東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

"Repercussions": Indigenous new medi...

Jacobson-Konefall, Jessica.

Linked to FindBook

Google Book

Amazon

博客來

"Repercussions": Indigenous new media art and resurgent civic space.

Record Type:	Electronic resources : Monograph/item
Title/Author:	"Repercussions": Indigenous new media art and resurgent civic space./
Author:	Jacobson-Konefall, Jessica.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
Description:	331 p.
Notes:	Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.
Contained By:	Dissertation Abstracts International78-01A(E).
Subject:	Canadian studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10155134
ISBN:	9781369102192

"Repercussions": Indigenous new media art and resurgent civic space.
Jacobson-Konefall, Jessica.

"Repercussions": Indigenous new media art and resurgent civic space. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 331 p.

Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.

Thesis (Ph.D.)--Queen's University (Canada), 2015.

This dissertation investigates Indigenous new media artworks shown at Urban Shaman: Contemporary Aboriginal Art Gallery, located in Winnipeg, Manitoba, Canada. I argue that Urban Shaman is an institution of Indigenous resurgence and translocal citizenship in Winnipeg. The new media artworks I examine operate as authoritative civic spaces by drawing upon Indigenous aesthetic traditions and new media technologies. The first chapter centers on new media artworks by artists Scott Benesiinaabandan (Anishinaabe) and Rosalie Favell (Metis), conveying Winnipeg's histories through their artistic renditions of personal and public archives that frame Winnipeg's city spaces. The chapter locates these works in conversation with artists Terril Calder (Metis) and Terrance Houle (Blood) whose new media artworks reframe and restage civic archives in Toronto and Calgary. The next chapter considers how new media artworks at Urban Shaman by Jude Norris, Nadia Myre, Jordan Bennett, and Terril Calder enact what I am calling Indigenous civic ecology, relating human and non-human elements of the city through Cree, Anishinaabe, Mi'kmaq and Metis genealogies. The final chapter discusses how new media artworks by Jason Baerg (Cree/ Metis), Rebecca Belmore (Anishinaabe), and Scott Benesiinaabandan (Anishinaabe) advance a lexicon of aesthetic values, particularly "travelling traditional knowledge" and "blood memory," in response to globalization. This dissertation illustrates how new media artworks shown at Urban Shaman embody critical Indigenous methodologies in relationships of ongoing praxis. Ultimately, it demonstrates that Indigenous new media art functions as, and through, practices of translocal Indigenous citizenship, rearticulating urban civic ecology, and resurging, maintaining, and developing Indigenous epistemology and values in Winnipeg.

ISBN: 9781369102192Subjects--Topical Terms:

2122858
Canadian studies.

"Repercussions": Indigenous new media art and resurgent civic space.
LDR:02776nmm a2200301 4500 001 2123491
005 20171003070855.5
008 180830s2015 ||||||||||||||||| ||eng d
020 $a 9781369102192
035 $a (MiAaPQ)AAI10155134
035 $a AAI10155134
040 $a MiAaPQ $c MiAaPQ
100 1 $a Jacobson-Konefall, Jessica. $3 3285411
245 1 0 $a "Repercussions": Indigenous new media art and resurgent civic space.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2015
300 $a 331 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.
500 $a Adviser: Susan Lord.
502 $a Thesis (Ph.D.)--Queen's University (Canada), 2015.
520 $a This dissertation investigates Indigenous new media artworks shown at Urban Shaman: Contemporary Aboriginal Art Gallery, located in Winnipeg, Manitoba, Canada. I argue that Urban Shaman is an institution of Indigenous resurgence and translocal citizenship in Winnipeg. The new media artworks I examine operate as authoritative civic spaces by drawing upon Indigenous aesthetic traditions and new media technologies. The first chapter centers on new media artworks by artists Scott Benesiinaabandan (Anishinaabe) and Rosalie Favell (Metis), conveying Winnipeg's histories through their artistic renditions of personal and public archives that frame Winnipeg's city spaces. The chapter locates these works in conversation with artists Terril Calder (Metis) and Terrance Houle (Blood) whose new media artworks reframe and restage civic archives in Toronto and Calgary. The next chapter considers how new media artworks at Urban Shaman by Jude Norris, Nadia Myre, Jordan Bennett, and Terril Calder enact what I am calling Indigenous civic ecology, relating human and non-human elements of the city through Cree, Anishinaabe, Mi'kmaq and Metis genealogies. The final chapter discusses how new media artworks by Jason Baerg (Cree/ Metis), Rebecca Belmore (Anishinaabe), and Scott Benesiinaabandan (Anishinaabe) advance a lexicon of aesthetic values, particularly "travelling traditional knowledge" and "blood memory," in response to globalization. This dissertation illustrates how new media artworks shown at Urban Shaman embody critical Indigenous methodologies in relationships of ongoing praxis. Ultimately, it demonstrates that Indigenous new media art functions as, and through, practices of translocal Indigenous citizenship, rearticulating urban civic ecology, and resurging, maintaining, and developing Indigenous epistemology and values in Winnipeg.
590 $a School code: 0283.
650 4 $a Canadian studies. $3 2122858
650 4 $a Native American studies. $3 2122730
650 4 $a Fine arts. $3 2122690
690 $a 0385
690 $a 0740
690 $a 0357
710 2 0 $a Queen's University (Canada). $3 1017786
773 0 $t Dissertation Abstracts International $g 78-01A(E).
790 $a 0283
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10155134