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Landscapes from the road.
~
Schroeder, Darren.
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Landscapes from the road.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Landscapes from the road./
作者:
Schroeder, Darren.
面頁冊數:
60 p.
附註:
Source: Masters Abstracts International, Volume: 55-01.
Contained By:
Masters Abstracts International55-01(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1595426
ISBN:
9781321944518
Landscapes from the road.
Schroeder, Darren.
Landscapes from the road.
- 60 p.
Source: Masters Abstracts International, Volume: 55-01.
Thesis (M.F.A.)--Southern Illinois University at Carbondale, 2015.
In this paper I will discuss the images from Landscapes From The Road and how they function within a canon of landscape. I will discuss these images in relation to traditional romantic and pastoral constructs of landscape as well as the ways in which the images formulate landscape as uniquely and materialistically contemporary. I will discuss landscape as a concept related to the contemplation of the Sublime, renewed individuality, and its contemporary treatment as a location of transactional and material interest.
ISBN: 9781321944518Subjects--Topical Terms:
2122690
Fine arts.
Landscapes from the road.
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In this paper I will discuss the images from Landscapes From The Road and how they function within a canon of landscape. I will discuss these images in relation to traditional romantic and pastoral constructs of landscape as well as the ways in which the images formulate landscape as uniquely and materialistically contemporary. I will discuss landscape as a concept related to the contemplation of the Sublime, renewed individuality, and its contemporary treatment as a location of transactional and material interest.
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I will contextualize the images of Landscapes From the Road as representing a more inclusive definition of nature wherein certain contradictions arise. These contradictions primarily involve a conflict between ideations of an originary or primal landscape and that of a landscape defined by human processes of habitation. In my photographs and in this paper I present the idea of landscape as inclusive of both halves of this equation. I offer a holistic landscape that engages on an ontic and transcendental level as well as on a material level in which the landscape becomes the sight of ambiguities intrinsic to and inseparable from the process of human habitation.
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