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Sublimation.

Ishimura, Manami.

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Sublimation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sublimation./
作者:	Ishimura, Manami.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	194 p.
附註:	Source: Masters Abstracts International, Volume: 80-09.
Contained By:	Masters Abstracts International80-09.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13419973
ISBN:	9780438902855

Sublimation.
Ishimura, Manami.

Sublimation. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 194 p.

Source: Masters Abstracts International, Volume: 80-09.

Thesis (M.F.A.)--Texas A&M University - Corpus Christi, 2018.

This item must not be added to any third party search indexes.

My exhibition, Sublimation, is an appreciation for the natural circulation that emerges in everyday life, reflecting its ephemeral beauty. The exhibition presents two installations titled: Thousands of Cranes and Shadow of Lives. Both involve firing cultural objects; people's hair and origami cranes, and breaking porcelain origami cranes as a process of sublimation ([special characters omitted]) (conceptually and chemically). Shadow of Lives, fusing hair between pieces of glass, burning hair to ash to present an individual's pure existence along with their happy memories. In 2016, I began to collect locks of hair from people to represent their personality, their DNA, and their culture. I heat the hair, sandwiched between two pieces of microscope slide glass, to fuse the glass and trap the pattern of ash from the hair as the pure essence of life. The objects are separate from people's appearance. I juxtapose the trapped ash and written memories to present a beautiful history and entity without prejudice. Thousands of Cranes is an installation in which audiences are invited to break ceramic origami cranes, replacing them with a new origami paper crane. A Thousand Origami Cranes is a Japanese traditional ritual to represent hope for a long life in the folding of the cranes, while simultaneously accepting the laws of nature by burning the paper cranes. My art work emphasizes purification through fire by covering origami paper with porcelain slip and firing it as a canvas and shows it as a metaphor of forgiveness of the world. The ceramic cranes become glazed differently depending upon the atmospheres in a soda kiln. Through this process, the firing is a reminder of the whole phenomenon of the ritual where the original paper cranes are burned at a shrine. Participants personally experience the natural dynamism and the ephemeral life's beauty that other cultures also have. Vanishing identities and breaking ceramic origami is a gesture of sublimation. Happy memories and ceramic origami cranes show each moment of the natural circulation. The works in my studio practice and the interaction in social practice represent efforts to respect and appreciate the essence of the ephemeral existence.

ISBN: 9780438902855Subjects--Topical Terms:

2122690
Fine arts.

Sublimation.
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520 $a My exhibition, Sublimation, is an appreciation for the natural circulation that emerges in everyday life, reflecting its ephemeral beauty. The exhibition presents two installations titled: Thousands of Cranes and Shadow of Lives. Both involve firing cultural objects; people's hair and origami cranes, and breaking porcelain origami cranes as a process of sublimation ([special characters omitted]) (conceptually and chemically). Shadow of Lives, fusing hair between pieces of glass, burning hair to ash to present an individual's pure existence along with their happy memories. In 2016, I began to collect locks of hair from people to represent their personality, their DNA, and their culture. I heat the hair, sandwiched between two pieces of microscope slide glass, to fuse the glass and trap the pattern of ash from the hair as the pure essence of life. The objects are separate from people's appearance. I juxtapose the trapped ash and written memories to present a beautiful history and entity without prejudice. Thousands of Cranes is an installation in which audiences are invited to break ceramic origami cranes, replacing them with a new origami paper crane. A Thousand Origami Cranes is a Japanese traditional ritual to represent hope for a long life in the folding of the cranes, while simultaneously accepting the laws of nature by burning the paper cranes. My art work emphasizes purification through fire by covering origami paper with porcelain slip and firing it as a canvas and shows it as a metaphor of forgiveness of the world. The ceramic cranes become glazed differently depending upon the atmospheres in a soda kiln. Through this process, the firing is a reminder of the whole phenomenon of the ritual where the original paper cranes are burned at a shrine. Participants personally experience the natural dynamism and the ephemeral life's beauty that other cultures also have. Vanishing identities and breaking ceramic origami is a gesture of sublimation. Happy memories and ceramic origami cranes show each moment of the natural circulation. The works in my studio practice and the interaction in social practice represent efforts to respect and appreciate the essence of the ephemeral existence.
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