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Machines of Curation.
~
Vier, Riley Todd.
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Machines of Curation.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Machines of Curation./
作者:
Vier, Riley Todd.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
24 p.
附註:
Source: Masters Abstracts International, Volume: 58-01.
Contained By:
Masters Abstracts International58-01(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10752303
ISBN:
9780438153257
Machines of Curation.
Vier, Riley Todd.
Machines of Curation.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 24 p.
Source: Masters Abstracts International, Volume: 58-01.
Thesis (M.F.A.)--The University of Iowa, 2018.
Machines of Curation is an attempt to confront the ever-growing landscape of technology I observe and live inside of daily. This work is specifically concerned with my interest in how we interact with and alter our surrounding environments through technology. The constant tether we have to our devices is becoming more reminiscent of a parasite and host, rather than of a device and user. It informs how we are to look at things, speak with those we love, pay for things, and receive news; just to name a few. I seek to co-opt these methods to urge the viewer to ask their own questions and make their own decisions on how they feel technology is shaping them in ways they may be unaware of. Graphic design holds a unique vernacular to our digital universe as one of the primary mediums that helps organize and create it. The overall goal of this work is that a consistent irony can be established through the work that helps the viewer experiencing it question their views of technology.
ISBN: 9780438153257Subjects--Topical Terms:
2122690
Fine arts.
Machines of Curation.
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Machines of Curation is an attempt to confront the ever-growing landscape of technology I observe and live inside of daily. This work is specifically concerned with my interest in how we interact with and alter our surrounding environments through technology. The constant tether we have to our devices is becoming more reminiscent of a parasite and host, rather than of a device and user. It informs how we are to look at things, speak with those we love, pay for things, and receive news; just to name a few. I seek to co-opt these methods to urge the viewer to ask their own questions and make their own decisions on how they feel technology is shaping them in ways they may be unaware of. Graphic design holds a unique vernacular to our digital universe as one of the primary mediums that helps organize and create it. The overall goal of this work is that a consistent irony can be established through the work that helps the viewer experiencing it question their views of technology.
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