東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Wang Meng's development as an artist...

Leong, Choon Sang.

FindBook

Google Book

Amazon

博客來

Wang Meng's development as an artist as seen through his depiction of scholars' retreats.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Wang Meng's development as an artist as seen through his depiction of scholars' retreats./
作者:	Leong, Choon Sang.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1988,
面頁冊數:	347 p.
附註:	Source: Dissertation Abstracts International, Volume: 50-05, Section: A, page: 1119.
Contained By:	Dissertation Abstracts International50-05A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8918389

Wang Meng's development as an artist as seen through his depiction of scholars' retreats.
Leong, Choon Sang.

Wang Meng's development as an artist as seen through his depiction of scholars' retreats. - Ann Arbor : ProQuest Dissertations & Theses, 1988 - 347 p.

Source: Dissertation Abstracts International, Volume: 50-05, Section: A, page: 1119.

Thesis (Ph.D.)--University of Kansas, 1988.

Among the contributions of the Mongol Yuan dynasty (1279-1368) to the Chinese culture was the stimulation of the wen-jen hua (literati painting) expressive modes. Although not directly involved in the formulation of these modes, the Mongol rule had the effect of instigating new directions in art among Chinese scholars who were the main proponents of Chinese literati painting. Wang Meng (ca. 1308-1385), one of the four late Yuan masters, serves as a good example in the understanding of this development. The present study investigates the cognitive experience of Wang Meng as an artist through examining his depiction of scholars' retreats, the most persistent theme in painting of the Yuan dynasty. These eremitic paintings of Wang Meng fully demonstrate a new awareness in topography by late Yuan scholar-painters. A significant portion of this study is devoted to investigate the interplay of topographical aspects and personal context in the stylistic formulation of Wang Meng's art. A further investigation of the evolution of this theme within the expressive vocabulary of Wang Meng succinctly portrays Wang Meng's development as an artist. His treatment of some special motifs and his perception of the political-literary iconography of the pictures of scholars' retreats add to a fuller understanding of this late Yuan master. The approach of this study is designed to confront the syncretistic nature of the pictures of scholars' retreats in late Yuan. The study of context prepares the stage for the study of style, while the study of content highlights the detailed scenario by which to fully appreciate the art for of Wang Meng.Subjects--Topical Terms:

2122690
Fine arts.

Wang Meng's development as an artist as seen through his depiction of scholars' retreats.
LDR:02475nmm a2200253 4500 001 2153964
005 20180322121331.5
008 190424s1988 ||||||||||||||||| ||eng d
035 $a (MiAaPQ)AAI8918389
035 $a AAI8918389
040 $a MiAaPQ $c MiAaPQ
100 1 $a Leong, Choon Sang. $3 3341693
245 1 0 $a Wang Meng's development as an artist as seen through his depiction of scholars' retreats.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1988
300 $a 347 p.
500 $a Source: Dissertation Abstracts International, Volume: 50-05, Section: A, page: 1119.
502 $a Thesis (Ph.D.)--University of Kansas, 1988.
520 $a Among the contributions of the Mongol Yuan dynasty (1279-1368) to the Chinese culture was the stimulation of the wen-jen hua (literati painting) expressive modes. Although not directly involved in the formulation of these modes, the Mongol rule had the effect of instigating new directions in art among Chinese scholars who were the main proponents of Chinese literati painting. Wang Meng (ca. 1308-1385), one of the four late Yuan masters, serves as a good example in the understanding of this development. The present study investigates the cognitive experience of Wang Meng as an artist through examining his depiction of scholars' retreats, the most persistent theme in painting of the Yuan dynasty. These eremitic paintings of Wang Meng fully demonstrate a new awareness in topography by late Yuan scholar-painters. A significant portion of this study is devoted to investigate the interplay of topographical aspects and personal context in the stylistic formulation of Wang Meng's art. A further investigation of the evolution of this theme within the expressive vocabulary of Wang Meng succinctly portrays Wang Meng's development as an artist. His treatment of some special motifs and his perception of the political-literary iconography of the pictures of scholars' retreats add to a fuller understanding of this late Yuan master. The approach of this study is designed to confront the syncretistic nature of the pictures of scholars' retreats in late Yuan. The study of context prepares the stage for the study of style, while the study of content highlights the detailed scenario by which to fully appreciate the art for of Wang Meng.
590 $a School code: 0099.
650 4 $a Fine arts. $3 2122690
690 $a 0357
710 2 $a University of Kansas. $3 626626
773 0 $t Dissertation Abstracts International $g 50-05A.
790 $a 0099
791 $a Ph.D.
792 $a 1988
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8918389