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Staging the artist: Subjectivity, r...

Lottering, William.

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Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm"./
作者:	Lottering, William.
面頁冊數:	178 p.
附註:	Source: Masters Abstracts International, Volume: 52-05.
Contained By:	Masters Abstracts International52-05(E).
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MS00062
ISBN:	9780499000620

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
Lottering, William.

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm". - 178 p.

Source: Masters Abstracts International, Volume: 52-05.

Thesis (M.A.)--York University (Canada), 2013.

This item must not be sold to any third party vendors.

In the artworks of Wim Delvoye, subjectivity, reflexivity and performativity are three notions that provide a framework for the appreciation of contemporary artworks. Until the mid-twentieth century, subjectivity was perceived as an attribute of a singular subject that arises from a singular point of view. But today, contemporary artworks are often created intersubjectively; as exemplified in the art of Delvoye, whose works reflect and mirror postmodern conditions. The thesis argues, the postmodernist context necessitates that artworks are about society. Artworks are reflexive because society is reflexive; it is an entity that acts upon itself. I argue that performativity, a reflexive intersubjective notion, is a prime postmodern mode. I define the artwork as a specified outcome through an artistic medium in generative action and argue that Wim Delvoye is an authoring artist in the lineage of Marcel Duchamp and Jackson Pollock, who authored changes in the perception of artistic subjectivity.

ISBN: 9780499000620Subjects--Topical Terms:

2122690
Fine arts.

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
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520 $a In the artworks of Wim Delvoye, subjectivity, reflexivity and performativity are three notions that provide a framework for the appreciation of contemporary artworks. Until the mid-twentieth century, subjectivity was perceived as an attribute of a singular subject that arises from a singular point of view. But today, contemporary artworks are often created intersubjectively; as exemplified in the art of Delvoye, whose works reflect and mirror postmodern conditions. The thesis argues, the postmodernist context necessitates that artworks are about society. Artworks are reflexive because society is reflexive; it is an entity that acts upon itself. I argue that performativity, a reflexive intersubjective notion, is a prime postmodern mode. I define the artwork as a specified outcome through an artistic medium in generative action and argue that Wim Delvoye is an authoring artist in the lineage of Marcel Duchamp and Jackson Pollock, who authored changes in the perception of artistic subjectivity.
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