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Art, Commerce and the Working Photographer.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Art, Commerce and the Working Photographer./
作者:	Schaedel, Joshua.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	21 p.
附註:	Source: Masters Abstracts International, Volume: 83-05.
Contained By:	Masters Abstracts International83-05.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28718844
ISBN:	9798492738518

Art, Commerce and the Working Photographer.
Schaedel, Joshua.

Art, Commerce and the Working Photographer. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 21 p.

Source: Masters Abstracts International, Volume: 83-05.

Thesis (M.F.A.)--University of California, Riverside, 2021.

This item must not be sold to any third party vendors.

The work in my thesis is part of a larger exploration of my placement within and relationship to the long history of photographers whose work extends beyond the walls of a gallery or museum. So often, while pursuing my BFA in photography, conversations around specific images would reach points of confusion as to whether or not the image or the photographer could be categorized as "commercial" or "art". In no other medium, besides that of video, has there been so much muddy water between the two sides, a confusion that can be traced to photography's beginnings. It is from this confusion that my own practice emerges. Through my active resistance to the commercial/fine art dichotomy, I hope to make work that expands conversations about both and opens the latter to a broader public. My intention behind this text is therefore not to lay out any clear definition of this tension, but rather to bear witness to its existence while discussing some historical and theoretical works that have influenced my own. If one of photography's powers is in its ambiguity, then I hope that this thesis asks more questions than it gives answers.

ISBN: 9798492738518Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Writing on photography

Art, Commerce and the Working Photographer.
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520 $a The work in my thesis is part of a larger exploration of my placement within and relationship to the long history of photographers whose work extends beyond the walls of a gallery or museum. So often, while pursuing my BFA in photography, conversations around specific images would reach points of confusion as to whether or not the image or the photographer could be categorized as "commercial" or "art". In no other medium, besides that of video, has there been so much muddy water between the two sides, a confusion that can be traced to photography's beginnings. It is from this confusion that my own practice emerges. Through my active resistance to the commercial/fine art dichotomy, I hope to make work that expands conversations about both and opens the latter to a broader public. My intention behind this text is therefore not to lay out any clear definition of this tension, but rather to bear witness to its existence while discussing some historical and theoretical works that have influenced my own. If one of photography's powers is in its ambiguity, then I hope that this thesis asks more questions than it gives answers.
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