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A scholar's landscape: Shan-chuang t...

Harrist, Robert E., Jr.

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A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II)./
作者:	Harrist, Robert E., Jr.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1989,
面頁冊數:	447 p.
附註:	Source: Dissertation Abstracts International, Volume: 50-01, Section: A, page: 5000.
Contained By:	Dissertation Abstracts International50-01A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8908038

A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II).
Harrist, Robert E., Jr.

A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II). - Ann Arbor : ProQuest Dissertations & Theses, 1989 - 447 p.

Source: Dissertation Abstracts International, Volume: 50-01, Section: A, page: 5000.

Thesis (Ph.D.)--Princeton University, 1989.

After earning his chin-shih degree the Northern Sung painter and scholar-official Li Kung-lin (ca. 1041-1106) took the unorthodox step of postponing an official career and retiring to a retreat in the Lung-mien Mountains of Anhwei province. The scenery of this retreat was the subject of Li's Shan-chuang t'u, a long handscroll composition painted after he had left the mountains and was serving in a low-ranking government post. This dissertation is a study of Li Kung-lin's painting and the complex network of cultural and artistic traditions within which it was created.Subjects--Topical Terms:

2122690
Fine arts.

A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II).
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245 1 2 $a A scholar's landscape: Shan-chuang t'u by Li Kung-lin. (Volumes I and II).
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500 $a Source: Dissertation Abstracts International, Volume: 50-01, Section: A, page: 5000.
502 $a Thesis (Ph.D.)--Princeton University, 1989.
520 $a After earning his chin-shih degree the Northern Sung painter and scholar-official Li Kung-lin (ca. 1041-1106) took the unorthodox step of postponing an official career and retiring to a retreat in the Lung-mien Mountains of Anhwei province. The scenery of this retreat was the subject of Li's Shan-chuang t'u, a long handscroll composition painted after he had left the mountains and was serving in a low-ranking government post. This dissertation is a study of Li Kung-lin's painting and the complex network of cultural and artistic traditions within which it was created.
520 $a Chapter 1 is a new biography of Li Kung-lin that concentrates on his career as a scholar-official. This chapter also demonstrates the importance of Li's friendship with Su Shih and Su Ch'e, who probably were the first to view his painting of the Lung-mien Mountains. Although Li painted both a draft and a final version of Shan-chuang t'u, these scrolls were lost long ago. They are reflected, however, in the six fragmentary copies introduced in Chapter 2, which presents a reconstruction of Li's original composition. Chapter 3 consists of two sections, a history of garden and retreat building during the eleventh-century and a scene by scene analysis of Li Kung-lin's painting. Chapter 4 argues that in order to interpret the pictorial structure of the landscape in Shan-chuang t'u, it is necessary to recognize Li's use of representational conventions seen in vernacular images, such as geomantic diagrams, and in narrative illustration. During the late eleventh century, Wang-ch'uan t'u by Wang Wei and Ts'ao-t'ang t'u by Lu Hung were intensely admired by Li's circle of friends. Chapter 5 examines the ways in which Li Kung-lin's allusions to these paintings by revered hermit-artists enrich the meaning of his Shan-chuang t'u. The conclusion summarizes the importance of Shan-chuang t'u for the history of later Chinese painting and, through a brief case study, demonstrates the far-ranging impact of Li Kung-lin's art among painters not usually considered his followers.
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