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Ways to Connect : = Somatic Encounters Inside the Terrestrial Zone.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Ways to Connect :/
其他題名:
Somatic Encounters Inside the Terrestrial Zone.
作者:
Pencak, Claire.
面頁冊數:
1 online resource (411 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
Contained By:
Dissertations Abstracts International84-02B.
標題:
Pedagogy. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29222680click for full text (PQDT)
ISBN:
9798841528722
Ways to Connect : = Somatic Encounters Inside the Terrestrial Zone.
Pencak, Claire.
Ways to Connect :
Somatic Encounters Inside the Terrestrial Zone. - 1 online resource (411 pages)
Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2022.
Includes bibliographical references
This research moves with Latour's cosmology of becoming earthly, a reorientation of our relationship to earth described by Earth System sciences. I bring an experiential perspective shaped by the embodied knowledges, practices and languaging of dance making and somatic movement practices. From my dancers' positioning, I step into, move with and get under the skin of questions raised by Latour. My positioning from the inside, relates to the perspective of 'soma' in somatic practice; from inside place, the Scottish Borders; and from inside the terrestrial zone. The research is practice-led, practically orientated and develops ways to connect as an ecological orientation. Curated as three somatic etudes, Stone Ways, Moss Ways and Woodland Ways, each encounter, investigated through an artistic collaboration, explores recomposing and unfiguring as embodied and choreographic processes. In relinquishing fixed patterns of moving, we can re-organise our bodying to allow different anatomical narratives to emerge. I draw on approaches and vocabulary from anthropology, geopoetics and place praxis empathetic to embodied practice and moving with more-than-human relationships. I specifically harness Tsing's definition of encountering as a process for moving with others and Kohn's emphasis on beyond the human perspectives. Thinking through-moving manifests as attuning practices and choreographic scores for real-time composition. Scoring offers a composing process, a form of enquiry and a tool for inviting participation, as we will all need to join in these earthly dances of transformation. The contributions to knowledge extend to movement practice, philosophy and placemaking. The research scopes out directions for the role and contribution of dance and somatic movement to contribute transformative practices at a time of ecological catastrophe. Under_standing practices, pied-agogies and anatomies of connection recompose human-centric positionings, make us susceptible to the sentience of others, and support embodied experiences towards becoming earthly. Descriptions of landing inside the terrestrial zone are arrived at that augment Latour's perspective and a distinct embodied languaging contributes to an evolving glossolalia. Alternative descriptions of place as somatic cartographies and a reshaping of the local are provocations for placemaking brought together as a live score for cultural placemaking in the Scottish Borders.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798841528722Subjects--Topical Terms:
2122828
Pedagogy.
Index Terms--Genre/Form:
542853
Electronic books.
Ways to Connect : = Somatic Encounters Inside the Terrestrial Zone.
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Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
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Advisor: Crawshaw, Julie; Holt, Ysanne.
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Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2022.
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Includes bibliographical references
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This research moves with Latour's cosmology of becoming earthly, a reorientation of our relationship to earth described by Earth System sciences. I bring an experiential perspective shaped by the embodied knowledges, practices and languaging of dance making and somatic movement practices. From my dancers' positioning, I step into, move with and get under the skin of questions raised by Latour. My positioning from the inside, relates to the perspective of 'soma' in somatic practice; from inside place, the Scottish Borders; and from inside the terrestrial zone. The research is practice-led, practically orientated and develops ways to connect as an ecological orientation. Curated as three somatic etudes, Stone Ways, Moss Ways and Woodland Ways, each encounter, investigated through an artistic collaboration, explores recomposing and unfiguring as embodied and choreographic processes. In relinquishing fixed patterns of moving, we can re-organise our bodying to allow different anatomical narratives to emerge. I draw on approaches and vocabulary from anthropology, geopoetics and place praxis empathetic to embodied practice and moving with more-than-human relationships. I specifically harness Tsing's definition of encountering as a process for moving with others and Kohn's emphasis on beyond the human perspectives. Thinking through-moving manifests as attuning practices and choreographic scores for real-time composition. Scoring offers a composing process, a form of enquiry and a tool for inviting participation, as we will all need to join in these earthly dances of transformation. The contributions to knowledge extend to movement practice, philosophy and placemaking. The research scopes out directions for the role and contribution of dance and somatic movement to contribute transformative practices at a time of ecological catastrophe. Under_standing practices, pied-agogies and anatomies of connection recompose human-centric positionings, make us susceptible to the sentience of others, and support embodied experiences towards becoming earthly. Descriptions of landing inside the terrestrial zone are arrived at that augment Latour's perspective and a distinct embodied languaging contributes to an evolving glossolalia. Alternative descriptions of place as somatic cartographies and a reshaping of the local are provocations for placemaking brought together as a live score for cultural placemaking in the Scottish Borders.
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