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Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries./
作者:
Boyle, Will Chauncey Digby .
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
86 p.
附註:
Source: Masters Abstracts International, Volume: 83-06.
Contained By:
Masters Abstracts International83-06.
標題:
Art galleries & museums. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28848950
ISBN:
9798759926818
Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
Boyle, Will Chauncey Digby .
Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 86 p.
Source: Masters Abstracts International, Volume: 83-06.
Thesis (M.A.)--Queen's University (Canada), 2021.
This item must not be sold to any third party vendors.
The familiar and fabled Canadian group of landscape painters known as the Group of Seven and their contemporaries hold a commanding space in a certain national cultural memory. Their legacies are steadily being reconsidered by scholars and curators of Canadian historical art today. This paper deepens the conversations around ethical curating of these canonical Canadian artworks from a settler curator's perspective. It considers the leading narratives about the Group of Seven, the institutions that supported them, and the exhibitions, programs, and texts that mythologized them. As part of a larger project in research-creation this paper takes an empathic position of not-knowing to responsibly produce an ethical standard for curators of today to proceed in their practices. It does so through a personal investigation of curatorial practice and relationships to modernist Canadian landscape painting by curator Will Boyle who is actively curating an adjacent exhibition called Art for a N[ot]ation (2021). This text presents a series of important moments in the story of the Group of Seven and considers the role of the curator in each rendition. It presents the leading literature on both curatorial methodologies and those curatorial decisions that concern the Group of Seven and other practicing landscape artists of the time. It presents these critical writings in relation to these important moments and meditates on their effect today. It does a deep critical analysis of three fiercely different current and recent exhibitions that in some capacity deal with the legacy of these painters. It does these things to inform the conjunctive exhibition and create a space so that exhibitions of our time can ethically respond to dominant Canadian art histories.
ISBN: 9798759926818Subjects--Topical Terms:
3561426
Art galleries & museums.
Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
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The familiar and fabled Canadian group of landscape painters known as the Group of Seven and their contemporaries hold a commanding space in a certain national cultural memory. Their legacies are steadily being reconsidered by scholars and curators of Canadian historical art today. This paper deepens the conversations around ethical curating of these canonical Canadian artworks from a settler curator's perspective. It considers the leading narratives about the Group of Seven, the institutions that supported them, and the exhibitions, programs, and texts that mythologized them. As part of a larger project in research-creation this paper takes an empathic position of not-knowing to responsibly produce an ethical standard for curators of today to proceed in their practices. It does so through a personal investigation of curatorial practice and relationships to modernist Canadian landscape painting by curator Will Boyle who is actively curating an adjacent exhibition called Art for a N[ot]ation (2021). This text presents a series of important moments in the story of the Group of Seven and considers the role of the curator in each rendition. It presents the leading literature on both curatorial methodologies and those curatorial decisions that concern the Group of Seven and other practicing landscape artists of the time. It presents these critical writings in relation to these important moments and meditates on their effect today. It does a deep critical analysis of three fiercely different current and recent exhibitions that in some capacity deal with the legacy of these painters. It does these things to inform the conjunctive exhibition and create a space so that exhibitions of our time can ethically respond to dominant Canadian art histories.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28848950
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