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Shaping Film Theory through Contempo...

Von Vogt, Matthew.

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Shaping Film Theory through Contemporary Art, 1971-1995.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Shaping Film Theory through Contemporary Art, 1971-1995./
作者:	Von Vogt, Matthew.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	287 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-08, Section: A.
Contained By:	Dissertations Abstracts International80-08A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10982004
ISBN:	9780438814943

Shaping Film Theory through Contemporary Art, 1971-1995.
Von Vogt, Matthew.

Shaping Film Theory through Contemporary Art, 1971-1995. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 287 p.

Source: Dissertations Abstracts International, Volume: 80-08, Section: A.

Thesis (Ph.D.)--Indiana University, 2019.

This item must not be sold to any third party vendors.

This dissertation explores central questions of film theory: what cinema is, how it signifies, and most of all, how we experience it. It approaches these issues through studying interplay between film theory and contemporary art from 1971 through 1995, from cinema's postclassical period until the start of its digital age. Focusing on examples by Robert Smithson, Fabio Mauri, Manny Farber, and John Baldessari, I investigate how these artists have produced paintings, diagrams, performance artworks, and composite pieces that reference film and theorize about cinematic exhibition, authorship, interpretation, and the representation and perception of race and ethnicity. While these case studies express distinct arguments across a range of genres concerning what cinema is, what it has been, and what it could become, they coalesce around attending to the experience and reception of film, challenging the modernist tendency to reduce a medium to its physical or representational qualities. They model intermedial approaches to exploring the cinematic medium, broadening what film theory looks like to acknowledge works that are neither grounded in prose, nor films proper. In doing so, the artworks contribute to recent developments within the humanities concerning the capacity for images and material objects to express theoretical arguments, and I explore how they comment on film and in conversation with existing theories (cinematic and otherwise). The case studies challenge the binary between theory and practice, with arguments that are indelibly shaped by the mediums in which they were made, and which help us understand film (and film theory) in ways that are often more abstract and visceral than prose, but no less illuminating.

ISBN: 9780438814943Subjects--Topical Terms:

2122690
Fine arts.

Shaping Film Theory through Contemporary Art, 1971-1995.
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