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Exhibition by Institution: A Culture Work Simulator.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Exhibition by Institution: A Culture Work Simulator./
作者:
Morrison Fox, Amber.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
83 p.
附註:
Source: Masters Abstracts International, Volume: 83-07.
Contained By:
Masters Abstracts International83-07.
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28961889
ISBN:
9798762188524
Exhibition by Institution: A Culture Work Simulator.
Morrison Fox, Amber.
Exhibition by Institution: A Culture Work Simulator.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 83 p.
Source: Masters Abstracts International, Volume: 83-07.
Thesis (M.F.A.)--University of Lethbridge (Canada), 2021.
This item must not be sold to any third party vendors.
Exhibition by Institution: A Culture Work Simulator is an art museum simulator through the first-person perspective of an entry-level cultural worker. The simulator is based on Nanaimo Art Gallery, a regional, publicly funded, art museum in Nanaimo, British Columbia. The premise of the simulator is inspired by tasks required of entry-level gallery employees, some real and others more poetic, and it poses a critique of institutions spurred by neoliberal structures of funding that cause persistent job insecurity in the arts and culture sector. This artwork is a three-dimensional environmental narrative created through an emergent process with digital tools, transposing and appropriating a local organization as a way of exploring virtual space.
ISBN: 9798762188524Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
Cultural worker
Exhibition by Institution: A Culture Work Simulator.
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Exhibition by Institution: A Culture Work Simulator is an art museum simulator through the first-person perspective of an entry-level cultural worker. The simulator is based on Nanaimo Art Gallery, a regional, publicly funded, art museum in Nanaimo, British Columbia. The premise of the simulator is inspired by tasks required of entry-level gallery employees, some real and others more poetic, and it poses a critique of institutions spurred by neoliberal structures of funding that cause persistent job insecurity in the arts and culture sector. This artwork is a three-dimensional environmental narrative created through an emergent process with digital tools, transposing and appropriating a local organization as a way of exploring virtual space.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28961889
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