語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Gaze Relations: Looking as Power.
~
Assi, Anthony.
FindBook
Google Book
Amazon
博客來
Gaze Relations: Looking as Power.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Gaze Relations: Looking as Power./
作者:
Assi, Anthony.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
41 p.
附註:
Source: Masters Abstracts International, Volume: 58-01.
Contained By:
Masters Abstracts International58-01(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10829888
ISBN:
9780438249639
Gaze Relations: Looking as Power.
Assi, Anthony.
Gaze Relations: Looking as Power.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 41 p.
Source: Masters Abstracts International, Volume: 58-01.
Thesis (M.F.A.)--University of California, Santa Cruz, 2018.
Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.
ISBN: 9780438249639Subjects--Topical Terms:
2122690
Fine arts.
Gaze Relations: Looking as Power.
LDR
:02466nmm a2200289 4500
001
2166346
005
20181203094403.5
008
190424s2018 ||||||||||||||||| ||eng d
020
$a
9780438249639
035
$a
(MiAaPQ)AAI10829888
035
$a
(MiAaPQ)ucsc:11584
035
$a
AAI10829888
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Assi, Anthony.
$3
3354449
245
1 0
$a
Gaze Relations: Looking as Power.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2018
300
$a
41 p.
500
$a
Source: Masters Abstracts International, Volume: 58-01.
500
$a
Adviser: Edward Shanken.
502
$a
Thesis (M.F.A.)--University of California, Santa Cruz, 2018.
520
$a
Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.
590
$a
School code: 0036.
650
4
$a
Fine arts.
$3
2122690
690
$a
0357
710
2
$a
University of California, Santa Cruz.
$b
Digital Arts and New Media.
$3
3354450
773
0
$t
Masters Abstracts International
$g
58-01(E).
790
$a
0036
791
$a
M.F.A.
792
$a
2018
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10829888
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9365893
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入