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On the Automation of Agency in Algorithmic Music Composition.

Record Type:	Electronic resources : Monograph/item
Title/Author:	On the Automation of Agency in Algorithmic Music Composition./
Author:	Cullimore, Jason Roy.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	349 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-06, Section: B.
Contained By:	Dissertations Abstracts International83-06B.
Subject:	Composers. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28859617
ISBN:	9798759929260

On the Automation of Agency in Algorithmic Music Composition.
Cullimore, Jason Roy.

On the Automation of Agency in Algorithmic Music Composition. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 349 p.

Source: Dissertations Abstracts International, Volume: 83-06, Section: B.

Thesis (Ph.D.)--The University of Regina (Canada), 2021.

This item must not be sold to any third party vendors.

This thesis, and the artworks that accompany it, are the products of my Special Case, Interdisciplinary PhD program. The program allowed me to develop art works where programmable computers are granted agency over music structure, contrasting with my prior composing practice centred on digital audio workstations and linear scores. Here I seek bridges between my established practice of linear composition and those where algorithm-design facilitates interactivity, nonlinearity, and contact between human agents through innovative computer-based interfaces. I establish three types of contribution: one third my contribution to computer science, one third theartworks which I developed, and one third my critical reaction on the process. This reaction centres on my creative methodology, and ve main artistic works. The seart works include an original album of songs written from the perspective of hypothetical future, articially-intelligent machines, three exploratory interactive digital works, and anal major project called \\Shards of Memory," a composition in the form of a smartphone app. This body of work has emerged from my e orts to balance the compositional a or dances of programming code with my desire to facilitate the authentic expression of human agents, including myself. I chart my traversal of an interdisciplinary borderland between music composition and computer science, and uncover fertile territories where interdisciplinary artists may challenge musical conventions by using programming languages as compositional media supporting an inter play of multiple agencies. I conclude by arguing that interdisciplinary algorithmic composers are on the vanguard of an evolution of music, and that the chronological evolution of my own doctoral work as an example of how a composer's practice maybe transformed and energized by exerting composerly agency through acts of coding.

ISBN: 9798759929260Subjects--Topical Terms:

625471
Composers.

On the Automation of Agency in Algorithmic Music Composition.
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500 $a Source: Dissertations Abstracts International, Volume: 83-06, Section: B.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis, and the artworks that accompany it, are the products of my Special Case, Interdisciplinary PhD program. The program allowed me to develop art works where programmable computers are granted agency over music structure, contrasting with my prior composing practice centred on digital audio workstations and linear scores. Here I seek bridges between my established practice of linear composition and those where algorithm-design facilitates interactivity, nonlinearity, and contact between human agents through innovative computer-based interfaces. I establish three types of contribution: one third my contribution to computer science, one third theartworks which I developed, and one third my critical reaction on the process. This reaction centres on my creative methodology, and ve main artistic works. The seart works include an original album of songs written from the perspective of hypothetical future, articially-intelligent machines, three exploratory interactive digital works, and anal major project called \\Shards of Memory," a composition in the form of a smartphone app. This body of work has emerged from my e orts to balance the compositional a or dances of programming code with my desire to facilitate the authentic expression of human agents, including myself. I chart my traversal of an interdisciplinary borderland between music composition and computer science, and uncover fertile territories where interdisciplinary artists may challenge musical conventions by using programming languages as compositional media supporting an inter play of multiple agencies. I conclude by arguing that interdisciplinary algorithmic composers are on the vanguard of an evolution of music, and that the chronological evolution of my own doctoral work as an example of how a composer's practice maybe transformed and energized by exerting composerly agency through acts of coding.
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