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The arts of Afghanistan: A documenta...

Lederman, Arline Joan.

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The arts of Afghanistan: A documentation and aesthetic analysis.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The arts of Afghanistan: A documentation and aesthetic analysis./
作者:	Lederman, Arline Joan.
面頁冊數:	802 p.
附註:	Source: Dissertation Abstracts International, Volume: 50-12, Section: A, page: 3773.
Contained By:	Dissertation Abstracts International50-12A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9004298

The arts of Afghanistan: A documentation and aesthetic analysis.
Lederman, Arline Joan.

The arts of Afghanistan: A documentation and aesthetic analysis. - 802 p.

Source: Dissertation Abstracts International, Volume: 50-12, Section: A, page: 3773.

Thesis (Ph.D.)--New York University, 1989.

The traditional arts of Afghanistan comprise a body of work, which heretofore has not been adequately documented. This thesis is a survey, photographic documentation and aesthetic analysis of these art forms.Subjects--Topical Terms:

2122690
Fine arts.

The arts of Afghanistan: A documentation and aesthetic analysis.
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100 1 $a Lederman, Arline Joan. $3 3192233
245 1 4 $a The arts of Afghanistan: A documentation and aesthetic analysis.
300 $a 802 p.
500 $a Source: Dissertation Abstracts International, Volume: 50-12, Section: A, page: 3773.
500 $a Chairman: David W. Ecker.
502 $a Thesis (Ph.D.)--New York University, 1989.
520 $a The traditional arts of Afghanistan comprise a body of work, which heretofore has not been adequately documented. This thesis is a survey, photographic documentation and aesthetic analysis of these art forms.
520 $a Research in the arts of Afghanistan was undertaken during the years 1965-1978. Every effort was made to consider primarily those arts produced in traditional settings such as rural villages, in nomad camps and by others who retain tribal identities and lifestyles. Interviews with artisans, bazaar keepers and officials along with phenomenological investigation of the arts provided the great majority of the data. Every region of Afghanistan that was accessible by car was visited.
520 $a Tribal groups documented are: Pathans, Turcoman, Hazara, Aimaq and Nuristani with some mention of Uzbek, Brahui and others. Historic precedents of the arts along with cultural borrowings and invasions are reviewed. Included are metalwork, stonework, leather, and ceramics along with textile traditions. Typical examples was a more significant criteria than beauty. Every effort was made to choose items not geared to the contemporary tourist or export markets.
520 $a Almost all the photographs are the work of the researcher with the exception of the section on historic influences and as noted.
520 $a This thesis examines the body of Afghan arts as an entirety and maintains that the arts of Afghanistan are a significant collection deserving of consideration as the visual aesthetic culture of the country. Questions of what a visual art culture is and how it can be defined are discussed.
590 $a School code: 0146.
650 4 $a Fine arts. $3 2122690
690 $a 0357
710 2 $a New York University. $3 515735
773 0 $t Dissertation Abstracts International $g 50-12A.
790 $a 0146
791 $a Ph.D.
792 $a 1989
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9004298