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Order Through Chaos.

Woof, Joshua.

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Order Through Chaos.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Order Through Chaos./
作者:	Woof, Joshua.
面頁冊數:	34 p.
附註:	Source: Masters Abstracts International, Volume: 54-06.
Contained By:	Masters Abstracts International54-06(E).
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1595252
ISBN:	9781321936520

Order Through Chaos.
Woof, Joshua.

Order Through Chaos. - 34 p.

Source: Masters Abstracts International, Volume: 54-06.

Thesis (M.F.A.)--Rochester Institute of Technology, 2015.

The basis of this thesis is to create a visual body of work that explores the relationship between humans and nature. The imagery for this work is influenced by the nostalgic memories of nature's ephemeral qualities and natural phenomena. I want my work to reference places I have been, seen, and touched- places that had a profound impact on my spirit. By recreating these experiences, I am able to reflect and respond in new ways with my environment. I communicate these experiences using formal sculptural language, rather than recreating nature itself. I create organic, abstracted forms to represent nature through repeated shapes. I refer to these individual pieces as fractal cells. This is one way for me to visually represent and understand the randomness of nature. I want my viewers to recognize a quality that brings to mind a memorable reflection. The forms resemble bones, fish, water, etc.; yet, their beauty is in the ambiguity of the forms, as nature is endless in its inspiration.

ISBN: 9781321936520Subjects--Topical Terms:

2122690
Fine arts.

Order Through Chaos.
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520 $a The basis of this thesis is to create a visual body of work that explores the relationship between humans and nature. The imagery for this work is influenced by the nostalgic memories of nature's ephemeral qualities and natural phenomena. I want my work to reference places I have been, seen, and touched- places that had a profound impact on my spirit. By recreating these experiences, I am able to reflect and respond in new ways with my environment. I communicate these experiences using formal sculptural language, rather than recreating nature itself. I create organic, abstracted forms to represent nature through repeated shapes. I refer to these individual pieces as fractal cells. This is one way for me to visually represent and understand the randomness of nature. I want my viewers to recognize a quality that brings to mind a memorable reflection. The forms resemble bones, fish, water, etc.; yet, their beauty is in the ambiguity of the forms, as nature is endless in its inspiration.
520 $a In the current state of our existence, there is an apparent imbalance between humanity and the environment. What generally should be in harmony is in a constant state of conflict. How I relate to this chaotic order is something of interest to me. I want to represent a human presence within my work through the use of geometric shapes, forms, and materials. These forms are cold, heavy, and industrial in appearance. Using both organic and industrial forms together, I can represent the imbalance between humans and nature, and seek a new means of understanding this tension.
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