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Time To Start Over.
~
Ontario College of Art & Design (Canada).
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Time To Start Over.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Time To Start Over./
作者:
Smart, Penelope Jane.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2013,
面頁冊數:
113 p.
附註:
Source: Masters Abstracts International, Volume: 52-04.
Contained By:
Masters Abstracts International52-04(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR96989
ISBN:
9780494969892
Time To Start Over.
Smart, Penelope Jane.
Time To Start Over.
- Ann Arbor : ProQuest Dissertations & Theses, 2013 - 113 p.
Source: Masters Abstracts International, Volume: 52-04.
Thesis (M.F.A.)--Ontario College of Art & Design (Canada), 2013.
Time To Start Over is a group exhibition that brought together artworks by artists Lauren Hall, Jennifer Rose Sciarrino and Leisure (Meredith Carruthers and Susannah Wesley). Scientists suggest that we are entering a new geological epoch, termed the Anthropocene, in which the natural world bears the unmistakable mark of the human hand. Using this speculative scenario as a figurative starting point, Time To Start Over occasioned works of sculpture, mixed-media assemblage and video as immanent "findings" from the evolving surface layer of history. Here, an archaeological approach, or attitude, regarding exhibition making was taken up as a procedural and conceptual concern. In order to position the works as "new" representations of nature, Time To Start Over explored various parallel critical structures and dialogues of "new histories," characterized most notably through the notion of "aftermaths" and "uncanny returns" in the realms of contemporary art theory, art history, and aesthetic philosophy.
ISBN: 9780494969892Subjects--Topical Terms:
2122690
Fine arts.
Time To Start Over.
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Time To Start Over is a group exhibition that brought together artworks by artists Lauren Hall, Jennifer Rose Sciarrino and Leisure (Meredith Carruthers and Susannah Wesley). Scientists suggest that we are entering a new geological epoch, termed the Anthropocene, in which the natural world bears the unmistakable mark of the human hand. Using this speculative scenario as a figurative starting point, Time To Start Over occasioned works of sculpture, mixed-media assemblage and video as immanent "findings" from the evolving surface layer of history. Here, an archaeological approach, or attitude, regarding exhibition making was taken up as a procedural and conceptual concern. In order to position the works as "new" representations of nature, Time To Start Over explored various parallel critical structures and dialogues of "new histories," characterized most notably through the notion of "aftermaths" and "uncanny returns" in the realms of contemporary art theory, art history, and aesthetic philosophy.
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