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Daily Artefact: A Record of Making a...

Nace, Aprille.

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Daily Artefact: A Record of Making and Maker.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Daily Artefact: A Record of Making and Maker./
作者:	Nace, Aprille.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	32 p.
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10929721
ISBN:	9780438302952

Daily Artefact: A Record of Making and Maker.
Nace, Aprille.

Daily Artefact: A Record of Making and Maker. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 32 p.

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.F.A.)--Rochester Institute of Technology, 2018.

Reacting to the inherent qualities of clay this thesis is an exploration into how mass, color, expressionistic textures, quiet neutral planes, and the materiality of clay can embody extreme contradiction and tension in abstract ceramic sculpture. The body of work begins as a massive blank canvas awaiting my response of the moment. Each form is acted upon differently but holds in common a stretching of the expressivist potential of clay. This exploration is driven by my struggles with the extreme highs and lows of bipolar disorder.

ISBN: 9780438302952Subjects--Topical Terms:

2122690
Fine arts.

Daily Artefact: A Record of Making and Maker.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Adviser: Jane Shellenbarger.
502 $a Thesis (M.F.A.)--Rochester Institute of Technology, 2018.
520 $a Reacting to the inherent qualities of clay this thesis is an exploration into how mass, color, expressionistic textures, quiet neutral planes, and the materiality of clay can embody extreme contradiction and tension in abstract ceramic sculpture. The body of work begins as a massive blank canvas awaiting my response of the moment. Each form is acted upon differently but holds in common a stretching of the expressivist potential of clay. This exploration is driven by my struggles with the extreme highs and lows of bipolar disorder.
520 $a That was the premise of my thesis before I began working on it. As the work took shape, it became apparent that it was an exploration in surface, specifically in color. This exploration took me through techniques of manipulating color that ranged from saturating porcelain with ceramic stains to layering wet clay with wet glaze and handfuls of stains and then stretching the clay to create new fields of color. Having set strict parameters for myself (working only in sculptural cylinders and building each object within one working day) to create a constant among the many variables of color. These parameters became more important as the work continued to evolve.
520 $a Here the work became an artifact of time - a record of making and maker. This thesis is a record of that evolution.
590 $a School code: 0465.
650 4 $a Fine arts. $3 2122690
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710 2 $a Rochester Institute of Technology. $b Ceramics. $3 1032304
773 0 $t Masters Abstracts International $g 58-01(E).
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