaPQ $c MiAaPQ
100 1 $a Chu, Christina. $3 3192239
245 1 0 $a Li Liufang: The life and art of a late Ming literatus. (Volumes I and II).
300 $a 408 p.
500 $a Source: Dissertation Abstracts International, Volume: 52-02, Section: A, page: 3210.
500 $a Chairperson: Chu-tsing Li.
502 $a Thesis (Ph.D.)--University of Kansas, 1990.
520 $a The painting career of Li Liufang spanned a period of twenty-six years as shown by his earliest extant dated works of 1602 and the last dated work of 1628. His paintings testify to a stylistic evolution successively influenced by Huang Gongwang, Wang Meng, Wu Zhen, Ni Zan and Dong Qichang and ultimately evolving an individual style. Li Liufang was also accomplished in the arts of poetry, calligraphy, seal carving, bamboo carving and rock gardening. He was esteemed as one fo the "Nine Friends of Painting" as well as the "Four Gentlemen of Jiading." Li Liufang led the life of a recluse in his rustic abode of Sandalwood Garden (Tanyuan) until his death in 1629. His style was carried on by his son, Li Hangzhi, and many literatus painters who expressed admiration for his life and art. As an individualist and a non-conformist, Li Liufang was considered a literati role model. Through the practice of Li Liufang's style, these later artists aimed to emulate a literati ideal. Li Liufang, being a prolific writer has left us a collection of poems, essays and inscriptions in his book Anthology of the Sandlewood Garden (Tanyuan ji) in which he recorded his travels, his life, details of his environment, and comments and criticisms on art. Massive writing by contemporary literati associates, gazettes of Jiangnan, Suzhou, Taicang and Jiading, traditional documentations and references in painting catalogues also add to our knowledge of the life and work of Li Liufang. This study has been undertaken in order to reconstruct a chronology of Li Liufang's life and work which will lead to some interesting revelations about the late Ming/Early Qing painting. Through an understanding of Li Liufang's localized influence in the Jianding area, one can get an insight into the nature of his role in transmitting and perpetuating the literati style formulated by the orthodox theorist Dong Qichang as well as a sense of continuity that was evident in the subsequent development of the history of Chinese painting.
590 $a School code: 0099.
650 4 $a Art history. $3 2122701
650 4 $a Fine arts. $3 2122690
650 4 $a Asian history. $2 bicssc $3 1099323
650 4 $a Biographies. $3 795061
690 $a 0377
690 $a 0357
690 $a 0332
690 $a 0304
710 2 $a University of Kansas. $3 626626
773 0 $t Dissertation Abstracts International $g 52-02A.
790 $a 0099
791 $a Ph.D.
792 $a 1990
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9119058